User:Hkm/Sandbox
< User:Hkm
This page aims to give easy access to the best xenharmonic music through a compilation of user ratings. Even though works should be analyzed and talked about in more nuanced terms than ratings, ratings are a valuable thing to keep track of.
Feel free to provide a work's tuning, link, or notes by editing that row on the main table. Xen Wiki articles are preferred to Bandcamp/similar links, which are preferred to YouTube links. Tunings marked "?" take more work to find. This page aims to be the best catalog of xenharmonic music, and as such it cannot be created by one person alone.
Ratings are compiled once a day at least. Entries are sorted in descending order of (per this 3blue1brown video)
$$ \frac{\text{sum of the ratings for that work} + 5}{\text{number of ratings} + 2} $$
The following table is created with this program. Remember that the table is sortable. When sorting a column with some elements that are identical, the rows with identical elements will be left in the order that they were previously; thus, to see, for example, the 22edo works by Byrnes sorted by RYM rating, they would be displayed in order by tapping the RYM rating column, then (in either order) the creator column and tuning column.
Ratings here, ideally, should reflect how good each work is as microtonal music, as opposed to the RYM ratings, for example, which reflect how good each microtonal work is as music. To illustrate the difference, the microtonal work Spiral Staircase by Patricia Taxxon is good as music, but not as microtonal music, as it cycles between alternate 12-note subsets of 24edo. The RYM charts for microtonal works teem with this sort of thing, hence the need for this page. The column on the table for how microtonal a work partially compensates for and explains the inaccuracy of the RYM ratings.
Instructions for rating. By leaving a rating, you are contributing positively to people's ability to find enjoyable xen music.
Rate any xenharmonic work on this talk page from 0 to 5 in the same form as the examples there.
If you're wondering how you can translate your thoughts about each work into ratings, the hypothetical ratings of all the xen music you've listened to, including music so bad it’s not worth rating, should follow a uniform distribution from 0 to 5. This means that a 3/5 is a good score. Alternatively, you can decide to not rate things this way. (In fact, this is old advice: as of now, it's probably best to rate things in a normal distribution centered at 3.)
You may rate both larger projects and songs from those projects. If a song is part of a larger project, we ask that you name it as [LARGER PROJECT]: [SONG]. If the creator is a person posting music under their real name, please use the last name only unless there is a need for disambiguation between people with the same last name. If the creator has a xen wiki account, do not link that account in the Creator section. Feel free to write it in the Notes section. If you do not have an account, ping @hyperbolekillsme on the XA Discord with your ratings.
If you want to provide a work's tuning, notes, or link when you are the first person to rate a work, create a row at the bottom of this table similar to the other rows without filling in the "R" or "#" columns.
If one creator has multiple works, all of which are on YouTube and most of which are on Bandcamp, all the YouTube links should be in the Notes section.
Also feel free to edit the number in the "W" column. This is an integer which ranges between 0 to 5. Some works that demarcate the boundary between 1 and 2:
- Blackwood: 20edo etude
Some works that demarcate the boundary between 3 and 4:
- Costa: Syrinx for flute quartet
Further details about the program.
The program will not remove any row from the table unless it has the same creator and work name as a different row, in which case it will keep the row with the larger value in the last "number of voters" column. [Due to a bug, it keeps the first row it sees.]
It's safe to manually delete any row. It will be repopulated the next time the program runs if a user has rated it; but if that row had notes, tuning, or link information, that information will be lost. (You would want to do this if you want to remove or correct an entry that only you had rated.)
Everything is case sensitive. Eventually this might be fixed.
Eventually there might be a column with alternative links to the recommended one. This will not replace the recommended one's position or formatting, because on a phone, only the first three columns can be seen without horizontally scrolling.
Eventually links placed in the "Creator" section might not confuse the program.
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Todo: create bot create a bot to auto-update this table |
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Todo: update program fix the bugs detailed above. Feel free to edit the program yourself; it is linked and on the wiki |
| Creator | Work | Tuning | W | Notes | R | N | r | n | s | C | See |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Sevish | Rhythm and Xen: 3. Sleep Deprived Cooked Alive | 14edo | 2.17 | 1 | 5.20 | 18 | 95 | 5.01 | |||
| Sevish | Rhythm and Xen: 13. Desert Island Rain | 313edo | 2 | Barbados[9]. | 3.44 | 3 | 5.15 | 17 | 85 | 4.99 | |
| Sevish | Rhythm and Xen: 11. Droplet | 53edo | Orwell[9]. | 3.38 | 3 | 5.17 | 20 | 111 | 4.99 | ||
| Sevish | Harmony Hacker: 4. Gleam | 22edo | 2 | 3.25 | 2 | 5.06 | 27 | 103 | 4.97 | ||
| Sevish | Rhythm and Xen: 1. What Year is This? | 4.92 | 17 | 91 | 4.92 | ||||||
| Sevish | Rhythm and Xen: 2. Guano Sequence | 22edo | 2.17 | 1 | 5.04 | 19 | 72 | 4.87 | |||
| Sevish | Formless Shadows: 7. Star Nursery | 4.77 | 3 | 69 | 4.77 | ||||||
| Blackwood | Fanfare in 19edo | 4.73 | 3 | 116 | 4.73 | ||||||
| Sevish | Big Sway: 6. Bare Layers | ? | 2.50 | 1 | 5.03 | 5 | 151 | 4.70 | |||
| Sevish | Rhythm and Xen: 12. Neon Tetra Elemental | 23edo | 2.17 | 1 | 4.82 | 16 | 106 | 4.63 | |||
| Sevish | Rhythm and Xen: 7. Longwayaway People | 11edo | 3.17 | 1 | 4.62 | 16 | 86 | 4.61 | |||
| Sevish | Formless Shadows: 9. I Won't Forget | 4.60 | 3 | 79 | 4.60 | ||||||
| Partch | Plectra and Percussion Dances: Castor & Pollux - A Dance for the Twin Rhythms of Gemini | 4.57 | 6 | 53 | 4.57 | ||||||
| Partch | Daphne of the Dunes | 4.56 | 26 | 78 | 4.56 | ||||||
| Sevish | Rhythm and Xen: 9. IT IS | 4.55 | 16 | 85 | 4.55 | ||||||
| Sevish | Morphable: 7. Smashing | 22edo | 2.17 | 1 | 4.90 | 5 | 66 | 4.43 | |||
| Sevish | Harmony Hacker: 7. Vidya | 10edo | 3.17 | 1 | 4.39 | 20 | 142 | 4.40 | |||
| Sevish | Morphable: 8. Saccades | *13edt | 2.67 | 1 | 4.58 | 4 | 91 | 4.36 | |||
