Decaononic: Difference between revisions
CompactStar (talk | contribs) Uh, it's not just "rather flat" |
m →See also: Interval categories aren't widely used |
||
| (One intermediate revision by one other user not shown) | |||
| Line 18: | Line 18: | ||
=== Devil's dozen === | === Devil's dozen === | ||
Devil's dozen technique is playing in [[13edo]] as if it were 12edo. Since 10/9 is closely equal to 2\13 of the octave, it can be assigned to be a 13edo whole tone. The resulting comma that is tempered out is {{monzo|-11 26 -13}} or fully 2541865828329/2500000000000 - devil's tridecalimma. | Devil's dozen technique is playing in [[13edo]] as if it were 12edo. Since 10/9 is closely equal to 2\13 of the octave, it can be assigned to be a 13edo whole tone. The resulting comma that is tempered out is {{monzo|-11 26 -13}} or fully 2541865828329/2500000000000 - devil's tridecalimma. | ||
=== Hitchcock archaeotonic === | |||
10/9 is found at -3 [[hitchcock]] generators, and the use of this index-3 subset in a decaononic manner produces an [[6L 1s|archaeotonic (6L 1s)]] scale combining six 10/9 tones and a [[16/15]] semitone. This is neither especially accurate nor especially inaccurate, and fits well with 13edo. | |||
{| class="wikitable" | |||
|+ | |||
!Tones | |||
!Interval | |||
|- | |||
|0 | |||
|[[1/1]] | |||
|- | |||
|1 | |||
|[[10/9]] | |||
|- | |||
|2 | |||
|[[16/13]], [[21/17]] | |||
|- | |||
|3 | |||
|[[11/8]], [[15/11]] | |||
|- | |||
|4 | |||
|[[32/21]] | |||
|- | |||
|5 | |||
|[[27/16]] | |||
|- | |||
|6 | |||
|[[15/8]] | |||
|} | |||
== See also == | == See also == | ||
* [[Minortone]] | * [[Minortone]] | ||
[[Category:Whole tone]] | [[Category:Whole tone]] | ||