Conic Bellophone in 96edo: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
{{todo|inline=1|cleanup|improve layout}}
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
 
: This revision was by author [[User:tonysalinas|tonysalinas]] and made on <tt>2007-09-24 11:20:23 UTC</tt>.<br>
 
: The original revision id was <tt>8408449</tt>.<br>
{{External Image| http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227557_4762.jpg {{dead link}} }}
: The revision comment was: <tt></tt><br>
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The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
 
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[image:http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227557_4762.jpg link="http://www.facebook.com/photo.php?pid=227558&amp;id=696302104"]]
Conic Bellophone [[Conic Bellophone Demo|( Listen to a demo by Lee Ferguson, the percussionist from 'Duo Contour')]]
Conic Bellophone [[Conic Bellophone Demo|( Listen to a demo by Lee Ferguson, the percussionist from 'Duo Contour')]]
First official presentation in March 2007 at the UK Microfest.
 
This instrument is designed and built by Tony Salinas (J.A.Martin Salinas) and has an octave range with 96 conic
First official presentation in March 2007 at the [[UK Microfest]].
bells (2mm steel spun on a lathe) tuned to the 96 equal temperament, even though the conic bells can be tuned
 
from 5 to 240 notes per octave. The maximum range they can cover keeping pleasant timbrical properties is 2
This instrument is designed and built by [[Tony Salinas]] (J.A. Martin Salinas) and has an [[octave]] range with 96 conic
 
bells (2mm steel spun on a lathe) tuned to the [[96edo|96 equal temperament]], even though the conic bells can be tuned
 
from 5 to 240 notes per octave. The maximum range they can cover keeping pleasant [[timbre|timbrical]] properties is 2
 
octaves and a fifth incorporating extensions of the stands and with a 45 degree angle towards the player
octaves and a fifth incorporating extensions of the stands and with a 45 degree angle towards the player
(producing a kind of cage).
(producing a kind of cage).
[[image:http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227558_4982.jpg link="http://www.facebook.com/photo.php?pid=227559&amp;id=696302104"]]
 
This is the performance of 'Autumn I' for Conic Bellophone, percussion, trombone, trumpet, cello and bass clarinet.
{{External Image| http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227558_4982.jpg {{dead link}} }}
Steve Altoft has a trumpet with a quartertone valve which was required for the composition. Steve plays in the duo
{{External Image| URL = http://www.facebook.com/photo.php?pid=227559&id=696302104 {{dead link}} }}
contour with Lee Ferguson percusionist who is the percussionist playing the conic bellophone.
 
Bozidar Vukotic, the London based Russian Cellist was very precise!
This is the performance of 'Autumn I' for [[Conic Bellophone]], [[percussion]], [[trombone]], [[trumpet]], [[cello]] and bass [[clarinet]].
The contemporary trombonist Allan Tomlinson enjoyed the continuous glissandi and requested a solo piece.
 
The Italian bass clarinetist Guido Arbonelli gave me a good lesson about multiphonics.
[[Steve Altoft]] has a trumpet with a [[quartertone]] valve which was required for the composition. Steve plays in the duo
The Timpanist Matthew West had incredible sight-reading skills.
 
Many thanks to Lewis Jones, my main research supervisor, who conducted at 60 b.p.m. with great control over the
contour with [[Lee Ferguson]] percusionist who is the percussionist playing the conic bellophone.
players. Also many thanks to my composition tutor, Javier Garavaglia.
 
[[image:http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227559_5175.jpg link="http://www.facebook.com/photo.php?pid=227560&amp;id=696302104"]]
[[Bozidar Vukotic]], the London-based Russian Cellist was very precise!
 
The contemporary trombonist [[Allan Tomlinson]] enjoyed the continuous glissandi and requested a solo piece.
 
The Italian bass clarinetist [[Guido Arbonelli]] gave me a good lesson about multiphonics.
 
The [[Timpanist Matthew West]] had incredible sight-reading skills.
 
Many thanks to [[Lewis Jones]], my main research supervisor, who conducted at 60 b.p.m. with great control over the
 
players. Also many thanks to my composition tutor, [[Javier Garavaglia]].
 
