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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
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| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
| | The '''Tenney norm''', otherwise known as '''harmonic distance''' ('''HD''') or '''Tenney height''', is commonly used as a measure of [[complexity]] for [[just interval]]s. If ''n''/''d'' is a positive rational number reduced to its lowest terms, then the [[Benedetti height]] is the integer ''nd''. Often it is more convenient instead to take the logarithm, usually base 2 ([[log2]]), of the Benedetti height, leading to the Tenney norm. |
| : This revision was by author [[User:Hyacinth3|Hyacinth3]] and made on <tt>2013-09-09 15:24:21 UTC</tt>.<br>
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| : The original revision id was <tt>449745204</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">If p/q is a positive rational number reduced to its lowest terms, then the [[Benedetti height]] is the integer pq. Often it is more convenient instead to take the logarithm, usually base 2 ([[log2]]), of the Benedetti height, leading to Tenney height. In either form it is widely used as a [[measure of inharmonicity]] and/or complexity for intervals.
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| The //Tenney height// of a [[monzo]] is given by | | == Computation == |
| [[code]]
| | === Ratio form === |
| || |e2 e3 ... ep> || = |e2| + log2(3)|e3| + ... + log2(p)|ep| = log2(2^|e2| * 3^|e3| * ... * p^|ep|)
| | The Tenney norm of a ratio ''n''/''d'' is given by |
| [[code]]
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| ==Examples==|| || || || ||
| | $$\log_2 (nd) $$ |
| || Interval names || Frequency ratio || ket vector || log2 (Benedetti height) ||
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| || prime || 1/1 || |0> || 0 ||
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| || octave || 2/1 || |1> || 1 ||
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| || just perfect fifth || 3/2 || |-1 1> || log2(6) = 2.585 ||
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| || just major third || 5/4 || |-2 0 1> || log2(20) = 4.322 ||
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| || harmonic seventh || 7/4 || |-2 0 0 1> || log2(28) = 4.807 ||
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| The name //Tenney height// stems from the fact that [[James Tenney]] proposed it. The //Benedetti height//, the product of the numerator and denominator, was first proposed as a consonance measure by the Renaissance scientist and mathematician [[http://www.webcitation.org/6076Lm8r4|Giovanni Battista Benedetti]]. | | === Vector form === |
| | The Tenney norm of a [[harmonic limit|''p''-limit]] [[monzo]] {{nowrap|'''m''' {{=}} {{monzo| ''m''<sub>1</sub> ''m''<sub>2</sub> … ''m''<sub>π (''p'')</sub> }}}} (π being the {{w|prime-counting function}}) is given by |
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| //See also, discussion at http://lumma.org/tuning/faq/#heights//</pre></div>
| | $$ |
| <h4>Original HTML content:</h4>
| | \begin{align} |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Tenney Height</title></head><body>If p/q is a positive rational number reduced to its lowest terms, then the <a class="wiki_link" href="/Benedetti%20height">Benedetti height</a> is the integer pq. Often it is more convenient instead to take the logarithm, usually base 2 (<a class="wiki_link" href="/log2">log2</a>), of the Benedetti height, leading to Tenney height. In either form it is widely used as a <a class="wiki_link" href="/measure%20of%20inharmonicity">measure of inharmonicity</a> and/or complexity for intervals.<br />
| | \norm{H \vec m}_1 &= \abs{m_1} + \abs{m_2} \log_2 (3) + \ldots + \abs{m_{\pi (p)}} \log_2 (p) \\ |
| <br />
| | &= \log_2\left(2^{\abs{m_1}} \cdot 3^{\abs{m_2}} \cdot \ldots \cdot p^{\abs{m_{\pi (p)}}}\right) |
| The <em>Tenney height</em> of a <a class="wiki_link" href="/monzo">monzo</a> is given by<br />
| | \end{align} |
| <!-- ws:start:WikiTextCodeRule:0:
| | $$ |
| &lt;pre class=&quot;text&quot;&gt;|| |e2 e3 ... ep&amp;gt; || = |e2| + log2(3)|e3| + ... + log2(p)|ep| = log2(2^|e2| * 3^|e3| * ... * p^|ep|)&lt;/pre&gt;
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| * GeSHi (C) 2004 - 2007 Nigel McNie, 2007 - 2008 Benny Baumann
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| * (http://qbnz.com/highlighter/ and http://geshi.org/)
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| | where ''H'' is the transformation matrix such that, for the prime basis {{nowrap| ''Q'' {{=}} {{val| 2 3 5 … ''p'' }} }}, |
| </style><pre class="text">|| |e2 e3 ... ep&gt; || = |e2| + log2(3)|e3| + ... + log2(p)|ep| = log2(2^|e2| * 3^|e3| * ... * p^|ep|)</pre>
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| <!-- ws:end:WikiTextCodeRule:0 --><br />
| | $$ H = \operatorname {diag} (\log_2 (Q)) $$ |
| ==Examples==|| || || || ||<br /> | |
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| | == Examples == |
| | {| class="wikitable center-2" |
| | |- |
| | ! Interval name |
| | ! Ratio (''n''/''d'') |
| | ! Monzo |
| | ! Tenney norm |
| | |- |
| | | Unison |
| | | [[1/1]] |