| Partch | The Waterfall | 4.34 | 1 | 0 | 4.34 | ||||||
| Partch | The Rose | 4.34 | 1 | 0 | 4.34 | ||||||
| Sevish | Rhythm and Xen: 4. Spellbound | 22edo | Orwell[9]. | 2.33 | 1 | 4.46 | 16 | 91 | 4.33 | ||
| Sevish | Harmony Hacker: 8. Midnight Cascade | JI | young-lm_piano 12-note scale. | 2.83 | 1 | 4.29 | 20 | 126 | 4.25 | ||
| Sevish | Sean but Not Heard: 2. Sniping for Wallies | 4.23 | 1 | 0 | 4.23 | ||||||
| Sevish | Sean but Not Heard: 3. 20 200 2000 20000 | 4.23 | 1 | 0 | 4.23 | ||||||
| Partch | U. S. Highball | 4.22 | 4 | 50 | 4.22 | ||||||
| Gann | Hyperchromatica: 10. Rings of Saturn | 4.21 | 2 | 105 | 4.21 | ||||||
| Partch | Plectra and Percussion Dances: Even Wild Horses - Dance Music for an Absent Drama | 4.20 | 6 | 75 | 4.20 | ||||||
| Blackwood | Etudes: 1. 16edo | 16edo | Original version | 3.50 | 3 | 4.20 | 3 | 44 | 4.19 | Blackwood | |
| Gann | Hyperchromatica: 9. Busted Grooves | 4.19 | 2 | 5 | 4.19 | ||||||
| Partch | Castor & Pollux - A Dance for the Twin Rhythms of Gemini From Plectra & Percussion Dances | 4.17 | 22 | 52 | 4.17 | ||||||
| Sevish | Harmony Hacker: 1. Orbital | *13edt[1] | 3.00 | 1 | 4.17 | 20 | 120 | 4.16 | |||
| Sevish | Formless Shadows: 8. An Afternoon's Promise | 4.16 | 3 | 131 | 4.16 | ||||||
| Blackwood | Etudes: 4. 23edo | 23edo | Original version | 2.92 | 2 | 4.47 | 3 | 1 | 4.15 | Blackwood | |
| Sevish | Rhythm and Xen: 5. Moonopolis | 15edo | 3.17 | 1 | 4.11 | 15 | 102 | 4.13 | |||
| Gann | Hyperchromatica: 2. Futility Row | 4.13 | 4 | 76 | 4.13 | ||||||
| Sevish | Formless Shadows: 4. Thundersnow | 4.13 | 3 | 3 | 4.13 | ||||||
| Sevish | Harmony Hacker: 2. Ask Yourself | various | Semaphore[11], supermariner[17], JI | 2.50 | 1 | 4.21 | 20 | 128 | 4.12 | ||
| Sevish | Bubble: 3. Some Things Must | 22edo | 2.83 | 1 | 4.16 | 18 | 69 | 4.12 | |||
| Sevish | Harmony Hacker: 9. So Thankful | 15edo | Blackwood[10]. | 2.50 | 1 | 4.20 | 17 | 157 | 4.10 | ||
| Sevish | Bubble: 1. Plot Hole | JI | Harmonics approximating 22edo | 3.00 | 1 | 4.10 | 18 | 62 | 4.10 | ||
| Partch | Plectra and Percussion Dances: Ring Around the Moon - A Dance for Here and Now | 4.10 | 6 | 65 | 4.10 | ||||||
| Sevish | Rhythm and Xen: 6. Chattering Circuits | 23edo | Mavila[5]. | 2.67 | 1 | 4.16 | 15 | 65 | 4.09 | ||
| Partch | And on the Seventh Day Petals Fell in Petaluma: Verses 1 to 17 | 4.09 | 6 | 30 | 4.09 | ||||||
| Sevish | Morphable: 6. Tritavium | JI | 11-note 3/1-equivalent scale. | 2.67 | 1 | 4.30 | 3 | 68 | 4.08 | ||
| Sevish | Morphable: 5. Rain Pitted 99 | JI | 4-note 3/2-equivalent scale. | 2.83 | 1 | 4.20 | 3 | 117 | 4.08 | ||
| Gann | Hyperchromatica: 4. Pavane for a Dead Planet | 4.08 | 4 | 144 | 4.08 | ||||||
| Sevish | Bubble: 5. Starfish | various | 22edo, 7edo | 2.67 | 1 | 4.10 | 18 | 63 | 4.03 | ||
| Sevish | Formless Shadows: 2. Garden of Light | 4.00 | 3 | 136 | 4.00 | ||||||
| Sevish | Formless Shadows: 1. Hexdeep | 4.00 | 3 | 136 | 4.00 | ||||||
| Blackwood | Etudes: 7. 17edo | 17edo | Original version | 2.91 | 3 | 4.47 | 3 | 1 | 3.99 | Blackwood | |
| Sevish | Harmony Hacker: 3. Same Old | JI | 2.50 | 1 | 4.06 | 20 | 132 | 3.98 | |||
| Partch | And on the Seventh Day Petals Fell in Petaluma: Verses 17 to 34 | 3.97 | 5 | 3 | 3.97 | ||||||
| Blackwood | Etudes: 2. 18edo | 18edo | Original version | 2.61 | 2 | 4.47 | 3 | 1 | 3.97 | Blackwood | |
| Gann | Hyperchromatica: 1. Andromeda Memories | 3.96 | 5 | 108 | 3.96 | ||||||
| Gann | Hyperchromatica: 3. Orbital Resonance | 3.94 | 3 | 44 | 3.94 | ||||||
| Gann | Custer and Sitting Bull: 1. Custer:_"If I Were an Indian..." | 3.93 | 4 | 74 | 3.93 | ||||||
| Gann | Custer and Sitting Bull: 2. Sitting Bull:_"Do You Know Who I Am?" | 3.93 | 4 | 74 | 3.93 | ||||||
| Sevish | Morphable: 9. Rocko's Theme | 22edo | 2.33 | 1 | 4.26 | 4 | 14 | 3.93 | |||
| Partch | The Dreamer That Remains | 3.93 | 1 | 0 | 3.93 | ||||||
| Sevish | Morphable: 3. Launch | 53edo | 2.67 | 1 | 4.12 | 3 | 14 | 3.93 | |||
| Sevish | Bubble: 7. Some Things Must Reprise | 22edo | Very short. | 3.00 | 1 | 3.92 | 15 | 88 | 3.93 | ||
| Sevish | Bubble: 6. Dream Up | 22edo | Arbitrary 12-note scale outside of 22edo used by lead synth | 2.67 | 1 | 3.99 | 18 | 77 | 3.93 | ||
| Sevish | Bubble: 2. You Tell Me | JI | Centaur 12-note scale | 3.00 | 1 | 3.91 | 18 | 69 | 3.91 | ||
| Sevish | Morphable: 2. Everyone | JI | 4-note 3/2-equivalent scale. | 2.83 | 1 | 3.97 | 4 | 87 | 3.90 | ||
| Partch | King Oedipuswork: Fifth Chorus | 3.88 | 2 | 198 | 3.88 | ||||||
| Gann | Hyperchromatica: 13. Spacecat | 3.86 | 2 | 53 | 3.86 | ||||||
| Gann | Hyperchromatica: 16. Liquid Mechanisms | 3.86 | 2 | 53 | 3.86 | ||||||
| Gann | Hyperchromatica: 6. Ride the Cosmos | 3.86 | 2 | 53 | 3.86 | ||||||
| Sevish | Sean but Not Heard: 4. Kowtow | 3.85 | 1 | 0 | 3.85 | ||||||
| Sevish | Sean but Not Heard: 5. The Entity Unmasked | 3.85 | 1 | 0 | 3.85 | ||||||
| Gann | Custer and Sitting Bull: 4. Custer's Ghost to Sitting Bull | 3.84 | 4 | 68 | 3.84 | ||||||
| Partch | Barstow - Eight Hitchhiker Inscriptions From a Highway Railing at Barstow, California | 3.84 | 24 | 89 | 3.84 | ||||||
| Partch | Ulysses at the Edge | 3.82 | 3 | 28 | 3.82 | ||||||
| Sevish | Rhythm and Xen: 14. Sleep Deprived Cooked Alive (Alternative Version) | 3.82 | 3 | 83 | 3.82 | ||||||
| Sevish | Harmony Hacker: 5. We Can't Be Blamed | 22edo | 2.33 | 1 | 3.89 | 19 | 105 | 3.79 | |||
| Sevish | Bubble: 4. Fuschiamarine | 7edo | 2.83 | 1 | 3.80 | 18 | 58 | 3.78 | |||
| Sevish | Formless Shadows: 3. Formless Shadows | 3.76 | 3 | 100 | 3.76 | ||||||
| Partch | King Oedipuswork: Antiphony | 3.76 | 2 | 216 | 3.76 | ||||||
| Sevish | Harmony Hacker: 6. Freathy | other | Blackwood[10] in TOP tuning. | 2.33 | 1 | 3.84 | 20 | 132 | 3.75 | ||
| Gann | Custer and Sitting Bull: 3. Sun Dance / Battle of the Greasy-Grass River | 3.74 | 4 | 72 | 3.74 | ||||||
| Sevish | Golden Hour: 12. Ganymede | 3.72 | 1 | 0 | 3.72 | ||||||
| Sevish | Golden Hour: 3. Dirty Drummer | 3.72 | 1 | 0 | 3.72 | ||||||
| Sevish | Golden Hour: 14. Whitey | 3.72 | 1 | 0 | 3.72 | ||||||
| Sevish | Golden Hour: 6. Fifteen | 3.72 | 1 | 0 | 3.72 | ||||||
| Sevish | Rhythm and Xen: 8. Earthling | various | 2.33 | 1 | 3.82 | 15 | 92 | 3.71 | |||
| Sevish | Golden Hour: 1. Islands | 3.71 | 2 | 95 | 3.71 | ||||||
| Partch | King Oedipuswork: Oedipus Scene | 3.70 | 2 | 136 | 3.70 | ||||||
| Sevish | Formless Shadows: 6. Never Coming Home | 3.68 | 3 | 74 | 3.68 | ||||||
| Blackwood | Etudes: 6. 15edo | 15edo | Original version | 2.92 | 3 | 3.94 | 3 | 45 | 3.66 | Blackwood | |
| Partch | The Letter | 3.65 | 3 | 27 | 3.65 | ||||||
| Gann | Hyperchromatica: 17. Galactic Jamboree | 3.64 | 3 | 8 | 3.64 | ||||||