{{External Image| http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227559_5175.jpg {{dead link}} }}
{{External Image| URL = http://www.facebook.com/photo.php?pid=227560&id=696302104 {{dead link}} }}
 
Here I am introducing the Autumn piece for the UK Microfest 2007
Here I am introducing the Autumn piece for the UK Microfest 2007
[[image:http://photos-a.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227560_5390.jpg link="http://www.facebook.com/photo.php?pid=227561&amp;id=696302104"]]
 
This is the French guitarist Wim Hoogewerf with the percussionist from Duo Contour, Lee Ferguson. Wim has a
{{External Image| http://photos-a.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227560_5390.jpg {{dead link}} }}
{{External Image| URL = http://www.facebook.com/photo.php?pid=227561&id=696302104 {{dead link}} }}
 
This is the French guitarist [[Wim Hoogewerf]] with the percussionist from Duo Contour, [[Lee Ferguson]]. Wim has a
 
96 equal temperament guitar (1/4 tone frets and 6 E strings 1/16 of a tone apart). They played an ascending
96 equal temperament guitar (1/4 tone frets and 6 E strings 1/16 of a tone apart). They played an ascending
chromatic scale using the 96 notes in unison with the help of a bottle neck for the guitar.
chromatic scale using the 96 notes in unison with the help of a bottle neck for the guitar.
They performed chromatic zig-zag exercises in unison covering the full range of the octave.
They performed chromatic zig-zag exercises in unison covering the full range of the octave.
They also played a duet I wrote for 96 equal temperament guitar and bellophone.
They also played a duet I wrote for 96 equal temperament guitar and bellophone.
These materials are really worthy waiting for the video to be edited!
These materials are really worthy waiting for the video to be edited!
Wim also performed on the same guitar a piece by Pascal Criton (who was in the audience).


[[image:http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227561_5611.jpg link="http://www.facebook.com/photo.php?pid=227562&amp;id=696302104"]]
Wim also performed on the same guitar a piece by [[Pascal Criton]] (who was in the audience).
 
{{External Image| URL = http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227561_5611.jpg {{dead link}} }}
{{External Image| URL = http://www.facebook.com/photo.php?pid=227562&id=696302104 {{dead link}} }}
 
Lee Ferguson explains the characteristics and the tough time he had preparing for the concert in one evening
Lee Ferguson explains the characteristics and the tough time he had preparing for the concert in one evening
when it was the first time for him to see the instrument. He took the instrument back to Germany, and we hope
when it was the first time for him to see the instrument. He took the instrument back to Germany, and we hope
to hear about his performances with the conic bellophone in the future.[[image:http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227562_5825.jpg link="http://www.facebook.com/photo.php?pid=227563&amp;id=696302104"]]
 
to hear about his performances with the conic bellophone in the future.
 
{{External Image| URL = http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227562_5825.jpg {{dead link}} }}
{{External Image| URL = http://www.facebook.com/photo.php?pid=227563&id=696302104 {{dead link}} }}


From the percussionist's point of view.
From the percussionist's point of view.


[[image:http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227563_6034.jpg link="http://www.facebook.com/photo.php?pid=227557&amp;id=696302104"]]
{{External Image| URL = http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227563_6034.jpg {{dead link}} }}
{{External Image| URL = http://www.facebook.com/photo.php?pid=227563&id=696302104 {{dead link}} }}
 
Jacob and Aaron checking the piccolo conic bellophone,
Jacob and Aaron checking the piccolo conic bellophone,
which is made with bicycle bells, and can expand the maximum range
which is made with bicycle bells, and can expand the maximum range
of the conic bellophone by a major third with almost the same sound.</pre></div>
 
