User:TallKite/How To Play the Kite Guitar

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(Kite's initial notes for an e-book)

(includes Kite bass)

INTRODUCTION - Why Play the Kite Guitar?

  • New chords
  • Old chords sound cleaner
  • Dirty sounds work better with chords
  • New melodies

PART I - THEORY

Chapter 1: Just Intonation and the Harmonic Series

  • (take from the website's What It Is page)
  • disclaimer -- no 11-limit in this book

Chapter 2: 41-equal

  • difference between edosteps and ratios

PART II - NOTATION

Chapter 3: Ups and Downs

  • note names
  • interval names
  • staff notation

Chapter 4: Tablature

  • KDF tablature
  • relative tablature

PART III - FINDING YOUR WAY AROUND

Chapter 5: The Fretboard's Notes

  • downmajor tuning (mention other tunings are in appendix 3)
  • the three kites
  • a fifth equals three dots equals one kite
  • no octave fret
  • note diagrams for 6, 7 and 8 strings, plus bass
  • example riff in tab & score

Chapter 6: How To Tune

  • microtonal apps
  • standard tuner with a sus4 chord
  • tuning via 1sns and 8ves

Chapter 7: The Fretboard's Intervals

  • various diagrams with rainbows

PART IV - MUSIC

Chapter 8: Basic Scales

  • vM, ^m, example melodies in each
  • vm, ^M, play same melodies

Chapter 9: Basic Triads

  • how chords are named
  • downmajor - Amazing Grace
  • upminor - Wade In the Water
  • downminor, upmajor - Downminor Nocturne riff
  • sus4, sus2
  • updim, downdim

Chapter 10: Basic Chord Progressions

  • Iv - IVv - Vv
  • Iv - vII^m

Chapter 11: Pitch Shifts

  • Iv - IVv - II^m - Vv

Chapter 12: Basic Tetrads

  • v7, v,7
  • vM7, ^m7, vm7
  • ^7, ^9
  • ^d^7, vdv7
  • ^d7, vd7

Chapter 13: Bending

  • half-fret bend
  • microbend for fine-tuning vM3, vM6

Chapter 14: How to Translate Songs

  • IvM7 - II^m7 - Vv7 - IvM7 issues
  • melody vs. harmony
  • (take from my xenwiki examples)

APPENDICES

Appendix 1: Giant chords list

  • (take from the xenwiki)

Appendix 2: Giant scales list

  • (take from the xenwiki)

Appendix 3: Finding the Notes

  • staff and tab for every note

Appendix 4: Alternate tunings

  • Downmajor 3rds (isomorphic)
  • Alternating 3rds, P4-M2 (dimorphic)
  • Open tunings
  • The a-fret
  • The Multi-fret Capo
  • Banjo Spikes