User:Holger Stoltenberg/embed: Difference between revisions

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...this page is used to check out embedding of videos.<br>
'''** This page is used to check out the embedding of media **'''<br>


__TOC__
__TOC__
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{{#ev:youtube|Q8KX9jzVYMI|720x460|center|Overtone Scales on Stage|frame}}
{{#ev:youtube|Q8KX9jzVYMI|720x460|center|Overtone Scales on Stage|frame}}


{{#ev:youtube|X6Cw4k_V6HE|372|right|<u>Video 1</u>: <ref>Video 1: Webressource and licensing:  
{{#ev:youtube|X6Cw4k_V6HE|372|right|<u>Video 1</u>:<ref>Video 1 - Webressource and licensing:<br>  
[https://commons.wikimedia.org/wiki/File:Pedal_steel_played_with_reverb.ogv Wikimedia Commons]<br>
DaveB11th, [https://creativecommons.org/licenses/by/4.0 CC BY 4.0 ], via [https://commons.wikimedia.org/wiki/File:Pedal_steel_played_with_reverb.ogv Wikimedia Commons]<br>
DaveB11th, [https://creativecommons.org/licenses/by/4.0 CC BY 4.0 ], via Wikimedia Commons<br>
The original video is 3:14 minutes long. For demonstration purposes, an excerpt from 0:01 to 01:55 is shown here.
The original video is 3:14 minutes long. For demonstration purposes, an excerpt from 0:01 to 01:55 is shown here.
</ref>
</ref> Neck of a 10-string E9-pedal steel guitar:<br>
Neck of a 10-string E9-pedal steel guitar:<br>
The fret marks guide the player to 12edo intervals, while the intervals between the strings are often tuned differently (i.e. just intervals, meantone tuning, various best-practice tunings)|frame|start=1&end=115}}
The fret marks guide the player to 12edo intervals, while the intervals between the strings are often tuned differently (i.e. just intervals, meantone tuning, various best-practice tunings)|frame|start=1&end=115}}


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Link with single brackets: [https://en.wikipedia.org/wiki/File:Pedal_steel_played_with_reverb.ogv steelguitar]
Link with single brackets: [https://en.wikipedia.org/wiki/File:Pedal_steel_played_with_reverb.ogv steelguitar]


<br><br><br><br><br>
[[File:Steel bar (tonebar) used in playing steel guitar.jpg|thumb|180px|<u>Fig.2</u>: <ref>Eagledj, [https://creativecommons.org/licenses/by-sa/4.0 CC BY-SA 4.0 ], via [https://commons.wikimedia.org/wiki/File:Steel_bar_(tonebar)_used_in_playing_steel_guitar.jpg Wikimedia Commons]</ref> Steel bar (tonebar) used to play certain types of steel guitars.]]<br>
 
 
<br><br><br><br>
<references/>
<br>
==== 7 Levels of Jazz Harmony ====
==== 7 Levels of Jazz Harmony ====


==Neely-intonalism==
==Neely-intonalism==
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To distinguish this form of intonalism from the other, you could call it '''Neely-intonalism'''.{{idiosyncratic}}
To distinguish this form of intonalism from the other, you could call it '''Neely-intonalism'''.{{idiosyncratic}}
<br><br>
<br><br>
{{#ev:youtube|lz3WR-F_pnM||center|
[[Adam Neely]]; The 7 Levels of Jazz Harmony, <br>
'''Intonalism''' [9:12], '''Xenharmonic''' [10:46]|frame|start=552&end=721}}

Latest revision as of 08:42, 6 April 2025

** This page is used to check out the embedding of media **


Overtone Scales on Stage
Video 1:[1] Neck of a 10-string E9-pedal steel guitar:

The fret marks guide the player to 12edo intervals, while the intervals between the strings are often tuned differently (i.e. just intervals, meantone tuning, various best-practice tunings)

Audio only

steel guitar

Link to Wikipedia source

Link with single brackets: steelguitar

Fig.2: [2] Steel bar (tonebar) used to play certain types of steel guitars.







  1. Video 1 - Webressource and licensing:
    DaveB11th, CC BY 4.0 , via Wikimedia Commons
    The original video is 3:14 minutes long. For demonstration purposes, an excerpt from 0:01 to 01:55 is shown here.
  2. Eagledj, CC BY-SA 4.0 , via Wikimedia Commons


7 Levels of Jazz Harmony

Neely-intonalism

; The 7 Levels of Jazz Harmony, Intonalism [9:12], Xenharmonic [10:46]

In 2020 music educator Adam Neely picked up the term intonalism and used it in his Seven Levels of Jazz Harmony, with a somewhat different and rather ambiguous intent, where he seemed to describe the use of a tempered scale (often 12edo) for the lead melody of a piece. The current melody note at any given point in time is then treated as a reference pitch, and the current backing chord uses pure just intonation, tuned relative to the current reference pitch. In a sense this is an inverse form of adaptive just intonation where the bass line adjusts to a tempered scale and the melody and harmony notes tune to it.

To distinguish this form of intonalism from the other, you could call it Neely-intonalism.[idiosyncratic term]

; The 7 Levels of Jazz Harmony,

Intonalism [9:12], Xenharmonic [10:46]