User:Holger Stoltenberg/embed: Difference between revisions
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'''** This page is used to check out the embedding of media **'''<br> | |||
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==== Link to Wikipedia source ==== | ==== Link to Wikipedia source ==== | ||
Link with single brackets: [https://en.wikipedia.org/wiki/File:Pedal_steel_played_with_reverb.ogv steelguitar] | Link with single brackets: [https://en.wikipedia.org/wiki/File:Pedal_steel_played_with_reverb.ogv steelguitar] | ||
[[File:Steel bar (tonebar) used in playing steel guitar.jpg|thumb|180px|<u>Fig.2</u>: <ref>Eagledj, [https://creativecommons.org/licenses/by-sa/4.0 CC BY-SA 4.0 ], via [https://commons.wikimedia.org/wiki/File:Steel_bar_(tonebar)_used_in_playing_steel_guitar.jpg Wikimedia Commons]</ref> Steel bar (tonebar) used to play certain types of steel guitars.]]<br> | |||
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To distinguish this form of intonalism from the other, you could call it '''Neely-intonalism'''.{{idiosyncratic}} | To distinguish this form of intonalism from the other, you could call it '''Neely-intonalism'''.{{idiosyncratic}} | ||
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{{#ev:youtube|lz3WR-F_pnM||center| | |||
[[Adam Neely]]; The 7 Levels of Jazz Harmony, <br> | |||
'''Intonalism''' [9:12], '''Xenharmonic''' [10:46]|frame|start=552&end=721}} | |||
Latest revision as of 08:42, 6 April 2025
** This page is used to check out the embedding of media **
The fret marks guide the player to 12edo intervals, while the intervals between the strings are often tuned differently (i.e. just intervals, meantone tuning, various best-practice tunings)
Audio only
Link to Wikipedia source
Link with single brackets: steelguitar
_used_in_playing_steel_guitar.jpg)
- ↑ Video 1 - Webressource and licensing:
DaveB11th, CC BY 4.0 , via Wikimedia Commons
The original video is 3:14 minutes long. For demonstration purposes, an excerpt from 0:01 to 01:55 is shown here. - ↑ Eagledj, CC BY-SA 4.0 , via Wikimedia Commons
_used_in_playing_steel_guitar.jpg){kind=link}
7 Levels of Jazz Harmony
Neely-intonalism
In 2020 music educator Adam Neely picked up the term intonalism and used it in his Seven Levels of Jazz Harmony, with a somewhat different and rather ambiguous intent, where he seemed to describe the use of a tempered scale (often 12edo) for the lead melody of a piece. The current melody note at any given point in time is then treated as a reference pitch, and the current backing chord uses pure just intonation, tuned relative to the current reference pitch. In a sense this is an inverse form of adaptive just intonation where the bass line adjusts to a tempered scale and the melody and harmony notes tune to it.
To distinguish this form of intonalism from the other, you could call it Neely-intonalism.[idiosyncratic term]
Intonalism [9:12], Xenharmonic [10:46]