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~~The term~~ '''mode''' of the ~~modern western understanding of scales is~~ determined by the starting/ending point of a ~~scale based on~~ a ~~given tonal material~~.

In the modern western understanding of [[scale]]s, a '''mode''' (or '''rotation''') of a [[periodic scale]] is an ordering of the scale's [[pitch class]]es determined by choosing one of the pitch classes as the starting/ending point. The chosen pitch class is the ''[[tonic]]'' of the scale. Together, a tonic and a mode form a '''key'''.

~~For example~~ the ~~diatonic material 0 2 4 5 7 9 11 12 14 16 17~~ ..~~. of [[12edo|12edo]] with its 7-tone periodicity (12 equals 0) can be used~~ to ~~build 7 different modes~~, ~~which are often named as~~

Modes are mostly used in the context of tonal or modal music, i.e. as opposed to atonal music, since their definition implies a tonic.

~~<ul><li>Ionian (0~~.~~..)</li><li>Dorian (2...)</li><li>Phrygian (4...)</li><li>Lydian (5...)</li><li>Mixolydian (7...)</li><li>Aeolian (9...)</li><li>Locrian (11...)</li></ul>~~

Octave-repeating [[harmonic series segment]]s are called ''harmonic modes'' by several musicians, although this implies a slightly different definition of ''mode''.

~~see also~~

== Examples ==

The [[5L 2s|diatonic scale]] has seven different modes. The following table shows the modes of the diatonic scale built on the white keys ({{nowrap|{{dash|C, D, E, F, G, A, B, C|hair|med}}}}) and in the key of D. The modes can be sorted according to their tonic (sort by note names (white keys)) or their position in the [[circle of fifths]] (sort by step pattern)

<ul><li>[~~http:~~/~~/en~~.~~wikipedia.org/wiki/Mode_~~(music)#~~Modern Mode (music)~~ - ~~Wikipedia~~, the ~~free encyclopedia~~]~~</li><li>~~[[~~Maximal_evenness|Maximal evenness~~]]~~</li><li>~~[[~~Momentum_of_Symmetry|Momentum~~ of ~~Symmetry~~]] ~~- to be created</li><li>~~[[~~diatonic~~|~~diatonic~~]] - ~~tbd</li~~>~~</ul>~~ [[Category:~~scale~~]]

{| class="wikitable sortable"

|+ style="font-size: 105%;" | Modes of the diatonic scale

|-

! Name !! Step pattern !! Note names<br>(white keys) !! Note names<br>(in D)

|-

| Ionian (major) || LLsLLLs || C D E F G A B (C) || D E F♯ G A B C♯ (D)

|-

| Dorian || LsLLLsL || D E F G A B C (D) || D E F G A B C (D)

|-

| Phrygian || sLLLsLL || E F G A B C D (E) || D E♭ F G A B♭ C (D)

|-

| Lydian || LLLsLLs || F G A B C D E (F) || D E F♯ G♯ A B C♯ (D)

|-

| Mixolydian || LLsLLsL || G A B C D E F (G) || D E F♯ G A B C (D)

|-

| Aeolian (natural minor) || LsLLsLL || A B C D E F G (A) || D E F G A B♭ C (D)

|-

| Locrian || sLLsLLL || B C D E F G A (B) || D E♭ F G A♭ B♭ C (D)

|}

== Properties ==

A scale has as many modes as the number of tones that it contains within a period. For example:

* The diatonic scale has 7 different modes, because it has 7 tones per period of 1 octave, and 7 possible keys as well;

* The octatonic [[diminished scale]] only has 2 different modes, because it has 2 tones per period of 1/4 octave, but it has 8 possible keys, since any of the 8 pitch classes of the scale can be chosen as the tonic.

In an [[equal-step tuning]], any mode of any [[support]]ed scale can be built on any tone of the chosen tuning, i.e. it is possible to transpose to any key while keeping the same scale and mode. In unequal tunings, each key can have a different scale pattern, therefore different but somewhat similar-sounding modes, which leads to a phenomenon called ''key coloration''.

