User:Zhenlige: Difference between revisions
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The author of [https://github.com/zhenlige/xennote XenNote], a game mod for playing xenharmonic music in [https://minecraft.net Minecraft]. | |||
I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math. | |||
When acturally work with xen music, I only use softwares, since I cannot play any instruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. [[81/64]]) are more consonant than tempered sinple intervals (e.g. a meantone fifth) for synthetic waves (specifically, the parabolic wave, which is misnamed as “semisine” in ScaleWorkshop), but vise versa for real instrument samples. | |||
[https://space.bilibili.com/281369461 Bilibili] | |||
[[Category:User zh-N]] | [[Category:User zh-N]] | ||
[[Category:User en- | [[Category:User en-3]] | ||
== Useful links == | |||
[[Defactoring algorithms]] | |||
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Latest revision as of 13:28, 14 January 2025
The author of XenNote, a game mod for playing xenharmonic music in Minecraft.
I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math.
When acturally work with xen music, I only use softwares, since I cannot play any instruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. 81/64) are more consonant than tempered sinple intervals (e.g. a meantone fifth) for synthetic waves (specifically, the parabolic wave, which is misnamed as “semisine” in ScaleWorkshop), but vise versa for real instrument samples.