Diaschismic/Chords: Difference between revisions
m Lériendil moved page Chords of diaschismic to Diaschismic/Chords |
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The normal mapping for diaschismic is {{nowrap|V<sub>dia</sub> {{=}} {{mapping| 2 0 11 31 45 | 0 1 -2 -8 -12 }}}}. From this we may derive a val {{nowrap|'''V''' {{=}} V<sub>dia</sub>[0] − 100 V<sub>dia</sub>[1]}} {{nowrap|{{=}} {{val| 2 -100 211 831 1245 }}}} which we may use to sort and normalize the chords of diaschismic. Under "Chord" is listed the chord, normalized to start from zero, in the mapping by V. If we look at the highest, rightmost, element of the chord, divide that by 100, round, and multiply by 2, we get the [[Graham complexity]] of the chord. Redundantly for the sake of convenience, the Graham complexity is listed in the last column. | The normal mapping for diaschismic is {{nowrap|V<sub>dia</sub> {{=}} {{mapping| 2 0 11 31 45 | 0 1 -2 -8 -12 }}}}. From this we may derive a val {{nowrap|'''V''' {{=}} V<sub>dia</sub>[0] − 100 V<sub>dia</sub>[1]}} {{nowrap|{{=}} {{val| 2 -100 211 831 1245 }}}} which we may use to sort and normalize the chords of diaschismic. Under "Chord" is listed the chord, normalized to start from zero, in the mapping by V. If we look at the highest, rightmost, element of the chord, divide that by 100, round, and multiply by 2, we get the [[Graham complexity]] of the chord. Redundantly for the sake of convenience, the Graham complexity is listed in the last column. | ||
Diaschismic has [[mos scale]]s of size 10, 12, 22, 34, 46, and 58. It may be seen that even ten notes are not without resources, mostly essentially just. By the time we get to 22 notes, we are well-supplied. | |||
Chords are named with ups and downs. The comma (the actual punctuation mark) is pronounced "add", thus Cv,9 is "C down add 9". The pergen is (P8/2, P5), #2 in the [http://tallkite.com/misc_files/notation%20guide%20for%20rank-2%20pergens.pdf notation guide for rank-2 pergens]. The period is both vA4 and ^d5. The P5 generator in mingen form is reduced by one period to become both ^m2 and vA1, and hence M2/2. This is literally a semi-tone, but it's better to call it a "halftone", since the term "semitone" is used much more broadly and has many other connotations. The [[enharmonic unison]] is ^^d2, thus {{nowrap|^^C {{=}} B#}}. One up is 6 mingen generators minus 1 period, which is half a pythagorean comma. {{nowrap|^1 {{=}} 6''c''}}, where ''c'' is the amount in cents the tempered fifth exceeds 700¢. For 46edo, {{nowrap|''c'' {{=}} 4.3¢}} and {{nowrap|^1 {{=}} 1\46}} = 26.1¢. | Chords are named with ups and downs. The comma (the actual punctuation mark) is pronounced "add", thus Cv,9 is "C down add 9". The pergen is (P8/2, P5), #2 in the [http://tallkite.com/misc_files/notation%20guide%20for%20rank-2%20pergens.pdf notation guide for rank-2 pergens]. The period is both vA4 and ^d5. The P5 generator in mingen form is reduced by one period to become both ^m2 and vA1, and hence M2/2. This is literally a semi-tone, but it's better to call it a "halftone", since the term "semitone" is used much more broadly and has many other connotations. The [[enharmonic unison]] is ^^d2, thus {{nowrap|^^C {{=}} B#}}. One up is 6 mingen generators minus 1 period, which is half a pythagorean comma. {{nowrap|^1 {{=}} 6''c''}}, where ''c'' is the amount in cents the tempered fifth exceeds 700¢. For 46edo, {{nowrap|''c'' {{=}} 4.3¢}} and {{nowrap|^1 {{=}} 1\46}} = 26.1¢. | ||