== See also ==

* [[Comparison of mode notation systems]]

* [[Modal UDP notation]]

* [[Kite's Method of Naming Rank-2 Scales using Mode Numbers]]

* [[Jake Freivald's mode numbering system]]

[[Category:Mode| ]]

[[Category:Scale]]

[[Category:Terms]]

@@ Line 1: / Line 1: @@
-The term '''mode''' of the modern western understanding of scales is determined by the starting/ending point of a scale based on a given tonal material.
+{{Beginner|Periodic scale#Rotations}}
+{{Wikipedia|Mode (music)#Modern modes}}
+In the modern western understanding of [[scale]]s, a '''mode''' (or '''rotation''') of a [[periodic scale]] is an ordering of the scale's [[pitch class]]es determined by choosing one of the pitch classes as the starting/ending point. The chosen pitch class is the ''[[tonic]]'' of the scale. Together, a tonic and a mode form a '''key'''.
-For example the diatonic material 0 2 4 5 7 9 11 12 14 16 17 ... of [[12edo|12edo]] with its 7-tone periodicity (12 equals 0) can be used to build 7 different modes, which are often named as
+Modes are mostly used in the context of tonal or modal music, i.e. as opposed to atonal music, since their definition implies a tonic.
-<ul><li>Ionian (0...)</li><li>Dorian (2...)</li><li>Phrygian (4...)</li><li>Lydian (5...)</li><li>Mixolydian (7...)</li><li>Aeolian (9...)</li><li>Locrian (11...)</li></ul>
+Octave-repeating [[harmonic series segment]]s are called ''harmonic modes'' by several musicians, although this implies a slightly different definition of ''mode''.
-see also
+== Examples ==
+The [[5L 2s|diatonic scale]] has seven different modes. The following table shows the modes of the diatonic scale built on the white keys ({{nowrap|{{dash|C, D, E, F, G, A, B, C|hair|med}}}}) and in the key of D. The modes can be sorted according to their tonic (sort by note names (white keys)) or their position in the [[circle of fifths]] (sort by step pattern)
-<ul><li>[http://en.wikipedia.org/wiki/Mode_(music)#Modern Mode (music) - Wikipedia, the free encyclopedia]</li><li>[[Maximal_evenness|Maximal evenness]]</li><li>[[Momentum_of_Symmetry|Momentum of Symmetry]] - to be created</li><li>[[diatonic|diatonic]] - tbd</li></ul>      [[Category:scale]]
+{| class="wikitable sortable"
+|+ style="font-size: 105%;" | Modes of the diatonic scale
+|-
+! Name !! Step pattern !! Note names<br>(white keys) !! Note names<br>(in D)
+|-
+| Ionian (major) || LLsLLLs || C D E F G A B (C) || D E F♯ G A B C♯ (D)
+|-
+| Dorian || LsLLLsL || D E F G A B C (D) || D E F G A B C (D)
+|-
+| Phrygian || sLLLsLL || E F G A B C D (E) || D E♭ F G A B♭ C (D)
+|-
+| Lydian || LLLsLLs || F G A B C D E (F) || D E F♯ G♯ A B C♯ (D)
+|-
+| Mixolydian || LLsLLsL || G A B C D E F (G) || D E F♯ G A B C (D)
+|-
+| Aeolian (natural minor) || LsLLsLL || A B C D E F G (A) || D E F G A B♭ C (D)
+|-
+| Locrian || sLLsLLL || B C D E F G A (B) || D E♭ F G A♭ B♭ C (D)
+|}
+== Properties ==
+A scale has as many modes as the number of tones that it contains within a period. For example:
+* The diatonic scale has 7 different modes, because it has 7 tones per period of 1 octave, and 7 possible keys as well;
+* The octatonic [[diminished scale]] only has 2 different modes, because it has 2 tones per period of 1/4 octave, but it has 8 possible keys, since any of the 8 pitch classes of the scale can be chosen as the tonic.
+{{Wikipedia|Key (music)#Key coloration}}
+In an [[equal-step tuning]], any mode of any [[support]]ed scale can be built on any tone of the chosen tuning, i.e. it is possible to transpose to any key while keeping the same scale and mode. In unequal tunings, each key can have a different scale pattern, therefore different but somewhat similar-sounding modes, which leads to a phenomenon called ''key coloration''.
+== See also ==
+* [[Comparison of mode notation systems]]
+* [[Modal UDP notation]]
+* [[Kite's Method of Naming Rank-2 Scales using Mode Numbers]]
+* [[Jake Freivald's mode numbering system]]
+[[Category:Mode| ]] <!-- main article -->
+[[Category:Scale]]
+[[Category:Terms]]
+{{todo|expand}}