| Sevish | Morphable: 1. The Mad Mile | 11edo | 2.33 | 1 | 3.90 | 3 | 29 | 3.58 | |||
| Partch | The Bewitchedwork: Scene 9. Background for a Political Soul Lost Among the Voteless Women of Paradise | 3.58 | 2 | 154 | 3.58 | ||||||
| Sevish | Horixens: 7. Septillion Reptilians | 313edo | "Madagascar[9]" (should this be Barbados[9]?) ultrahard semiquartal | 3.00 | 1 | 3.42 | 1 | 0 | 3.57 | ||
| Blackwood | Etudes: 10. 14edo | 14edo | Original version | 2.21 | 2 | 4.20 | 3 | 44 | 3.55 | Blackwood | |
| Partch | The Wind | 3.53 | 1 | 0 | 3.53 | ||||||
| Partch | Before the Cask of Wine | 3.53 | 1 | 0 | 3.53 | ||||||
| Partch | I Am a Peach Tree | 3.53 | 1 | 0 | 3.53 | ||||||
| Partch | The Street | 3.53 | 1 | 0 | 3.53 | ||||||
| Sevish | Rhythm and Xen: 10. Make a Dream | 11edo | 2.33 | 1 | 3.64 | 12 | 70 | 3.53 | |||
| Gann | Hyperchromatica: 15. Romance Postmoderne | 3.52 | 2 | 102 | 3.52 | ||||||
| Gann | Hyperchromatica: 5. Star Dance | 3.52 | 2 | 102 | 3.52 | ||||||
| Partch | The Bewitchedwork: Scene 4. Background for the Alchemy of a Soul Tormented by Contemporary Music | 3.52 | 2 | 74 | 3.52 | ||||||
| Partch | King Oedipuswork: Introduction | 3.52 | 2 | 74 | 3.52 | ||||||
| Partch | The Bewitchedwork: Scene 8. Background for the Apotheosis of a Court in Its Own Contempt | 3.52 | 2 | 74 | 3.52 | ||||||
| Gann | Hyperchromatica: 7. Dark Forces Signify | 3.51 | 3 | 17 | 3.51 | ||||||
| Gann | Hyperchromatica: 11. Pulsars | 3.50 | 2 | 2 | 3.50 | ||||||
| Sevish | Big Sway: 5. Backtrace | ? | 2.83 | 1 | 3.49 | 3 | 52 | 3.49 | |||
| Gann | Hyperchromatica: 14. Reverse Gravity | 3.48 | 2 | 96 | 3.48 | ||||||
| Sevish | Sean but Not Heard: 1. Lavender Fields | 3.47 | 1 | 0 | 3.47 | ||||||
| Sevish | Sean but Not Heard: 10. Spuffled Gnorclacks | 3.47 | 1 | 0 | 3.47 | ||||||
| Sevish | Sean but Not Heard: 9. Faded Orange Glow | 3.47 | 1 | 0 | 3.47 | ||||||
| Sevish | Sean but Not Heard: 7. Detached and Distant | 3.47 | 1 | 0 | 3.47 | ||||||
| Sevish | Morphable: 4. Yeah Groove | 26edo | 2.33 | 1 | 3.75 | 3 | 41 | 3.46 | |||
| Partch | King Oedipuswork: First Chorus | 3.45 | 2 | 172 | 3.45 | ||||||
| Partch | King Oedipuswork: Come Away, Death (From December, 1942) | 3.45 | 2 | 172 | 3.45 | ||||||
| Sevish | Horixens: 4. Unreality | JI | 3.17 | 1 | 3.07 | 1 | 0 | 3.43 | |||
| Sevish | Horixens: 5. Better Left Unanswered | 31edo | Meantone[19] | 3.17 | 1 | 3.07 | 1 | 0 | 3.43 | ||
| vivi mouse | [valentine's day] | other | Valentine. | 3.42 | 2 | 3.42 | |||||
| Blackwood | Suite: Vivo | 3.41 | 3 | 45 | 3.41 | ||||||
| Blackwood | Suite: Prelude | 3.40 | 3 | 45 | 3.40 | ||||||
| Johnston | String Quartet No. 4 | JI | RI. | 3.40 | 3 | 3.40 | |||||
| Partch | The Bewitchedwork: Scene 1. Background for the Transfiguration of American Undergrads in a Hong Kong Music Hall | 3.40 | 2 | 92 | 3.40 | ||||||
| Byrnes | Holocene Dream: Out of the Sun | 27edo | 3.38 | 2 | 3.38 | ||||||
| Gann | Custer and Sitting Bull: 5. So Many Little Dyings | 3.36 | 1 | 0 | 3.36 | ||||||
| Sevish | Formless Shadows: 5. Big Numb | 3.36 | 3 | 75 | 3.36 | ||||||
| Partch | King Oedipuswork: Incidental Music | 3.33 | 2 | 190 | 3.33 | ||||||
| Grégoire Blanc | A microtonal teatime jam | 27edo | Accompanying video is very well-produced. | 3.33 | 2 | 3.33 | |||||
| Metaclown 2 | [Bean's Work (Instrumental)] | 31edo | "Bean is a dog who does lots of dog things - walkin', sniffin', snoozin'. She's very busy with it..." | 3.30 | 2 | 3.30 | |||||
| LΛMPLIGHT | Caftaphata | various | 41edo, JI, 12edo | 3.30 | 2 | 3.30 | |||||
| benyamind | Namoic: Chromacro | 17edo | 3.30 | 2 | 3.30 | ||||||
| Abnormality | towerjamfight.mp3 | 31edo | Looping track for game jam. Drum-heavy variant of towerjamcalm.mp3 also in this list. | 3.30 | 3 | 3.30 | |||||
| Partch | King Oedipuswork: Final Chorus and Coda | 3.27 | 2 | 110 | 3.27 | ||||||
| benyamind | Namoic: Uradjinn | 22edo | 3.25 | 2 | 3.25 | ||||||
| Sevish | Big Sway: 1. Zero Nothings | 22edo | 2.50 | 1 | 3.39 | 3 | 67 | 3.23 | |||
| Sevish | Bubble: 8. Almighty Fractal | JI | 9:10:11:12 tetrachordal | 2.50 | 1 | 3.28 | 17 | 55 | 3.23 | ||
| Byrnes | Holocene Dream: Mesozoic | 27edo | 3.23 | 2 | 3.23 | ||||||
| Partch | U. S. Highball: San Francisco to Sparks | 3.22 | 9 | 138 | 3.22 | ||||||
| Partch | The Bewitchedwork: Scene 3. Background for the Inspired Romancing of a Pathological Liar | 3.21 | 2 | 30 | 3.21 | ||||||
| Sevish | Golden Hour: 11. Wicked Rhythm | 3.21 | 1 | 0 | 3.21 | ||||||
| Sevish | Golden Hour: 9. Callisto | 3.21 | 1 | 0 | 3.21 | ||||||
| Blackwood | Etudes: 11. 20edo | 20edo | Original version | 2.94 | 2 | 3.14 | 3 | 45 | 3.21 | Blackwood | |
| Jumble | Hammock Hut | 25edo | Info/art and worldbuilding at YT. | 3.20 | 2 | 3.20 | |||||
| Spiral Garden | Spiral Garden: Aurora | 3.20 | 1 | 3.20 | |||||||
| Gann | Hyperchromatica: 12. Neptune Night | 3.18 | 2 | 150 | 3.18 | ||||||
| Sevish | Big Sway: 2. Pwns | ? | 2.50 | 1 | 3.33 | 3 | 34 | 3.18 | |||
| Sintel | Top Ten most Epic fish of all time | various | Only movements "9. Hagfish," "6. Wobbegong," "5. Ghost Shark," and "1. Coelacanth" are xenharmonic. | 3.18 | 3 | 3.18 | |||||
| Gann | Hyperchromatica: 8. The Lessing Is Miracle | 3.18 | 3 | 45 | 3.18 | ||||||
| Xotla Music | Equilibrate | 13edo | 3.17 | 2 | 3.17 | ||||||
| fesh | It's a long way down... do you want to jump?: VII. and all the harvest shall rot | 22edo | 3.17 | 2 | 3.17 | ||||||
| Abnormality | Moondust | 26edo | "Have to listen to it multiple times with openness." | 3.17 | 3 | 3.17 | |||||
| Greystar | Microtonal Nights: Reflection | ? | Diatonic-like scale. an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Greystar | Microtonal Nights: Dim Cold | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Byrnes | 2227: Chromawaves | 27edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Neutral Paradise: Exit | JI | RI (13-limit). | 3.17 | 1 | 3.17 | |||||
| Byrnes | Neutral Paradise: Llurion | 22edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Realism: Wishbone | 22edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Neutral Paradise: Fluorescent City | 22edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Neutral Paradise: Paradise | 27edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | 27th Eclipse | 27edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Realism: Sun and Shadows | 22edo | 3.17 | 1 | 3.17 | ||||||
| Sevish | Rhythm and Xen: It Is | JI | 10 and 12 note scales. | 3.17 | 1 | 3.17 | |||||
| Xotla Music | Pico Metric: Dance of the Forest Lights | 15edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Neutral Paradise: Hysteria | 22edo | 3.17 | 1 | 3.17 | ||||||
