Consonance and dissonance
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Original Wikitext content:
[[Joe Monzo]] considers [[consonance]] and [[dissonance]] to be opposite poles of a continuum of sensation, which he calls "[[http://www.tonalsoft.com/enc/s/sonance.aspx|sonance]]". However he was not the first who used the term **sonance**: also [[https://de.wikipedia.org/wiki/Wilhelm_Keller_%28Komponist%29|Wilhelm Keller]] distinguishes between //sonanzmodal// and //distanzmodal// aspects when analysing sounds, see his //Handbuch der Tonsatzlehre// from 1957. The term **sonance** goes back to Giovanni Battista Benedetti Going back to Giovanni Battista Benedetti, an Italian Renaissance mathematician and physicist, sonance can be best described as relative consonance and/or dissonance of a musical interval – a continuum of pitches encompassing consonance on one end, and dissonance on the other (Palisca, 1973). [1] * [1] http://icmpc-escom2012.web.auth.gr/sites/default/files/papers/710_Proc.pdf * http://xtf.lib.virginia.edu/xtf/view?docId=DicHist/uvaBook/tei/DicHist3.xml;chunk.id=dv3-32
Original HTML content:
<html><head><title>sonance</title></head><body><a class="wiki_link" href="/Joe%20Monzo">Joe Monzo</a> considers <a class="wiki_link" href="/consonance">consonance</a> and <a class="wiki_link" href="/dissonance">dissonance</a> to be opposite poles of a continuum of sensation, which he calls "<a class="wiki_link_ext" href="http://www.tonalsoft.com/enc/s/sonance.aspx" rel="nofollow">sonance</a>". However he was not the first who used the term <strong>sonance</strong>: also <a class="wiki_link_ext" href="https://de.wikipedia.org/wiki/Wilhelm_Keller_%28Komponist%29" rel="nofollow">Wilhelm Keller</a> distinguishes between <em>sonanzmodal</em> and <em>distanzmodal</em> aspects when analysing sounds, see his <em>Handbuch der Tonsatzlehre</em> from 1957.<br /> <br /> The term <strong>sonance</strong> goes back to Giovanni Battista Benedetti<br /> Going back to Giovanni Battista Benedetti, an Italian Renaissance mathematician and physicist, sonance can be best described as relative consonance and/or dissonance of a musical interval – a continuum of pitches encompassing consonance on one end, and dissonance on the other (Palisca, 1973). [1]<br /> <br /> <ul><li>[1] <!-- ws:start:WikiTextUrlRule:16:http://icmpc-escom2012.web.auth.gr/sites/default/files/papers/710_Proc.pdf --><a class="wiki_link_ext" href="http://icmpc-escom2012.web.auth.gr/sites/default/files/papers/710_Proc.pdf" rel="nofollow">http://icmpc-escom2012.web.auth.gr/sites/default/files/papers/710_Proc.pdf</a><!-- ws:end:WikiTextUrlRule:16 --></li><li><!-- ws:start:WikiTextUrlRule:17:http://xtf.lib.virginia.edu/xtf/view?docId=DicHist/uvaBook/tei/DicHist3.xml;chunk.id=dv3-32 --><a class="wiki_link_ext" href="http://xtf.lib.virginia.edu/xtf/view?docId=DicHist/uvaBook/tei/DicHist3.xml;chunk.id=dv3-32" rel="nofollow">http://xtf.lib.virginia.edu/xtf/view?docId=DicHist/uvaBook/tei/DicHist3.xml;chunk.id=dv3-32</a><!-- ws:end:WikiTextUrlRule:17 --></li></ul></body></html>