User:BudjarnLambeth/Sandbox2
Title1
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -4.1 | -8.5 | -8.2 | +4.1 | -12.6 | +19.5 | -12.3 | -16.9 | +0.0 | +34.3 | -16.7 |
Relative (%) | -4.1 | -8.5 | -8.2 | +4.1 | -12.6 | +19.6 | -12.4 | -17.0 | +0.0 | +34.4 | -16.7 | |
Steps (reduced) |
12 (12) |
19 (19) |
24 (24) |
28 (28) |
31 (31) |
34 (34) |
36 (36) |
38 (38) |
40 (0) |
42 (2) |
43 (3) |
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +3.4 | +3.4 | +6.7 | +21.5 | +6.7 | +40.7 | +10.1 | +6.7 | +24.9 | -39.9 | +10.1 |
Relative (%) | +3.3 | +3.3 | +6.7 | +21.4 | +6.7 | +40.6 | +10.0 | +6.7 | +24.8 | -39.8 | +10.0 | |
Steps (reduced) |
12 (5) |
19 (5) |
24 (3) |
28 (0) |
31 (3) |
34 (6) |
36 (1) |
38 (3) |
40 (5) |
41 (6) |
43 (1) |
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +1.2 | +0.0 | +2.5 | +16.6 | +1.2 | +34.7 | +3.7 | +0.0 | +17.8 | -47.1 | +2.5 |
Relative (%) | +1.2 | +0.0 | +2.5 | +16.6 | +1.2 | +34.6 | +3.7 | +0.0 | +17.8 | -47.1 | +2.5 | |
Steps (reduced) |
12 (12) |
19 (0) |
24 (5) |
28 (9) |
31 (12) |
34 (15) |
36 (17) |
38 (0) |
40 (2) |
41 (3) |
43 (5) |
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.8 | -0.8 | +1.5 | +15.5 | +0.0 | +33.3 | +2.3 | -1.5 | +16.2 | -48.7 | +0.8 |
Relative (%) | +0.8 | -0.8 | +1.5 | +15.4 | +0.0 | +33.3 | +2.3 | -1.5 | +16.2 | -48.7 | +0.8 | |
Steps (reduced) |
12 (12) |
19 (19) |
24 (24) |
28 (28) |
31 (0) |
34 (3) |
36 (5) |
38 (7) |
40 (9) |
41 (10) |
43 (12) |
Title2
Octave stretch or compression
What follows is a comparison of stretched- and compressed-octave 12edo tunings.
- Step size: 99.664 ¢, octave size: 1196.0 ¢
Compressing the octave of 12edo by 4 ¢ results in much improved primes 5, 7 and 11, but a much worse prime 3. Its 7-limit WE tuning and 7-limit TE tuning both do this. 40ed10 does this as well. An argument could be made that such tunings harmonies involving the 7th harmonic to regular old 12edo without even needing to add any new notes to the octave.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -4.0 | -8.3 | -8.1 | +4.3 | -12.4 | +19.8 | -12.1 | -16.7 | +0.2 | +34.6 | -16.4 |
Relative (%) | -4.0 | -8.4 | -8.1 | +4.3 | -12.4 | +19.8 | -12.1 | -16.7 | +0.2 | +34.7 | -16.5 | |
Step | 12 | 19 | 24 | 28 | 31 | 34 | 36 | 38 | 40 | 42 | 43 |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +44.4 | +15.7 | -4.1 | -16.1 | -21.4 | -20.7 | -14.6 | -3.8 | +11.4 | +30.5 | -46.4 | -20.4 |
Relative (%) | +44.5 | +15.8 | -4.1 | -16.2 | -21.5 | -20.8 | -14.7 | -3.8 | +11.4 | +30.6 | -46.6 | -20.5 | |
Step | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 54 | 55 |
- Step size: 99.807 ¢, octave size: 1197.7 ¢
Compressing the octave of 12edo by around 2 ¢ results in improved primes 5 and 7, but a worse prime 3. The tuning 34zpi does this. It might be a good tuning for 5-limit meantone, for composers seeking more pure thirds and sixths than regular 12edo.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -2.3 | -5.6 | -4.6 | +8.3 | -7.9 | +24.6 | -6.9 | -11.2 | +6.0 | +40.6 | -10.3 |
Relative (%) | -2.3 | -5.6 | -4.6 | +8.3 | -8.0 | +24.7 | -7.0 | -11.3 | +6.0 | +40.7 | -10.3 | |
Step | 12 | 19 | 24 | 28 | 31 | 34 | 36 | 38 | 40 | 42 | 43 |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -49.0 | +22.3 | +2.7 | -9.3 | -14.4 | -13.6 | -7.4 | +3.7 | +19.0 | +38.3 | -38.7 | -12.6 |
Relative (%) | -49.1 | +22.3 | +2.7 | -9.3 | -14.4 | -13.6 | -7.4 | +3.7 | +19.0 | +38.3 | -38.8 | -12.6 | |
Step | 44 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 54 | 55 |
- Step size: 99.868 ¢, octave size: 1198.4 ¢
Compressing the octave of 12edo by around 1 ¢ results in slightly improved primes 5 and 7, but a slightly prime 3. Its 5-limit WE tuning and 5-limit TE tuning both do this. This has the same benefits and drawbacks as 34zpi, but both are less intense here compared to 34zpi.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -1.6 | -4.5 | -3.2 | +10.0 | -6.0 | +26.7 | -4.8 | -8.9 | +8.4 | +43.1 | -7.6 |
Relative (%) | -1.6 | -4.5 | -3.2 | +10.0 | -6.1 | +26.7 | -4.8 | -8.9 | +8.4 | +43.2 | -7.6 | |