| Partch | Revelation in the Courthouse Parkwork: End of Scene Four and Coda | 3.17 | 1 | 0 | 3.17 | ||||||
| Byrnes | Room Tapes: Cave Dance | 22edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Transfigured Earth I: Halfway | 27edo | 3.17 | 1 | 3.17 | ||||||
| Greystar | Microtonal Nights: Black Stream | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Greystar | Microtonal Nights: Drenched | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Greystar | Microtonal Nights: Koohnihn | ? | Diatonic-like scale. an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Byrnes | Realism: Melt | 22edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | 2227: Murmurations | 27edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Realism: Droner | 22edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Neutral Paradise: Light Tunnels | 22edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Neutral Paradise: Operator | JI | 12-note scale. | 3.17 | 1 | 3.17 | |||||
| Byrnes | Room Tapes: Ifs | 22edo | 3.17 | 1 | 3.17 | ||||||
| Greystar | Microtonal Nights: Fogged | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Byrnes | Holocene Dream: Holocene | 27edo | 3.17 | 1 | 3.17 | ||||||
| Greystar | Microtonal Nights: She Spun Merry | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | ||||||
| Greystar | Microtonal Nights: Lost in Dreaming | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Byrnes | Neutral Paradise: Kaleidoscopic | JI | 12-note scale. | 3.17 | 1 | 3.17 | |||||
| Greystar | Microtonal Nights: Fades Again | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| benyamind | Namoic: The real doesn't fade | JI | "architect-ji+" 12-note mode 32 subset.[2] | 3.17 | 1 | 3.17 | |||||
| Byrnes | 2227: Crystal Cove, Pt 1 | 22edo | 3.17 | 1 | 3.17 | ||||||
| Greystar | Microtonal Nights: Handfuls of Orange | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Jumble | BLASTOFF! | 321edo | 25:12 9L 8s. In "Train Horns for the Soul." Info/art at YT. | 3.17 | 1 | 3.17 | |||||
| Greystar | Microtonal Nights: Dec Solemn | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Byrnes | Sunspots | 27edo | YouTube link. | 3.17 | 1 | 3.17 | |||||
| Byrnes | 2227: Glass Islands | 27edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Transfigured Earth I: Siolan Sands | 27edo | 3.17 | 1 | 3.17 | ||||||
| Aura | Space Tour | 159edo | See also User:Aura #Experimental | 3.17 | 1 | 3.17 | |||||
| Jumble | Waves | JI | Triple harmonic series scale. In "Train Horns for the Soul." Info/art at YT. | 3.17 | 1 | 3.17 | |||||
| Jumble | Buddleia | 7edo | 3.17 | 1 | 3.17 | ||||||
| Blackwood | Fanfare In 19-note Equal Tuning | 19edo | 3.17 | 1 | 3.17 | ||||||
| Serafini | [Chameleons in the Sun] | other | Carlos gamma (octaveful) | 3.17 | 1 | 3.17 | |||||
| Greystar | Microtonal Nights: Kinder Radiance | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Byrnes | Realism: Falling Man | 27edo | 3.17 | 1 | 3.17 | ||||||
| Greystar | Microtonal Nights: Colos Dread | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Byrnes | Neutral Paradise: Electric Seven | 7edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Holocene Dream: Rhinosaur Beach | 27edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Neutral Paradise: Entrance | 22edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Neutral Paradise: Electric Plains | 22edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Room Tapes: Geometric Shapes | 22edo | 3.17 | 1 | 3.17 | ||||||
| E8 Heterotic | Elements: Lightning | 36edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Holocene Dream: 27EDO Etude | 27edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Transfigured Earth I: Everything | ? | hkm believes this is 12edo trumpet (with commatic alterations) playing with 27edo guitars | 3.17 | 1 | 3.17 | |||||
| Byrnes | Realism: Unreachable Island | 22edo | 3.17 | 1 | 3.17 | ||||||
| Greystar | Microtonal Nights: Acceptance | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Sevish | Big Sway: 4. Door Into Fantasy | JI | 2.83 | 1 | 3.09 | 3 | 32 | 3.16 | |||
| Byrnes | Holocene Dream: Home | 27edo | 3.15 | 3 | 3.15 | ||||||
| Blackwood | Suite: Gavotte | 3.15 | 2 | 48 | 3.15 | ||||||
| Partch | King Oedipuswork: Herdsman Scene | 3.15 | 2 | 128 | 3.15 | ||||||
| Blackwood | Suite: Sarabande | 3.14 | 3 | 120 | 3.14 | ||||||
| benyamind | Namoic: Hereninging | 17edo | 3.12 | 2 | 3.12 | ||||||
| Partch | A Midnight Farewell | 3.12 | 1 | 0 | 3.12 | ||||||
| Sevish | Big Sway: 8. Oscid | ? | 2.50 | 1 | 3.28 | 2 | 0 | 3.11 | |||
| benyamind | A progression in 31-tone equal temperament | 31edo | 3.10 | 2 | 3.10 | ||||||
| Sevish | Sean but Not Heard: 6. Marooned at Home | 3.10 | 1 | 0 | 3.10 | ||||||
| Sevish | Sean but Not Heard: 8. Sea Poem | 3.10 | 1 | 0 | 3.10 | ||||||
| groundfault | A New Dusk: Superior Intermedial | various | 31edo, 27edo | 3.08 | 1 | 3.08 | |||||
| Osmium | Heartbeat | 28edo | User:Godtone | 3.07 | 1 | 3.07 | |||||
| jollybard | [pop song] | other | Joan | 3.07 | 1 | 3.07 | |||||
| Spiral Garden | Spiral Garden: Heirophony | 3.07 | 1 | 3.07 | |||||||
| Sevish | Horixens: 3. In the Zoon | 23edo | with stretched octaves | 2.67 | 1 | 3.07 | 1 | 0 | 3.06 | ||
| Gann | Custer and Sitting Bull: 6. Scenario | 3.05 | 1 | 0 | 3.05 | ||||||
| Partch | U. S. Highball: North Platte to Chicago | 3.05 | 8 | 161 | 3.05 | ||||||
| Sevish | Big Sway: 3. Who Knows | ? | 2.50 | 1 | 3.16 | 3 | 32 | 3.05 | |||
| Sevish | Horixens: 9. Horizons | 22edo | 3.00 | 1 | 2.73 | 1 | 0 | 3.04 | |||
| dotuXil | Collected Refractions: Cheat Codes | 19edo | "Diatonic-focused." Information in booklet | 3.03 | 1 | 3.03 | |||||
| Sevish | Horixens: 2. Baobaoshuijiaojiao | Other | 12-note Marveldene. TE tuning. | 3.25 | 2 | 2.38 | 1 | 0 | 3.03 | ||
| Battaglia | [Comma pump in Hanson/Kleismic temperament, 34-equal] | 34edo | 3.02 | 2 | 3.02 | ||||||
| Serafini | [Do Androids Dream of 18ed2?] | 18edo | 3.02 | 2 | 3.02 | ||||||
| Partch | King Oedipuswork: Opening Scene | 3.02 | 2 | 146 | 3.02 | ||||||
| Partch | King Oedipuswork: Jocasta Scene | 3.02 | 2 | 146 | 3.02 | ||||||
| Partch | U. S. Highball: Moleen to Rock Springs | 3.02 | 8 | 147 | 3.02 | ||||||
| Blackwood | Etudes: 8. 22edo | 22edo | Original version | 2.59 | 2 | 3.14 | 3 | 90 | 3.00 | Blackwood | |
| Blackwood | Etudes: 12. 19edo | 19edo | Original version | 2.26 | 2 | 3.40 | 3 | 119 | 3.00 | Blackwood | |
| Byrnes | 2227: Carpenteria, Pt 2 | 22edo | 3.00 | 1 | 3.00 | ||||||
| Sevish | Rhythm and Xen: What Year Is This? | various | 19edo, 12-note JI scale | 3.00 | 1 | 3.00 | |||||
| Byrnes | Transfigured Earth II: Blue Skies | 22edo | 3.00 | 1 | 3.00 | ||||||