<h4>Original HTML content:</h4>
of the conic bellophone by a major third with almost the same sound.
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Conic Bellophone in 96edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextRemoteImageRule:1:&amp;lt;a href=&amp;quot;http://www.facebook.com/photo.php?pid=227558&amp;amp;id=696302104&amp;quot; rel=&amp;quot;nofollow&amp;quot;&amp;gt;&amp;lt;img src=&amp;quot;http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227557_4762.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt;&amp;lt;/a&amp;gt; --&gt;&lt;a href="http://www.facebook.com/photo.php?pid=227558&amp;amp;id=696302104" rel="nofollow"&gt;&lt;img src="http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227557_4762.jpg" alt="external image n696302104_227557_4762.jpg" title="external image n696302104_227557_4762.jpg" /&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1 --&gt;&lt;br /&gt;
 
Conic Bellophone &lt;a class="wiki_link" href="/Conic%20Bellophone%20Demo"&gt;( Listen to a demo by Lee Ferguson, the percussionist from 'Duo Contour')&lt;/a&gt;&lt;br /&gt;
[[Category:Instruments]][[Category:96edo]]
First official presentation in March 2007 at the UK Microfest.&lt;br /&gt;
This instrument is designed and built by Tony Salinas (J.A.Martin Salinas) and has an octave range with 96 conic&lt;br /&gt;
bells (2mm steel spun on a lathe) tuned to the 96 equal temperament, even though the conic bells can be tuned&lt;br /&gt;
from 5 to 240 notes per octave. The maximum range they can cover keeping pleasant timbrical properties is 2&lt;br /&gt;
octaves and a fifth incorporating extensions of the stands and with a 45 degree angle towards the player&lt;br /&gt;
(producing a kind of cage).&lt;br /&gt;
&lt;!-- ws:start:WikiTextRemoteImageRule:3:&amp;lt;a href=&amp;quot;http://www.facebook.com/photo.php?pid=227559&amp;amp;id=696302104&amp;quot; rel=&amp;quot;nofollow&amp;quot;&amp;gt;&amp;lt;img src=&amp;quot;http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227558_4982.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt;&amp;lt;/a&amp;gt; --&gt;&lt;a href="http://www.facebook.com/photo.php?pid=227559&amp;amp;id=696302104" rel="nofollow"&gt;&lt;img src="http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227558_4982.jpg" alt="external image n696302104_227558_4982.jpg" title="external image n696302104_227558_4982.jpg" /&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:3 --&gt;&lt;br /&gt;
This is the performance of 'Autumn I' for Conic Bellophone, percussion, trombone, trumpet, cello and bass clarinet.&lt;br /&gt;
Steve Altoft has a trumpet with a quartertone valve which was required for the composition. Steve plays in the duo&lt;br /&gt;
contour with Lee Ferguson percusionist who is the percussionist playing the conic bellophone.&lt;br /&gt;
Bozidar Vukotic, the London based Russian Cellist was very precise!&lt;br /&gt;
The contemporary trombonist Allan Tomlinson enjoyed the continuous glissandi and requested a solo piece.&lt;br /&gt;
The Italian bass clarinetist Guido Arbonelli gave me a good lesson about multiphonics.&lt;br /&gt;
The Timpanist Matthew West had incredible sight-reading skills.&lt;br /&gt;
Many thanks to Lewis Jones, my main research supervisor, who conducted at 60 b.p.m. with great control over the&lt;br /&gt;
players. Also many thanks to my composition tutor, Javier Garavaglia.&lt;br /&gt;
&lt;!-- ws:start:WikiTextRemoteImageRule:5:&amp;lt;a href=&amp;quot;http://www.facebook.com/photo.php?pid=227560&amp;amp;id=696302104&amp;quot; rel=&amp;quot;nofollow&amp;quot;&amp;gt;&amp;lt;img src=&amp;quot;http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227559_5175.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt;&amp;lt;/a&amp;gt; --&gt;&lt;a href="http://www.facebook.com/photo.php?pid=227560&amp;amp;id=696302104" rel="nofollow"&gt;&lt;img src="http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227559_5175.jpg" alt="external image n696302104_227559_5175.jpg" title="external image n696302104_227559_5175.jpg" /&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:5 --&gt;&lt;br /&gt;
Here I am introducing the Autumn piece for the UK Microfest 2007&lt;br /&gt;
