9/5: Difference between revisions
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* [[10/9]] – its [[octave complement]] | * [[10/9]] – its [[octave complement]] | ||
* [[5/3]] – its [[twelfth complement]] | * [[5/3]] – its [[twelfth complement]] | ||
* [[Ed9/5]] | |||
* [[Gallery of just intervals]] | * [[Gallery of just intervals]] | ||
Latest revision as of 00:00, 27 October 2024
Interval information |
classic(al) minor seventh,
ptolemaic minor seventh
[sound info]
9/5, the just, classic(al), or ptolemaic minor seventh[1] is often treated as a consonance in 5-limit just intonation, forming a part of such chords such as the 1-6/5-3/2-9/5 minor seventh chord, and the supermajor tetrad, 1-9/7-3/2-9/5 in the 7-limit.
Coincidentally, the ratio between a common "alternative" tuning frequency (A432) and the most common AC electrical frequency (60hz) is exactly 36/5, two octaves above 9/5. This is notably a more consonant interval than the 11/6 formed by the more common tuning frequency of A440, which may lead to a noticeable improvement in consonance when electrically powered instruments or amplifiers are interfered with by AC power.