| Greystar | Microtonal Nights: Swing Set | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.00 | 1 | 3.00 | |||||
| benyamind | Namoic: Anahata | 34edo | 3.00 | 1 | 3.00 | ||||||
| Jumble | Solar Guardian | 45edo | Info/art and worldbuilding at YT. | 3.00 | 1 | 3.00 | |||||
| Barton | what_is_this.mp3 | 3.00 | 1 | 3.00 | |||||||
| Aura | The Forgotten | 94edo | See also User:Aura #Videogame Compositions | 3.00 | 1 | 3.00 | |||||
| Byrnes | Transfigured Earth II: Alive | 27edo | 3.00 | 1 | 3.00 | ||||||
| Nuorvala | Violin sonata | 22edo | Classical; violin and piano | 3.00 | 2 | 3.00 | |||||
| Byrnes | Holocene Dream: Holocene Dream | 22edo | 3.00 | 1 | 3.00 | ||||||
| Greystar | Microtonal Nights: Sky Pearl | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.00 | 1 | 3.00 | |||||
| Byrnes | 2227: Sensi Cathedrals | 27edo | 3.00 | 1 | 3.00 | ||||||
| Byrnes | Holocene Dream: Weird Mansion | 22edo | 3.00 | 1 | 3.00 | ||||||
| Abnormality | Stardust | 22edo | "Intense in a way I don't really see in 12edo music." | 3.00 | 2 | 3.00 | |||||
| Byrnes | 2227: Pangaean Islands | 27edo | 3.00 | 1 | 3.00 | ||||||
| benyamind | Progression in 16-tone equal temperament | 3.00 | 1 | 3.00 | |||||||
| Byrnes | Room Tapes: Slow Rotation | 22edo | 3.00 | 1 | 3.00 | ||||||
| Byrnes | Transfigured Earth II: Remote Caverns | 27edo | 3.00 | 1 | 3.00 | ||||||
| Erlich | Tibia | 3.00 | 1 | 3.00 | |||||||
| Greystar | Microtonal Nights: A Frail Path | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.00 | 1 | 3.00 | |||||
| Byrnes | Room Tapes: Far Out | 22edo | 3.00 | 1 | 3.00 | ||||||
| benyamind | Namoic: The Soil | JI | "architect-ji (2nd gen)" mode 32 subset.[3] YouTube score video. | 3.00 | 1 | 3.00 | |||||
| Francium | Void: Make It Darker | 3.00 | 1 | 3.00 | |||||||
| Byrnes | Holocene Dream: Cambrian Explosion | 22edo | 3.00 | 1 | 3.00 | ||||||
| dotuXil | Collected Refractions: Icebound Gallery of Refractions | 35edo | Blackwood[10]. Information in booklet | 3.00 | 1 | 3.00 | |||||
| dotuXil | Collected Refractions: Enter Nil | 22edo | 3.00 | 2 | 3.00 | ||||||
| Byrnes | Realism: Indefinite Suspension | 22edo | 3.00 | 1 | 3.00 | ||||||
| Bigwood | Nerozene: 22edo | 3.00 | 1 | 3.00 | |||||||
| Greystar | Microtonal Nights: Glimpse | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.00 | 1 | 3.00 | |||||
| Byrnes | Transfigured Earth II: Groundswell | 22edo | 3.00 | 1 | 3.00 | ||||||
| Greystar | Microtonal Nights: Fros | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.00 | 1 | 3.00 | |||||
| Byrnes | Holocene Dream: Eons | 27edo | 3.00 | 1 | 3.00 | ||||||
| Harrison | From Ancient Worlds | JI | 2.3.7 JI. full album; solo piano | 3.00 | 2 | 3.00 | |||||
| Abnormality | Scatter Brain | 11edo | 3.00 | 2 | 3.00 | ||||||
| Blackwood | Etudes: 9. 24edo | 24edo | Original version | 2.55 | 2 | 3.14 | 3 | 45 | 2.99 | Blackwood | |
| Starshine | [Rin's UFO Ride] | 19edo | Semaphore[9] | 2.97 | 1 | 2.97 | |||||
| Sevish | Sean but not Heard: Marooned at Home | 2.97 | 1 | 2.97 | |||||||
| Partch | The Bewitchedwork: Scene 2. Background for the Permutation of Exercises in Harmony and Counterpoint | 2.96 | 2 | 66 | 2.96 | ||||||
| Partch | King Oedipuswork: Exit Oedipus - Pantomime | 2.96 | 2 | 66 | 2.96 | ||||||
| Tapeworm Saga | Languor Study | 26edo | Orgone[11] | 2.96 | 3 | 2.96 | |||||
| Sevish | Big Sway: 7. There Is Something Else | ? | 2.33 | 1 | 3.16 | 3 | 32 | 2.96 | |||
| Heathwaite | [Flarn Squared in 80edo] | 80edo | 2.95 | 2 | 2.95 | ||||||
| vivi mouse | fog | 80edo | Echidna[22] | 2.95 | 2 | 2.95 | |||||
| Wrenharmonic | Larger Than The Oceans | 53edo | 2.95 | 3 | 2.95 | ||||||
| martinsj013 | [Shall I Refuse My Dinner] | 10edo | Mainly using mosh | 2.93 | 1 | 2.93 | |||||
| Yuri Vinogradov | [20 EDO] | 20edo | "Piano miniature" | 2.93 | 1 | 2.93 | |||||
| Blackwood | Etudes: 5. 13edo | 13edo | 1.77 | 2 | 3.68 | 3 | 78 | 2.93 | Blackwood | ||
| Sevish | Horixens: 1. Come on a Journey | JI | Mode 16 (3/2-equivalent) | 2.83 | 1 | 2.73 | 1 | 0 | 2.92 | ||
| dogwithabome | [to have my bones be one with the river] | 18edo | 2.92 | 1 | 2.92 | ||||||
| Partch | U. S. Highball: Sparks to Moleen | 2.92 | 8 | 140 | 2.92 | ||||||
| Partch | U. S. Highball: Little America to North Platte | 2.92 | 8 | 135 | 2.92 | ||||||
| Partch | King Oedipuswork: Instrumental Commentary | 2.91 | 2 | 13 | 2.91 | ||||||
| Sevish | Golden Hour: 10. The Mersh Tune | 2.83 | 1 | 2.70 | 1 | 0 | 2.90 | ||||
| Domin | chair-2-3-11-19.mp3 | 2.90 | 1 | 2.90 | |||||||
| Microwave 64 | [Initialising] | 53edo | 2.90 | 1 | 2.90 | ||||||
| Partch | King Oedipuswork: Come Away, Death (Solo Version) | 2.90 | 2 | 164 | 2.90 | ||||||
| benyamind | Namoic: Dreamer | Various | 12edo, 31edo | 2.88 | 2 | 2.88 | |||||
| groundfault | A New Dusk: The Lake Reflects a Black Sky | 2.87 | 1 | 2.87 | |||||||
| Heathwaite | Rubble: a Xenuke Unfolded | 2.87 | 1 | 2.87 | |||||||
| Jumble | Azure | 22edo | Custom scale. Ambient. In "Train Horns for the Soul." | 2.86 | 3 | 2.86 | |||||
| Partch | U. S. Highball: Rock Springs to Little America | 2.85 | 8 | 143 | 2.85 | ||||||
| Abnormality | towerjamcalm.mp3 | 31edo | looping track for game jam | 2.85 | 3 | 2.85 | |||||
| Partch | King Oedipuswork: By the Rivers of Babylon | 2.84 | 2 | 84 | 2.84 | ||||||
| Partch | King Oedipuswork: Fourth Chorus | 2.84 | 2 | 84 | 2.84 | ||||||
| Partch | The Bewitchedwork: Scene 6. Background for the Euphoria on a Sausalito Stairway | 2.84 | 2 | 84 | 2.84 | ||||||
| Partch | King Oedipuswork: Second Chorus | 2.84 | 2 | 84 | 2.84 | ||||||
| Jumble | Stingray | 22edo | Info/art at YT. | 2.83 | 1 | 2.83 | |||||
| Sevish | One With The Fractal: Cosmic Playtime | 26edo | 2.83 | 1 | 2.83 | ||||||
| Byrnes | Neutral Paradise: Outside La | various | 22edo, JI | 2.83 | 1 | 2.83 | |||||
| Byrnes | Realism: Under the Waves | 22edo | 2.83 | 1 | 2.83 | ||||||
| Byrnes | Transfigured Earth II: After the Rain | 22edo | 2.83 | 1 | 2.83 | ||||||
| benyamind | Namoic: Aligned | JI | "pythagorean-like" tuning | 2.83 | 1 | 2.83 | |||||
| Partch | Revelation in the Courthouse Parkwork: Chorus One | 2.83 | 1 | 0 | 2.83 | ||||||
| Sintel | Outer Gardens: Come into the world my Child | 2.83 | 1 | 2.83 | |||||||
| The Mercury Tree | Spidermilk: I'll Pay | 17edo | 2.83 | 1 | 2.83 | ||||||
| Partch | Revelation in the Courthouse Parkwork: End of Scene Three and all of Chorus Four | 2.83 | 1 | 0 | 2.83 | ||||||
| Aura | Youthful Fun | 159edo | 2.83 | 1 | 2.83 | ||||||
| Jumble | Tyrian and Gold | 37edo | 7-note scale. Info/art at YT. | 2.83 | 1 | 2.83 | |||||
| Byrnes | Transfigured Earth I: Unexpected Rain | 27edo | 2.83 | 1 | 2.83 | ||||||