| | | {{Monzo| 0 }} |
| | | 0 |
| | |- |
| | | Octave |
| | | [[2/1]] |
| | | {{Monzo| 1 }} |
| | | 1 |
| | |- |
| | | Just perfect fifth |
| | | [[3/2]] |
| | | {{Monzo| -1 1 }} |
| | | 2.585 |
| | |- |
| | | Just major third |
| | | [[5/4]] |
| | | {{Monzo| -2 0 1 }} |
| | | 4.322 |
| | |- |
| | | Harmonic seventh |
| | | [[7/4]] |
| | | {{Monzo| -2 0 0 1 }} |
| | | 4.807 |
| | |} |
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| <table class="wiki_table">
| | == History and terminology == |
| <tr>
| | In general mathematics, this measurement is known as ''log-product complexity''. With respect to microtonal tuning, this measurement was first described by [[James Tenney]], who himself called it ''harmonic distance''.<ref>[https://www.plainsound.org/pdfs/JC&ToH.pdf ''John Cage and the Theory of Harmony'']. James Tenney. </ref><ref>[https://zh.booksc.eu/book/68954431/f87a1d ''On the Conception and Measure of Consonance'']. Alex Wand. </ref><ref>[https://scholar.sun.ac.za/bitstream/handle/10019.1/98644/brand_signal_2016.pdf?sequence=2&isAllowed=y ''A Signal-Based Model of Teleology in Tonal Music'']. Mark André Brand. p. 28. "Tenney's measure of ''harmonic distance'' (Hd) is thus singled out as perhaps his most 'crucial development', affording him the means towards 'compactness'. His is a Manhattan, rather than Euclidean metric, defined as {{nowrap|Hd(''a''/''b'') {{=}} ''k'' log(''ab'')}}, with ''a''/''b'' the maximally reduced ratio representing the frequency difference, and {{nowrap|''k'' {{=}} 1}} indicating measure in octaves."</ref> This terminology was also used in [[Paul Erlich]]'s paper [[A Middle Path]]<ref>Wherein Erlich writes: "This is why, in Tenney’s terminology, the taxicab distance an interval traverses in his lattice is the 'Harmonic Distance' of that interval."</ref>. |
| <td>Interval names<br />
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| </td>
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| <td>Frequency ratio<br />
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| </td>
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| <td>ket vector<br />
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| </td>
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| <td>log2 (Benedetti height)<br />
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| </td>
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| </tr>
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| <tr>
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| <td>prime<br />
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| </td>
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| <td>1/1<br />
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| </td>
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| <td>|0&gt;<br />
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| </td>
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| <td>0<br />
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| </td>
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| </tr>
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| <tr>
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| <td>octave<br />
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| </td>
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| <td>2/1<br />
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| </td>
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| <td>|1&gt;<br />
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| </td>
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| <td>1<br />
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| </td>
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| </tr>
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| <tr>
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| <td>just perfect fifth<br />
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| </td>
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| <td>3/2<br />
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| </td>
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| <td>|-1 1&gt;<br />
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| </td>
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| <td>log2(6) = 2.585<br />
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| </td>
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| </tr>
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| <tr>
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| <td>just major third<br />
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| </td>
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| <td>5/4<br />
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| </td>
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| <td>|-2 0 1&gt;<br />
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| </td>
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| <td>log2(20) = 4.322<br />
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| </td>
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| </tr>
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| <tr>
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| <td>harmonic seventh<br />
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| </td>
