1/11-comma meantone: Difference between revisions
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{{Novelty}} | {{Novelty}} | ||
'''1/11-comma meantone''' is a tuning of meantone where the [[3/2|fifth]] is flattened by 1/11 of the [[81/80|syntonic comma]], producing a fifth of | '''1/11-comma meantone''' is a tuning of meantone where the [[3/2|fifth]] is flattened by 1/11 of the [[81/80|syntonic comma]], producing a fifth of 699.9998836 cents. This is approximated well by [[12edo]]. | ||
In the [[7-limit]], 1/11-comma’s fifth is a good [[sharptone]] generator. In the [[11-limit]], it becomes a good [[meanertone]] generator. | In the [[7-limit]], 1/11-comma’s fifth is a good [[sharptone]] generator. In the [[11-limit]], it becomes a good [[meanertone]] generator. | ||
[[Category:Meantone]] | [[Category:Meantone]] | ||
Revision as of 06:41, 14 December 2024
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This page presents a novelty topic.
It may contain ideas which are less likely to find practical applications in music, or numbers or structures that are arbitrary or exceedingly small, large, or complex. Novelty topics are often developed by a single person or a small group. As such, this page may also contain idiosyncratic terms, notation, or conceptual frameworks. |
1/11-comma meantone is a tuning of meantone where the fifth is flattened by 1/11 of the syntonic comma, producing a fifth of 699.9998836 cents. This is approximated well by 12edo.
In the 7-limit, 1/11-comma’s fifth is a good sharptone generator. In the 11-limit, it becomes a good meanertone generator.