Kleismic/Orgone Notation (Heptatonic)
Kleismic/Orgone notation can be based on the Kleismic/Orgone[7] LLsLsLs scale. If we try to represent the 3|3 mode (LsLsLsL) with a chain of fifths (D E F G A B C D) and use sharps and flats (#/b) to denote two steps up or down respectively, 15edo’s notes and intervals are out of order as 15edo has a hard 4L3s.
| Cents
|
Interval Name
|
Note name
|
| 0
|
Unison
|
D
|
| 80
|
Diminished Second
|
Eb
|
| 160
|
Augmented Unison
|
D#
|
| 240
|
Perfect Second
|
E
|
| 320
|
Minor Third
|
F
|
| 400
|
Minor Fourth
|
Gb
|
| 480
|
Major Third
|
F#
|
| 560
|
Major Fourth
|
G
|
| 640
|
Minor Fifth
|
A
|
| 720
|
Minor Sixth
|
Bb
|
| 800
|
Major Fifth
|
A#
|
| 880
|
Major Sixth
|
B
|
| 960
|
Perfect Seventh
|
C
|
| 1040
|
Diminished Octave
|
Db
|
| 1120
|
Augmented Seventh
|
C#
|
| 1200
|
Octave
|
D
|
Kleismic/Orgone Notation (Hendecatonic)
Kleismic/Orgone notation can be based on the Kleismic/Orgone[11] LsLssLssLss scale. The 5|5 mode (sLssLsLssLs) can be represented with a base-11 number system (0 1 2 3 4 5 6 7 8 9 X) and sharps and flats (#/b) denoting a step up or down respectively.
| Cents
|
Interval Name(s)
|
Note name
|
| 0
|
Perfect 0-mosstep
|
0
|
| 80
|
Minor 1-mosstep
|
1
|
| 160
|
Major 1-mosstep / Minor 2-mosstep
|
1# / 2b
|
| 240
|
Major 2-mosstep
|
2
|
| 320
|
Perfect 3-mosstep
|
3
|
| 400
|
Minor 4-mosstep
|
4
|
| 480
|
Major 4-mosstep / Minor 5-mosstep
|
4# / 5b
|
| 560
|
Major 5-mosstep
|
5
|
| 640
|
Minor 6-mosstep
|
6
|
| 720
|
Major 6-mosstep / Minor 7-mosstep
|
6# / 7b
|
| 800
|
Major 7-mosstep
|
7
|
| 880
|
Perfect 8-mosstep
|
8
|
| 960
|
Minor 9-mosstep
|
9
|
| 1040
|
Major 9-mosstep / Minor 10-mosstep
|
9# / Xb
|
| 1120
|
Major 10-mosstep
|
X
|
| 1200
|
Perfect 11-mosstep
|
0
|