User:VectorGraphics/Augmented and dimininshed intervals
I find the words "augmented" and "diminished" not that useful.
Let's step through some major thirds:
ratio | edosteps | cents |
---|---|---|
4/12 | 400 | |
5/4 | 386 | |
81/64 | 409 | |
24/19 | 404 | |
6/19 | 378 |
All about the same size, right?
Now let's look at supermajor thirds:
ratio | edosteps | cents |
---|---|---|
6/17 | 423 | |
9/7 | 435 | |
11/31 | 425 | |
7/19 | 442 |
Also about the same size.
Now, let's take a look at the augmented thirds of all the scales we've looked at so far that have them defined, and a few more:
ratio | edosteps | cents |
---|---|---|
8/17 | 564 | |
177147/131072 | 522 | |
12/31 | 464 | |
7/19 | 442 | |
125/96 | 456 | |
5/12 | 500 | |
9/26 | 415 | |
14/27 | 622 |
Yup. That's right. According to the definition of augmented, all these different intervals - varying by over 200 cents - are augmented thirds. Yes, even that large tritone (which is extra cursed). The theoretical maximum and minimum within diatonic scales vary by 378 cents (interestingly, a major third) and overlap with major thirds, supermajor thirds, and even perfect fifths.
Now, it might be a little unfair to compare augmented thirds specifically given how much thirds can already vary across diatonic scales, so let's instead take a peek at augmented fifths:
ratio | edosteps | cents |
---|---|---|
8/17 | 847 | |
6561/4096 | 815 | |
20/31 | 774 | |
12/19 | 757 | |
25/16 | 772 | |
8/12 | 800 | |
16/26 | 738 | |
20/27 | 888 |
Not much better - that's still a variation of 150 cents!
"Augmented", along with its partner "diminished", simply don't fit in a brightness-based system. They're scale-specific. And it's also rather hard to know exactly what interval one is talking about when using "augmented" and "diminished" - even between pythagorean and classical here, that's still about a diesis apart. And if we bring in ARCHY, then that comma grows to over 100 cents.
Simply put, I don't find "augmented" or "diminished" useful for naming intervals. Chords, maybe.