| Partch | Revelation in the Courthouse Parkwork: Chorus Three | 2.83 | 1 | 0 | 2.83 | ||||||
| Jumble | MILKY WAY! | 17edo | In "Train Horns for the Soul." Info/art and worldbuilding at YT. | 2.83 | 1 | 2.83 | |||||
| Jumble | Adrift | various | In "Train Horns for the Soul." Info/art at YT. | 2.83 | 1 | 2.83 | |||||
| Blackwood | Etudes: 3. 21edo | 21edo | Original version | 1.95 | 2 | 3.40 | 3 | 45 | 2.83 | Blackwood | |
| Costa | Danse-Etude | 17edo | 2.81 | 1 | 2.81 | ||||||
| Blackwood | Etudes | various | Original version | 2.81 | 1 | 2.81 | |||||
| Costa | Arabesque | 19edo | 2.80 | 2 | 2.80 | ||||||
| Xotla Music | Brusselator Sprouts | 13edo | 2.80 | 2 | 2.80 | ||||||
| Costa | Debussy's "Syrinx" arranged for flute quartet | 19edo | 2.74 | 3 | 2.74 | ||||||
| groundfault | A New Dusk: Rail Twinge | 2.73 | 1 | 2.73 | |||||||
| Partch | King Oedipuswork: Messenger Scene | 2.71 | 2 | 102 | 2.71 | ||||||
| Partch | King Oedipuswork: Third Chorus | 2.71 | 2 | 102 | 2.71 | ||||||
| Partch | The Intruder | 2.71 | 1 | 0 | 2.71 | ||||||
| Sevish | Golden Hour: 15. Parliament of Moon | 2.70 | 1 | 0 | 2.70 | ||||||
| Sevish | Golden Hour: 8. Calabi-Yau Manifold | 2.70 | 1 | 0 | 2.70 | ||||||
| Sevish | Golden Hour: 4. Tapestry | 2.70 | 1 | 0 | 2.70 | ||||||
| Sevish | Golden Hour: 5. Umbriel | 2.70 | 1 | 0 | 2.70 | ||||||
| dotuXil | Collected Refractions: Odd Harmonic | *13edt | Information in booklet | 2.67 | 3 | 2.67 | |||||
| Sevish | Horixens: 8. Streaming | 31edo | 2.50 | 1 | 2.73 | 1 | 0 | 2.67 | |||
| Sevish | One With The Fractal: Durationplex | other | "Golden ratio based - non-repeating scale of intervals 196.7c and 318.2c" | 2.67 | 1 | 2.67 | |||||
| Jumble | Sun Through The Window | 321edo | In "Train Horns for the Soul." Info/art at YT. | 2.67 | 1 | 2.67 | |||||
| Xotla Music | Pico Metric: No Longer | 2.67 | 1 | 2.67 | |||||||
| Byrnes | 2227: Golden State Stare | 27edo | 2.67 | 1 | 2.67 | ||||||
| Jumble | Lullaby For A Dead Planet | 834edo | 16-note scale. Info/art at YT. | 2.67 | 1 | 2.67 | |||||
| Jumble | Donut Depths | 11edo | 7-note 4/1-equivalent scale. In "Train Horns for the Soul." Info/art at YT. | 2.67 | 1 | 2.67 | |||||
| Partch | Ulysses Departs From the Edge of the World | 2.67 | 1 | 0 | 2.67 | ||||||
| Jumble | Aurora | 14edo | In "Train Horns for the Soul." Info/art at YT. | 2.67 | 1 | 2.67 | |||||
| Jumble | Forbidden Bay | 22edo | In "P'KOSMYR Vol. 1." Info/art at YT. | 2.67 | 1 | 2.67 | |||||
| benyamind | Namoic: Haven Symphony | 31edo | 2.67 | 1 | 2.67 | ||||||
| Mayone | Circulatione.mp3 | 2.67 | 1 | 2.67 | |||||||
| Barton | jb_seventeen_pno.mp3 | 2.67 | 1 | 2.67 | |||||||
| Jumble | Rhododendron | "Dappled scale." In "Train Horns for the Soul." Info/art at YT. | 2.67 | 1 | 2.67 | ||||||
| Jumble | Windchimes | "Dappled scale." Very short. In "P'KOSMYR Vol. 1." | 2.67 | 1 | 2.67 | ||||||
| Sintel | Top Ten most Epic fish of all time: Hagfish | ? | 2.67 | 1 | 2.67 | ||||||
| Byrnes | Room Tapes: Life After | 22edo | 2.67 | 1 | 2.67 | ||||||
| Sintel | Top Ten most Epic fish of all time: Coelacanth | ? | 2.67 | 1 | 2.67 | ||||||
| Xotla Music | Pico Metric: Cretaceous Cosmos | 2.67 | 1 | 2.67 | |||||||
| benyamind | Namoic: Xenzu Bean | JI | 12-note scale[4] | 2.67 | 1 | 2.67 | |||||
| Byrnes | Room Tapes: Blurry Vision | 22edo | 2.67 | 1 | 2.67 | ||||||
| Sevish | One With The Fractal: Day For Night | JI | 14-note 5/1-equivalent scale | 2.67 | 1 | 2.67 | |||||
| Jumble | Archipelago Arpeggio | 45edo | 9-note scale. In "Train Horns for the Soul." Info/art at YT. | 2.67 | 1 | 2.67 | |||||
| Sintel | Top Ten most Epic fish of all time: Wobbegong | ? | 2.67 | 1 | 2.67 | ||||||
| Jumble | Uncanny Valley | 22edo | Info/art and worldbuilding at YT. | 2.67 | 1 | 2.67 | |||||
| benyamind | Namoic: The Ambience | 31edo | 2.67 | 1 | 2.67 | ||||||
| benyamind | Namoic: I still do | JI | Mode 24[5] | 2.67 | 1 | 2.67 | |||||
| Jumble | Fallen Angel | 45edo | 9-note scale. In "Train Horns for the Soul." Info/art at YT. | 2.67 | 1 | 2.67 | |||||
| Sevish | One With The Fractal: Don't Worry Too Much About It | 31edo | 2.67 | 1 | 2.67 | ||||||
| Sevish | One With The Fractal: Wait What | JI | 12-note Mode 16 subset. | 2.67 | 1 | 2.67 | |||||
| benyamind | Namoic: Woken Night | JI | Harmonic series[6]. Very short. | 2.67 | 1 | 2.67 | |||||
| Sintel | Top Ten most Epic fish of all time: Ghost Shark | ? | 2.67 | 1 | 2.67 | ||||||
| Partch | The Bewitchedwork: Scene 10. Background for the Demonic Descent of the Cognoscenti While Shouting Over Cocktails | 2.66 | 2 | 22 | 2.66 | ||||||
| Partch | The Bewitchedwork: Scene 7. Background for the Transmutation of Detectives on the Trail of a Culprit | 2.66 | 2 | 22 | 2.66 | ||||||
| Partch | The Bewitchedwork: Scene 5. Background for the Visions of a Defeated Basketball Team in the Shower Room | 2.66 | 2 | 22 | 2.66 | ||||||
| Sevish | Horixens: 6. Outside | JI | Harmonics 1-16. | 2.83 | 1 | 2.38 | 1 | 0 | 2.66 | ||
| SunScent | [KYO/Punitive Life] | 31edo | 2.65 | 2 | 2.65 | ||||||
| Jumble | Undiminished | 84edo | Custom scale | 2.62 | 2 | 2.62 | |||||
| Uncreative Name | Isles of Despair | 15edo | 2.62 | 2 | 2.62 | ||||||
| SunScent | Mimicry Symdrome | 31edo | 2.62 | 2 | 2.62 | ||||||
| Tapeworm Saga | A quick quintet, music for 5 EWIs in 17edo | 17edo | 2.61 | 3 | 2.61 | ||||||
| Costa | Messaien's "O Sacrum Convivium" | 19edo | 2.59 | 2 | 2.59 | ||||||
| Xotla Music | Rive | 17edo | 2.58 | 3 | 2.58 | ||||||
| E8 Heterotic | Glaukos Circuit | 29edo | pepperoni[?]. On the edge of being non-xenharmonic. | 2.56 | 3 | 2.56 | |||||
| Partch | The Bewitchedwork: Epilogue | 2.53 | 2 | 40 | 2.53 | ||||||
| Gann | Geometry: 1. Geometry (Homage to Schillinger) | 2.52 | 1 | 0 | 2.52 | ||||||
| Sevish | Murmurations: 1. Murmurations | 2.51 | 1 | 0 | 2.51 | ||||||
| Partch | Revelation in the Courthouse Parkwork: From Scene Two:_Hymn to Dionysus:_Glory to the Male Womb | 2.50 | 1 | 0 | 2.50 | ||||||
| Sevish | One With The Fractal: Soundways | 26edo | 2.50 | 1 | 2.50 | ||||||
| Jumble | Fishbowl | 45edo | Info/art at YT. | 2.50 | 1 | 2.50 | |||||
| The Mercury Tree | Spidermilk: Brake for Genius | 17edo | 2.50 | 1 | 2.50 | ||||||
| Jumble | Greige City | 321edo | 25:12 9L 8s. In "Train Horns for the Soul." | 2.50 | 1 | 2.50 | |||||
| Sevish | One With The Fractal: Good Looking Aft | 22edo | 2.50 | 1 | 2.50 | ||||||
| The Mercury Tree | Spidermilk: Vestments | 17edo | 2.50 | 1 | 2.50 | ||||||
| Sintel | Diversion in 34 | 34edo | 2.50 | 3 | 2.50 | ||||||
| Byrnes | Realism: Space That Calls | 22edo | 2.50 | 1 | 2.50 | ||||||
| Byrnes | Transfigured Earth I: Sunlight | 27edo | 2.50 | 1 | 2.50 | ||||||
