German sixth chord: Difference between revisions

Bcmills (talk | contribs)
m link 7/4
Bcmills (talk | contribs)
clarify meantone vs. septimal meantone in chord summaries
 
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simultaneously represents both [[72:90:108:125]] (with steps 5/4, 6/5, and [[125/108]]) and [[128:160:192:225]] (with steps 5/4, 6/5, and [[75/64]]).
simultaneously represents both [[72:90:108:125]] (with steps 5/4, 6/5, and [[125/108]]) and [[128:160:192:225]] (with steps 5/4, 6/5, and [[75/64]]).


However, in the historically prevalent [[quarter-comma meantone]], the augmented seventh is tuned only a few cents shy of a just [[7/4]], so the meantone German sixth chord can be considered to approximate the ''harmonic seventh chord'' as in [[septimal meantone]]:
However, in the historically prevalent [[quarter-comma meantone]], the augmented sixth is tuned only a few cents shy of a just [[7/4]], so the meantone German sixth chord can be considered to approximate the ''harmonic seventh chord'' as in [[septimal meantone]]:


* (Meantone) 1 – 5/4 – 3/2 – 7/4
* (Septimal meantone) 1 – 5/4 – 3/2 – 7/4


representing [[4:5:6:7]] (with steps 5/4, 6/5, and 7/6).
representing [[4:5:6:7]] (with steps 5/4, 6/5, and 7/6).
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In the [[5-limit]]:
In the [[5-limit]]:


* [[128:160:192:225]], one of the possible 5-limit interpretations of the meantone chord, is found rooted on ♭VI in the [[duodene]].
* [[128:160:192:225]], one of the possible 5-limit interpretations of the meantone chord, is found rooted at the ♭II ({{Frac|16|15}}) and ♭VI ({{Frac|8|5}}) of the [[duodene]].


[[Category:Just intonation chords]]
[[Category:Just intonation chords]]
[[Category:Tetrads]]
[[Category:German sixth chords| ]] <!-- main article -->