User:Holger Stoltenberg/embed: Difference between revisions
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'''** This page is used to check out the embedding of media **'''<br> | |||
__TOC__ | |||
<br> | |||
{{#ev:youtube|Q8KX9jzVYMI|720x460|center|Overtone Scales on Stage|frame}} | {{#ev:youtube|Q8KX9jzVYMI|720x460|center|Overtone Scales on Stage|frame}} | ||
{{#ev:youtube|X6Cw4k_V6HE|372|right|<u>Video 1</u>: <ref>Webressource and licensing: | {{#ev:youtube|X6Cw4k_V6HE|372|right|<u>Video 1</u>:<ref>Video 1 - Webressource and licensing:<br> | ||
[[https:// | DaveB11th, [https://creativecommons.org/licenses/by/4.0 CC BY 4.0 ], via [https://commons.wikimedia.org/wiki/File:Pedal_steel_played_with_reverb.ogv Wikimedia Commons]<br> | ||
The original video is 3:14 minutes long. For demonstration purposes, an excerpt from 0:01 to 01:55 is shown here. | |||
</ref> Neck of a 10-string E9-pedal steel guitar:<br> | </ref> Neck of a 10-string E9-pedal steel guitar:<br> | ||
The fret marks | The fret marks guide the player to 12edo intervals, while the intervals between the strings are often tuned differently (i.e. just intervals, meantone tuning, various best-practice tunings)|frame|start=1&end=115}} | ||
==== Audio only ==== | |||
[[File:Pedal steel played with reverb.ogg|thumb|center|A song played on an E9 pedal |steel guitar]] | |||
[ | ==== Link to Wikipedia source ==== | ||
Link with single brackets: [https://en.wikipedia.org/wiki/File:Pedal_steel_played_with_reverb.ogv steelguitar] | |||
[[https:// | [[File:Steel bar (tonebar) used in playing steel guitar.jpg|thumb|180px|<u>Fig.2</u>: <ref>Eagledj, [https://creativecommons.org/licenses/by-sa/4.0 CC BY-SA 4.0 ], via [https://commons.wikimedia.org/wiki/File:Steel_bar_(tonebar)_used_in_playing_steel_guitar.jpg Wikimedia Commons]</ref> Steel bar (tonebar) used to play certain types of steel guitars.]]<br> | ||
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<references/> | |||
<br> | |||
==== 7 Levels of Jazz Harmony ==== | |||
==Neely-intonalism== | |||
{{#ev:youtube|lz3WR-F_pnM|372|right| | |||
[[Adam Neely]]; The 7 Levels of Jazz Harmony, <br> '''Intonalism''' [9:12], '''Xenharmonic''' [10:46]|frame|start=552&end=721}} | |||
In 2020 music educator [[Adam Neely]] picked up the term ''intonalism'' and used it in his [[7th Level of Jazz Harmony|Seven Levels of Jazz Harmony]], with a somewhat different and rather ambiguous intent, where he seemed to describe the use of a tempered scale (often [[12edo]]) for the lead melody of a piece. The current melody note at any given point in time is then treated as a reference pitch, and the current backing chord uses pure just intonation, tuned relative to the current reference pitch. In a sense this is an inverse form of [[adaptive just intonation]] where the bass line adjusts to a tempered scale and the melody and harmony notes tune to it. | |||
To distinguish this form of intonalism from the other, you could call it '''Neely-intonalism'''.{{idiosyncratic}} | |||
<br><br> | |||
{{#ev:youtube|lz3WR-F_pnM||center| | |||
[[Adam Neely]]; The 7 Levels of Jazz Harmony, <br> | |||
'''Intonalism''' [9:12], '''Xenharmonic''' [10:46]|frame|start=552&end=721}} | |||
Latest revision as of 08:42, 6 April 2025
** This page is used to check out the embedding of media **
The fret marks guide the player to 12edo intervals, while the intervals between the strings are often tuned differently (i.e. just intervals, meantone tuning, various best-practice tunings)
Audio only
Link to Wikipedia source
Link with single brackets: steelguitar
_used_in_playing_steel_guitar.jpg)
- ↑ Video 1 - Webressource and licensing:
DaveB11th, CC BY 4.0 , via Wikimedia Commons
The original video is 3:14 minutes long. For demonstration purposes, an excerpt from 0:01 to 01:55 is shown here. - ↑ Eagledj, CC BY-SA 4.0 , via Wikimedia Commons
_used_in_playing_steel_guitar.jpg){kind=link}
7 Levels of Jazz Harmony
Neely-intonalism
In 2020 music educator Adam Neely picked up the term intonalism and used it in his Seven Levels of Jazz Harmony, with a somewhat different and rather ambiguous intent, where he seemed to describe the use of a tempered scale (often 12edo) for the lead melody of a piece. The current melody note at any given point in time is then treated as a reference pitch, and the current backing chord uses pure just intonation, tuned relative to the current reference pitch. In a sense this is an inverse form of adaptive just intonation where the bass line adjusts to a tempered scale and the melody and harmony notes tune to it.
To distinguish this form of intonalism from the other, you could call it Neely-intonalism.[idiosyncratic term]
Intonalism [9:12], Xenharmonic [10:46]