Step | 12 | 19 | 24 | 28 | 31 | 34 | 36 | 38 | 40 | 42 | 43 |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -46.3 | +25.1 | +5.5 | -6.3 | -11.4 | -10.5 | -4.2 | +6.8 | +22.2 | +41.6 | -35.4 | -9.2 |
Relative (%) | -46.4 | +25.1 | +5.5 | -6.3 | -11.4 | -10.5 | -4.3 | +6.8 | +22.3 | +41.6 | -35.4 | -9.2 | |
Step | 44 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 54 | 55 |
- 12edo
- Step size: 100.000 ¢, octave size: 1200.0 ¢
Pure-octaves 12edo performs well on harmonics 2, 3 and 5 but poorly on harmonics 7, 11 and 13 compared to other edos with a similar number of notes per octave.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 |
Relative (%) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 | |
Steps (reduced) |
12 (0) |
19 (7) |
24 (0) |
28 (4) |
31 (7) |
34 (10) |
36 (0) |
38 (2) |
40 (4) |
42 (6) |
43 (7) |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 |
Relative (%) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 | |
Steps (reduced) |
44 (8) |
46 (10) |
47 (11) |
48 (0) |
49 (1) |
50 (2) |
51 (3) |
52 (4) |
53 (5) |
54 (6) |
54 (6) |
55 (7) |
- Step size: 100.063 ¢, octave size: 1200.8 ¢
Stretching the octave of 12edo by a little less than 1 ¢ results in an improved prime 3, but worse prime 5. This loosely resembles the stretched-octave tunings commonly used on pianos. The tuning 31ed6 does this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.8 | -0.8 | +1.5 | +15.5 | +0.0 | +33.3 | +2.3 | -1.5 | +16.2 | -48.7 | +0.8 |
Relative (%) | +0.8 | -0.8 | +1.5 | +15.4 | +0.0 | +33.3 | +2.3 | -1.5 | +16.2 | -48.7 | +0.8 | |
Steps (reduced) |
12 (12) |
19 (19) |
24 (24) |
28 (28) |
31 (0) |
34 (3) |
36 (5) |
38 (7) |
40 (9) |
41 (10) |
43 (12) |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -37.8 | +34.1 | +14.7 | +3.0 | -1.9 | -0.8 | +5.7 | +17.0 | +32.6 | -48.0 | -24.9 | +1.5 |
Relative (%) | -37.7 | +34.1 | +14.7 | +3.0 | -1.9 | -0.8 | +5.7 | +17.0 | +32.5 | -47.9 | -24.9 | +1.5 | |
Steps (reduced) |
44 (13) |
46 (15) |
47 (16) |
48 (17) |
49 (18) |
50 (19) |
51 (20) |
52 (21) |
53 (22) |
53 (22) |
54 (23) |
55 (24) |
- Step size: 101.103 ¢, octave size: 1201.2 ¢
Stretching the octave of 12edo by a little more than 1 ¢ results in an improved prime 3, but worse prime 5. The tuning 19edt does this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +1.2 | +0.0 | +2.5 | +16.6 | +1.2 | +34.7 | +3.7 | +0.0 | +17.8 | -47.1 | +2.5 |
Relative (%) | +1.2 | +0.0 | +2.5 | +16.6 | +1.2 | +34.6 | +3.7 | +0.0 | +17.8 | -47.1 | +2.5 | |
Steps (reduced) |
12 (12) |
19 (0) |
24 (5) |
28 (9) |
31 (12) |
34 (15) |
36 (17) |
38 (0) |
40 (2) |
41 (3) |
43 (5) |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -36.0 | +35.9 | +16.6 | +4.9 | +0.1 | +1.2 | +7.7 | +19.0 | +34.7 | -45.9 | -22.7 | +3.7 |
Relative (%) | -36.0 | +35.9 | +16.6 | +4.9 | +0.1 | +1.2 | +7.7 | +19.0 | +34.6 | -45.8 | -22.7 | +3.7 | |
Steps (reduced) |
44 (6) |
46 (8) |
47 (9) |
48 (10) |
49 (11) |
50 (12) |
51 (13) |
52 (14) |
53 (15) |
53 (15) |
54 (16) |
55 (17) |
- Step size: 100.3 ¢, octave size: 1203.35 ¢
Stretching the octave of 12edo by around 3 ¢ results in improved primes 3 and 13, but much worse primes 5 and 7. This has similar benefits and drawbacks to Pythagorean tuning. Most modern music probably won't sound very good here because of the off 5th harmonic. The tuning 7edf does this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +3.4 | +3.4 | +6.7 | +21.5 | +6.7 | +40.7 | +10.1 | +6.7 | +24.9 | -39.9 | +10.1 |
Relative (%) | +3.3 | +3.3 | +6.7 | +21.4 | +6.7 | +40.6 | +10.0 | +6.7 | +24.8 | -39.8 | +10.0 | |
Steps (reduced) |
12 (5) |
19 (5) |
24 (3) |
28 (0) |
31 (3) |
34 (6) |
36 (1) |
38 (3) |
40 (5) |
41 (6) |
43 (1) |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -28.2 | +44.0 | +24.9 | +13.4 | +8.7 | +10.1 | +16.7 | +28.2 | +44.0 | -36.5 | -13.2 | +13.4 |
Relative (%) | -28.2 | +43.9 | +24.8 | +13.4 | +8.7 | +10.0 | +16.7 | +28.1 | +43.9 | -36.4 | -13.2 | +13.4 | |
Steps (reduced) |
44 (2) |
46 (4) |
47 (5) |
48 (6) |
49 (0) |
50 (1) |
51 (2) |
52 (3) |
53 (4) |
53 (4) |
54 (5) |
55 (6) |