| Jumble | 7 AM | JI | Multiple harmonic series. In "Train Horns for the Soul." | 2.50 | 1 | 2.50 | |||||
| Xotla Music | Pico Metric: Dark Pillars | 2.50 | 1 | 2.50 | |||||||
| Xotla Music | Pico Metric: Whorl Winds | 2.50 | 1 | 2.50 | |||||||
| Sevish | One With The Fractal: The Dreamer | JI | 12-note 27/8-repeating scale. | 2.50 | 1 | 2.50 | |||||
| benyamind | Namoic: From Worlds | Other | 15-note scale[7] | 2.50 | 1 | 2.50 | |||||
| Byrnes | Holocene Dream: Weird Room | 27edo | 2.50 | 1 | 2.50 | ||||||
| Jumble | My Secret World | 95edo | In "Train Horns for the Soul." Art at YT. | 2.50 | 1 | 2.50 | |||||
| The Mercury Tree | Spidermilk: Interglacial | 17edo | 2.50 | 1 | 2.50 | ||||||
| benyamind | Namoic: Elix Chorale | 31edo | 2.50 | 1 | 2.50 | ||||||
| Infinitone | Stranges | 53edo | 2.50 | 1 | 2.50 | ||||||
| Jumble | Snowglobe | ? | Art at YT. | 2.50 | 1 | 2.50 | |||||
| Jumble | Patchouli | 25edo | Info/art at YT. | 2.50 | 1 | 2.50 | |||||
| Jumble | Green Tea Spa | 7edo | In "P'KOSMYR Vol. 1." | 2.50 | 1 | 2.50 | |||||
| benyamind | Namoic: The Ancients | 31edo | 2.50 | 1 | 2.50 | ||||||
| Jumble | Ten Day Forecast | 321edo | Info/art and worldbuilding at YT. | 2.50 | 1 | 2.50 | |||||
| Jumble | Puget Sound Asleep | 95edo | 9:4 3L 17s. In "Train Horns for the Soul." Info/art at YT. | 2.50 | 1 | 2.50 | |||||
| Jumble | Warp Drive | 14edo. | In "Train Horns for the Soul" and "P'KOSMYR Vol. 1." Art at YT. | 2.50 | 1 | 2.50 | |||||
| The Mercury Tree | Spidermilk: Superposition of Silhouettes | 17edo | 2.50 | 1 | 2.50 | ||||||
| Jumble | Rose | 22edo | In "Train Horns for the Soul." | 2.50 | 1 | 2.50 | |||||
| Sevish | One With The Fractal: Triple Trouble | JI | 9-note 3/1-repeating scale. | 2.50 | 1 | 2.50 | |||||
| Sevish | One With The Fractal: This Track | JI | 12-note 27/8-repeating scale. | 2.50 | 1 | 2.50 | |||||
| benyamind | Namoic: Sky Park | JI | "architect-ji (3rd gen)" 12-note scale[8] | 2.50 | 1 | 2.50 | |||||
| Jumble | Sunset Gold | 22edo | Info/art at YT. | 2.50 | 1 | 2.50 | |||||
| Partch | The Bewitchedwork: Prologue | 2.50 | 1 | 0 | 2.50 | ||||||
| Jumble | Revenge Bedtime Procrastination | 22edo | In "Train Horns for the Soul." Info/art at YT. | 2.50 | 1 | 2.50 | |||||
| E8 Heterotic | No Threes for You | 34edo | 2.48 | 3 | 2.48 | ||||||
| E8 Heterotic | Ennead Dance | 17edo | Hard 4L5s | 2.48 | 2 | 2.48 | |||||
| Groundfault | A New Dusk | various | According to hkm, this sounds best on speakers or headphones with weak bass register. | 2.44 | 4 | 2.44 | |||||
| Costa | Enharmonic Study (31edo version) | 31edo | 2.35 | 2 | 2.35 | ||||||
| The Mercury Tree | Spidermilk: I Am a Husk | 17edo | 2.33 | 1 | 2.33 | ||||||
| Jumble | Harmonic Hangout | other | Multiple harmonic series. In "P'KOSMYR Vol. 1." Info/art at YT. | 2.33 | 1 | 2.33 | |||||
| Jumble | Sweet October | 45edo | In "Train Horns for the Soul." Art and worldbuilding at YT. | 2.33 | 1 | 2.33 | |||||
| Jumble | Infinity | 321edo | Custom scale. Info/art at YT. | 2.33 | 1 | 2.33 | |||||
| Jumble | Dappled | ? | In "P'KOSMYR Vol. 1." Info/art at YT. | 2.33 | 1 | 2.33 | |||||
| Couper | Dirge | 2.33 | 1 | 2.33 | |||||||
| Copland | Vitebsk | 2.33 | 1 | 2.33 | |||||||
| Jumble | ANDROMEDA | 25edo | In "Train Horns for the Soul." Info/art at YT. | 2.33 | 1 | 2.33 | |||||
| Partch | Revelation in the Courthouse Parkwork: From Scene One:_Hymn to Dionysus:_Holy Joy and Get Religion | 2.33 | 1 | 0 | 2.33 | ||||||
| The Mercury Tree | Spidermilk: (Throw up My) Hands | 17edo | 2.33 | 1 | 2.33 | ||||||
| Jumble | Stained Glass | 22edo | According to Jumble, the "most beautiful piece of music [he's] ever written" so far. In "P'KOSMYR Vol. 1." Art at YT. | 2.33 | 1 | 2.33 | |||||
| Partch | Revelation in the Courthouse Parkwork: From Scene Two:_Hymn to Dionysus:_What the Majority Believes | 2.33 | 1 | 0 | 2.33 | ||||||
| The Mercury Tree | Spidermilk: Disremembered | 17edo | 2.33 | 1 | 2.33 | ||||||
| Sevish | One With The Fractal: Fusilification | 26edo | Very short. | 2.33 | 1 | 2.33 | |||||
| Xotla Music | Pico Metric: An Other | 2.33 | 1 | 2.33 | |||||||
| Jumble | Sleep | other | Info/art at YT. | 2.33 | 1 | 2.33 | |||||
| Sintel | Outer Gardens: Gassy Webcap | 2.33 | 1 | 2.33 | |||||||
| Jumble | AQUARIUS | other | Godzilla[9]. Info/art at YT. | 2.33 | 1 | 2.33 | |||||
| Sintel | Outer Gardens: Interlude (Live From the Attic) | 2.33 | 1 | 2.33 | |||||||
| Jumble | UFO CRUISIN' | 22edo | In "Train Horns for the Soul." Art and worldbuidling at YT. | 2.33 | 1 | 2.33 | |||||
| Jumble | Evening | other | In "P'KOSMYR Vol. 1." Info/art at YT. | 2.33 | 1 | 2.33 | |||||
| Sevish | One With The Fractal: False Awakening | JI | 4-note 2/1-equivalent scale. | 2.33 | 1 | 2.33 | |||||
| dotuXil | Collected Refractions: Frost Battle | 10edo | Information in booklet | 2.33 | 1 | 2.33 | |||||
| Takemitsu | Bryce | 2.33 | 1 | 2.33 | |||||||
| The Mercury Tree | Spidermilk: Arc of an Ilk | 17edo | 2.33 | 1 | 2.33 | ||||||
| Xotla Music | Pico Metric: Light Pillars | 2.33 | 1 | 2.33 | |||||||
| The Mercury Tree | Spidermilk: Kept Man | 17edo | 2.33 | 1 | 2.33 | ||||||
| Xotla Music | Pico Metric: Breeze of Frost | 2.33 | 1 | 2.33 | |||||||
| Hunt | Equal-Tempered Keyboard: Prelude in 14et | 14edo | 2.28 | 2 | 2.28 | ||||||
| Sevish | One With The Fractal: Automaton | 22edo | 2.17 | 1 | 2.17 | ||||||
| dotuXil | Collected Refractions: Waterpad | JI | Dekany 1 3 5 7 9. Information in booklet | 2.17 | 1 | 2.17 | |||||
| Partch | King Oedipuswork: Menuet (From Partita in G) | 2.17 | 1 | 0 | 2.17 | ||||||
| Jumble | BORROMEA! | 22edo | Info/art at YT. | 2.17 | 1 | 2.17 | |||||
| Berio | E vò | 2.17 | 1 | 2.17 | |||||||
| Jumble | Brass | 22edo | Art at YT. | 2.17 | 1 | 2.17 | |||||
| Partch | King Oedipuswork: Tiresias Scene (Conclusion) | 2.17 | 1 | 0 | 2.17 | ||||||
| Jumble | First Street | 22edo | In "Train Horns for the Soul." Art and worldbuilding at YT. | 2.17 | 1 | 2.17 | |||||
| Partch | King Oedipuswork: Tiresias Scene (Beginning) | 2.17 | 1 | 0 | 2.17 | ||||||
| Jumble | 4/1 Equave Blues | ? | Art and worldbuilding at YT. | 2.17 | 1 | 2.17 | |||||
| Jumble | So Long, San Diego | 321edo | Custom scale. In "Train Horns for the Soul." Info/art at YT. | 2.17 | 1 | 2.17 | |||||
| Partch | King Oedipuswork: Creon Scene | 2.17 | 1 | 0 | 2.17 | ||||||
| The Mercury Tree | Spidermilk: Tides of the Spine | 17edo | 2.17 | 1 | 2.17 | ||||||
| Xotla Music | Pico Metric: Surprise Me | 2.17 | 1 | 2.17 | |||||||
| Hovhaness | O Lord, Bless Thy Mountains | 2.17 | 1 | 2.17 | |||||||
| Jumble | Autumn Aflame | 14edo | In "P'KOSMYR Vol. 1." Art at YT. "Some extremely cursed hold music for your interdimensional phone call." | 2.17 | 1 | 2.17 | |||||