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| <td>7/4<br />
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| </td>
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| <td>|-2 0 0 1&gt;<br />
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| </td>
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| <td>log2(28) = 4.807<br />
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| </td>
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| </tr>
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| </table>
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|
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| <br />
| | == See also == |
| The name <em>Tenney height</em> stems from the fact that <a class="wiki_link" href="/James%20Tenney">James Tenney</a> proposed it. The <em>Benedetti height</em>, the product of the numerator and denominator, was first proposed as a consonance measure by the Renaissance scientist and mathematician <a class="wiki_link_ext" href="http://www.webcitation.org/6076Lm8r4" rel="nofollow">Giovanni Battista Benedetti</a>.<br />
| | * [[Generalized Tenney norms and Tp interval space|Generalized Tenney norms and T<sub>''p''</sub> interval space]] |
| <br />
| | |
| <em>See also, discussion at <!-- ws:start:WikiTextUrlRule:101:http://lumma.org/tuning/faq/#heights --><a class="wiki_link_ext" href="http://lumma.org/tuning/faq/#heights" rel="nofollow">http://lumma.org/tuning/faq/#heights</a><!-- ws:end:WikiTextUrlRule:101 --></em></body></html></pre></div>
| | == References == |
| | <references /> |
| | |
| | [[Category:Consonance and dissonance]] |
| | [[Category:Harmonic entropy]] |
| | [[Category:Interval complexity measures]] |
| | [[Category:Tenney-weighted measures]] |
[math]\displaystyle{
\def\hs{\hspace{-3px}}
\def\lvsp{{}\mkern-5.5mu}{}
\def\rvsp{{}\mkern-2.5mu}{}
\def\llangle{\left\langle\lvsp\left\langle}
\def\lllangle{\left\langle\lvsp\left\langle\lvsp\left\langle}
\def\llllangle{\left\langle\lvsp\left\langle\lvsp\left\langle\lvsp\left\langle}
\def\llbrack{\left[\left[}
\def\lllbrack{\left[\left[\left[}
\def\llllbrack{\left[\left[\left[\left[}
\def\llvert{\left\vert\left\vert}
\def\lllvert{\left\vert\left\vert\left\vert}
\def\llllvert{\left\vert\left\vert\left\vert\left\vert}
\def\rrangle{\right\rangle\rvsp\right\rangle}
\def\rrrangle{\right\rangle\rvsp\right\rangle\rvsp\right\rangle}
\def\rrrrangle{\right\rangle\rvsp\right\rangle\rvsp\right\rangle\rvsp\right\rangle}
\def\rrbrack{\right]\right]}
\def\rrrbrack{\right]\right]\right]}
\def\rrrrbrack{\right]\right]\right]\right]}
\def\rrvert{\right\vert\right\vert}
\def\rrrvert{\right\vert\right\vert\right\vert}
\def\rrrrvert{\right\vert\right\vert\right\vert\right\vert}
}[/math][math]\displaystyle{
\def\abs#1{\left|{#1}\right|}
\def\norm#1{\left\|{#1}\right\|}
\def\floor#1{\left\lfloor{#1}\right\rfloor}
\def\ceil#1{\left\lceil{#1}\right\rceil}
\def\round#1{\left\lceil{#1}\right\rfloor}
\def\rround#1{\left\lfloor{#1}\right\rceil}
}[/math]
The Tenney norm, otherwise known as harmonic distance (HD) or Tenney height, is commonly used as a measure of complexity for just intervals. If n/d is a positive rational number reduced to its lowest terms, then the Benedetti height is the integer nd. Often it is more convenient instead to take the logarithm, usually base 2 (log2), of the Benedetti height, leading to the Tenney norm.
Computation
Ratio form
The Tenney norm of a ratio n/d is given by
$$\log_2 (nd) $$
Vector form
The Tenney norm of a p-limit monzo m = [m1 m2 … mπ (p)⟩ (π being the prime-counting function) is given by
$$
\begin{align}
\norm{H \vec m}_1 &= \abs{m_1} + \abs{m_2} \log_2 (3) + \ldots + \abs{m_{\pi (p)}} \log_2 (p) \\
&= \log_2\left(2^{\abs{m_1}} \cdot 3^{\abs{m_2}} \cdot \ldots \cdot p^{\abs{m_{\pi (p)}}}\right)
\end{align}
$$
where H is the transformation matrix such that, for the prime basis Q = ⟨2 3 5 … p],
$$ H = \operatorname {diag} (\log_2 (Q)) $$
Examples
| Interval name
|
Ratio (n/d)
|
Monzo
|
Tenney norm
|
| Unison
|
1/1
|
[0⟩
|
0
|
| Octave
|
2/1
|
[1⟩
|
1
|
| Just perfect fifth
|
3/2
|
[-1 1⟩
|
2.585
|
| Just major third
|
5/4
|
[-2 0 1⟩
|
4.322
|
| Harmonic seventh
|
7/4
|
[-2 0 0 1⟩
|
4.807
|
History and terminology
In general mathematics, this measurement is known as log-product complexity. With respect to microtonal tuning, this measurement was first described by James Tenney, who himself called it harmonic distance.[1][2][3] This terminology was also used in Paul Erlich's paper A Middle Path[4].
See also
References
- ↑ John Cage and the Theory of Harmony. James Tenney.
- ↑ On the Conception and Measure of Consonance. Alex Wand.
- ↑ A Signal-Based Model of Teleology in Tonal Music. Mark André Brand. p. 28. "Tenney's measure of harmonic distance (Hd) is thus singled out as perhaps his most 'crucial development', affording him the means towards 'compactness'. His is a Manhattan, rather than Euclidean metric, defined as Hd(a/b) = k log(ab), with a/b the maximally reduced ratio representing the frequency difference, and k = 1 indicating measure in octaves."
- ↑ Wherein Erlich writes: "This is why, in Tenney’s terminology, the taxicab distance an interval traverses in his lattice is the 'Harmonic Distance' of that interval."