&lt;!-- ws:start:WikiTextRemoteImageRule:7:&amp;lt;a href=&amp;quot;http://www.facebook.com/photo.php?pid=227561&amp;amp;id=696302104&amp;quot; rel=&amp;quot;nofollow&amp;quot;&amp;gt;&amp;lt;img src=&amp;quot;http://photos-a.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227560_5390.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt;&amp;lt;/a&amp;gt; --&gt;&lt;a href="http://www.facebook.com/photo.php?pid=227561&amp;amp;id=696302104" rel="nofollow"&gt;&lt;img src="http://photos-a.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227560_5390.jpg" alt="external image n696302104_227560_5390.jpg" title="external image n696302104_227560_5390.jpg" /&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:7 --&gt;&lt;br /&gt;
This is the French guitarist Wim Hoogewerf with the percussionist from Duo Contour, Lee Ferguson. Wim has a&lt;br /&gt;
96 equal temperament guitar (1/4 tone frets and 6 E strings 1/16 of a tone apart). They played an ascending&lt;br /&gt;
chromatic scale using the 96 notes in unison with the help of a bottle neck for the guitar.&lt;br /&gt;
They performed chromatic zig-zag exercises in unison covering the full range of the octave.&lt;br /&gt;
They also played a duet I wrote for 96 equal temperament guitar and bellophone.&lt;br /&gt;
These materials are really worthy waiting for the video to be edited!&lt;br /&gt;
Wim also performed on the same guitar a piece by Pascal Criton (who was in the audience).&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextRemoteImageRule:9:&amp;lt;a href=&amp;quot;http://www.facebook.com/photo.php?pid=227562&amp;amp;id=696302104&amp;quot; rel=&amp;quot;nofollow&amp;quot;&amp;gt;&amp;lt;img src=&amp;quot;http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227561_5611.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt;&amp;lt;/a&amp;gt; --&gt;&lt;a href="http://www.facebook.com/photo.php?pid=227562&amp;amp;id=696302104" rel="nofollow"&gt;&lt;img src="http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227561_5611.jpg" alt="external image n696302104_227561_5611.jpg" title="external image n696302104_227561_5611.jpg" /&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:9 --&gt;&lt;br /&gt;
Lee Ferguson explains the characteristics and the tough time he had preparing for the concert in one evening&lt;br /&gt;
when it was the first time for him to see the instrument. He took the instrument back to Germany, and we hope&lt;br /&gt;
to hear about his performances with the conic bellophone in the future.&lt;!-- ws:start:WikiTextRemoteImageRule:11:&amp;lt;a href=&amp;quot;http://www.facebook.com/photo.php?pid=227563&amp;amp;id=696302104&amp;quot; rel=&amp;quot;nofollow&amp;quot;&amp;gt;&amp;lt;img src=&amp;quot;http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227562_5825.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt;&amp;lt;/a&amp;gt; --&gt;&lt;a href="http://www.facebook.com/photo.php?pid=227563&amp;amp;id=696302104" rel="nofollow"&gt;&lt;img src="http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227562_5825.jpg" alt="external image n696302104_227562_5825.jpg" title="external image n696302104_227562_5825.jpg" /&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:11 --&gt;&lt;br /&gt;
&lt;br /&gt;
From the percussionist's point of view.&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextRemoteImageRule:13:&amp;lt;a href=&amp;quot;http://www.facebook.com/photo.php?pid=227557&amp;amp;id=696302104&amp;quot; rel=&amp;quot;nofollow&amp;quot;&amp;gt;&amp;lt;img src=&amp;quot;http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227563_6034.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt;&amp;lt;/a&amp;gt; --&gt;&lt;a href="http://www.facebook.com/photo.php?pid=227557&amp;amp;id=696302104" rel="nofollow"&gt;&lt;img src="http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227563_6034.jpg" alt="external image n696302104_227563_6034.jpg" title="external image n696302104_227563_6034.jpg" /&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:13 --&gt;&lt;br /&gt;
Jacob and Aaron checking the piccolo conic bellophone,&lt;br /&gt;
which is made with bicycle bells, and can expand the maximum range&lt;br /&gt;
of the conic bellophone by a major third with almost the same sound.&lt;/body&gt;&lt;/html&gt;</pre></div>