| dotuXil | Collected Refractions: A Multitude of New Colors | 14edo | Information in booklet | 2.13 | 2 | 2.13 | |||||
| Secor | 17WTjazz.mp3 | 2.00 | 1 | 2.00 | |||||||
| Nørgård | String Quartet No 5 | 2.00 | 1 | 2.00 | |||||||
| dotuXil | Collected Refractions: Porky Spaceflight | 22edo | Porcupine[8]. Information in booklet | 2.00 | 1 | 2.00 | |||||
| Boulez | Polyphonie X | 2.00 | 1 | 2.00 | |||||||
| Jumble | RAY'S SECRET SOUND TEST! | 22edo | Art at YT. | 2.00 | 1 | 2.00 | |||||
| Partch | Revelation in the Courthouse Parkwork: Introduction to King Oedipus | 2.00 | 1 | 0 | 2.00 | ||||||
| Partch | King Oedipuswork: Introduction to "The Bewitched" | 2.00 | 1 | 0 | 2.00 | ||||||
| dotuXil | Collected Refractions: Reconfiguration in Progress | 24edo | "Short experiment." Information in booklet | 2.00 | 1 | 2.00 | |||||
| Jumble | Interdimensional Radio | ? | Bohlen-Pierce. Art at YT. | 2.00 | 1 | 2.00 | |||||
| Costa | Short piece | 72edo | 1.96 | 2 | 1.96 | ||||||
| Jumble | BUBBLEGUM POP | 22edo | Info/art at YT. | 1.83 | 1 | 1.83 | |||||
| Klein | Duo for violin and viola in the Quartertone System | 24edo | 1.83 | 1 | 1.83 | ||||||
| Jumble | CRASH LANDING! | other | 25:12 9L 8s <4/1>. Info/art at YT. | 1.83 | 1 | 1.83 | |||||
| Sevish | Golden Hour: 7. Mako Haze | 1.68 | 1 | 0 | 1.68 | ||||||
| Sevish | Golden Hour: 13. Light Cone | 1.68 | 1 | 0 | 1.68 | ||||||
| Sevish | Golden Hour: 2. Sean's Bits | 1.17 | 1 | 0 | 1.17 | ||||||
| Sheeran | Etudes: 1. 16edo | 0.00 | Blackwood | ||||||||
| Sheeran | Etudes: 11. 20edo | 0.00 | Blackwood | ||||||||
| Sheeran | Etudes: 10. 14edo | 0.00 | Blackwood | ||||||||
| Catherino | Spatial Harmonics | 0.00 | |||||||||
| Sevish | Formless Shadows | 0.00 | |||||||||
| Sevish | Murmurations: 5. Ionsmurmurat | 0.00 | |||||||||
| Catherino | Requiem - 2020 | 0.00 | |||||||||
| Partch | Excerpts from Water! Water! and Rotate the Body in All its Planes: Rain! | 0.00 | |||||||||
| Sevish | Murmurations: 2. Rmurationsmu | 0.00 | |||||||||
| Partch | Excerpts from Water! Water! and Rotate the Body in All its Planes: Eighth Epilogue, Final Epilogue | 0.00 | |||||||||
| Sevish | Golden Hour | 0.00 | |||||||||
| Catherino | Convergence | 0.00 | |||||||||
| Partch | Excerpts from Water! Water! and Rotate the Body in All its Planes: To Hell With the Game! Rain! Rain! The Highest Good Is Like Water | 0.00 | |||||||||
| Sevish | Murmurations | 0.00 | |||||||||
| Catherino | duration | 0.00 | |||||||||
| Sheeran | Etudes: 3. 21edo | 0.00 | Blackwood | ||||||||
| Sevish | Rhythm and Xen | 0.00 | |||||||||
| Partch | Excerpts from Water! Water! and Rotate the Body in All its Planes: Ghosts, Undele, Oomph! | 0.00 | |||||||||
| Catherino | Slipstream | 0.00 | |||||||||
| Partch | Excerpts from Water! Water! and Rotate the Body in All its Planes: Rotate the Body in All its Planes | 0.00 | |||||||||
| Catherino | Integrations | 0.00 | |||||||||
| Gann | Geometry | 0.00 | |||||||||
| Sevish | Murmurations: 3. Urationsmurm | 0.00 | |||||||||
| Zhea Erose | Eurybia | 0.00 | |||||||||
| Partch | Excerpts from Water! Water! and Rotate the Body in All its Planes: The Opening Prologue, the Second Prologue | 0.00 | |||||||||
| Partch | Excerpts from Water! Water! and Rotate the Body in All its Planes: Santa Mystiana the Beautiful | 0.00 | |||||||||
| Sevish | Harmony Hacker | 0.00 | |||||||||
| Sevish | Bubble | 0.00 | |||||||||
| Sheeran | Etudes: 12. 19edo | 0.00 | Blackwood | ||||||||
| Catherino | Heterodyne Horizon | 0.00 | |||||||||
| Sheeran | Etudes: 2. 18edo | 0.00 | Blackwood | ||||||||
| Partch | Excerpts from Water! Water! and Rotate the Body in All its Planes: We'll Sue You for a Million! | 0.00 | |||||||||
| Sheeran | Etudes: 9. 24edo | 0.00 | Blackwood | ||||||||
| Sevish | Horixens | 0.00 | |||||||||
| Catherino | Temporal Parallax | 0.00 | |||||||||
| Heathwaite | [Rubble: a Xenuke Unfolded] | other | 8-tone subset of 13edo offset by 8:9:11:12. Improvisation. | 0.00 | |||||||
| Zhea Erose | Wxtchcrxft | 0.00 | |||||||||
| Gann | Custer and Sitting Bull | 0.00 | |||||||||
| Partch | Excerpts from Water! Water! and Rotate the Body in All its Planes: Witch for Water, Fugue on No, Wanda the Water Witch | 0.00 | |||||||||
| Catherino | Polytonal Resonance | 0.00 | |||||||||
| Sevish | Murmurations: 6. Nsmurmuratio | 0.00 | |||||||||
| Sevish | Big Sway | 0.00 | |||||||||
| Catherino | Toward the Continuum, 2nd iteration | 0.00 | |||||||||
| Sevish | Morphable | 0.00 | |||||||||
| Gann | Geometry: 4. 2.7. Kelvin | 0.00 | |||||||||
| Catherino | Toward the Continuum | 0.00 | |||||||||
| Partch | Excerpts from Water! Water! and Rotate the Body in All its Planes: Do-lo-do--lo--doom! | 0.00 | |||||||||
| Sevish | Sean but Not Heard | 0.00 | |||||||||
| Partch | Excerpts from Water! Water! and Rotate the Body in All its Planes: Dear Old Alabama | 0.00 | |||||||||
| Catherino | Polychrome Impressions - emergence | 0.00 | |||||||||
| Gann | Geometry: 2. Extravehicular Activity | 0.00 | |||||||||
| Partch | Excerpts from Water! Water! and Rotate the Body in All its Planes: Water! Water! | 0.00 | |||||||||
| Sheeran | Etudes: 4. 23edo | 0.00 | Blackwood | ||||||||
| Sheeran | Etudes: 5. 13edo | 0.00 | Blackwood | ||||||||
| Gann | Hyperchromatica | 0.00 | |||||||||
| Gann | Geometry: 3. Delta Oracle | 0.00 | |||||||||
| Zhea Erose | Sola | 0.00 | |||||||||
| Sevish | Murmurations: 4. Ationsmurmur | 0.00 | |||||||||
| Sheeran | Etudes: 8. 22edo | 0.00 | Blackwood | ||||||||
| Gann | Geometry: 5. The Insomnia of Lilacs | 0.00 | |||||||||
| Sheeran | Etudes: 6. 15edo | 0.00 | Blackwood | ||||||||
| Partch | Excerpts from Water! Water! and Rotate the Body in All its Planes: We Really Love Each Other, In 43 Whines to the Octave | 0.00 | |||||||||
| Sheeran | Etudes: 7. 17edo | 0.00 | Blackwood | ||||||||
| Partch | Excerpts from Water! Water! and Rotate the Body in All its Planes: Rotate the Body in All Its Planes | 0.00 | |||||||||
| Partch | Excerpts from Water! Water! and Rotate the Body in All its Planes: O What Could He Do But Pick Her Up? | 0.00 | |||||||||
| Sheeran | Etudes | 0.00 |
Last updated by hkm (talk) 03:35, 31 May 2025 (UTC).
* this asterisk is included for edts so that when sorting by tuning they do not appear with edos
References
- ↑ See Sevish's reply to henrikljungstrand in https://www.youtube.com/watch?v=MzgUkhViIFw
- ↑ https://www.youtube.com/watch?v=U-I0PVrmDsQ
- ↑ https://www.youtube.com/watch?v=Mp6Bon9st_U
- ↑ https://www.youtube.com/watch?v=0Cta7NT63j0
- ↑ https://www.youtube.com/watch?v=dYJPj-Gw0Rw
- ↑ https://www.youtube.com/watch?v=2bHhtcyDLck
- ↑ https://www.youtube.com/watch?v=0Cta7NT63j0
- ↑ https://www.youtube.com/watch?v=2YUBZnLScXU