Golden meantone
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- This revision was by author xenwolf and made on 2013-11-13 10:11:14 UTC.
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Original Wikitext content:
**Golden Meantone** is based on the paradigm that the relation between whole and half tone intervals should be the [[http://en.wikipedia.org/wiki/Golden_ratio|Golden Ratio]] [[math]] \varphi = \frac 1 2 (\sqrt{5}+1) \approx 1.61803\,39887\ldots\, [[math]] Thus some edo systems - the 12-step too - could be considered as approximations to this ideal. == Construction == If you use two neighboring numbers from Fibonacci Series 1 1 2 3 5 8 13 21... you get the following approximations: 1, 1 -> [[7edo]] 1, 2 -> [[12edo]] 2, 3 -> [[19edo]] 3, 5 -> [[31edo]] 5, 8 -> [[50edo]] 8, 13 -> [[81edo]] 13, 21 -> [[131edo]] == Evaluation == Graham Breed [[http://x31eq.com/meantone.htm|writes]]: //I think of this as the standard melodic meantone because the all these ratios are the same. It has the mellow sound of 1/4 comma, but does still have a character of its own. Some algorithms make this almost exactly the optimum 5-limit tuning. It's fairly good as a 7-limit tuning as well. Almost the optimum (according to me) for diminished sevenths. I toyed with this as a guitar tuning, but rejected it because 4:6:9 chords aren't quite good enough. That is, the poor fifth leads to a sludgy major ninth.// == Listening == [[http://www.io.com/~hmiller/midi/canon-golden.mid|An acoustic experience]] - Kornerup himself had no chance to have it - is contained in the [[Warped canon]] collection.
Original HTML content:
<html><head><title>Golden Meantone</title></head><body><strong>Golden Meantone</strong> is based on the paradigm that the relation between whole and half tone intervals should be the <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Golden_ratio" rel="nofollow">Golden Ratio</a><br /> <br /> <!-- ws:start:WikiTextMathRule:0: [[math]]<br/> \varphi = \frac 1 2 (\sqrt{5}+1) \approx 1.61803\,39887\ldots\,<br/>[[math]] --><script type="math/tex">\varphi = \frac 1 2 (\sqrt{5}+1) \approx 1.61803\,39887\ldots\,</script><!-- ws:end:WikiTextMathRule:0 --><br /> <br /> Thus some edo systems - the 12-step too - could be considered as approximations to this ideal.<br /> <br /> <!-- ws:start:WikiTextHeadingRule:1:<h2> --><h2 id="toc0"><a name="x-Construction"></a><!-- ws:end:WikiTextHeadingRule:1 --> Construction </h2> If you use two neighboring numbers from Fibonacci Series 1 1 2 3 5 8 13 21... you get the following approximations:<br /> 1, 1 -> <a class="wiki_link" href="/7edo">7edo</a><br /> 1, 2 -> <a class="wiki_link" href="/12edo">12edo</a><br /> 2, 3 -> <a class="wiki_link" href="/19edo">19edo</a><br /> 3, 5 -> <a class="wiki_link" href="/31edo">31edo</a><br /> 5, 8 -> <a class="wiki_link" href="/50edo">50edo</a><br /> 8, 13 -> <a class="wiki_link" href="/81edo">81edo</a><br /> 13, 21 -> <a class="wiki_link" href="/131edo">131edo</a><br /> <br /> <!-- ws:start:WikiTextHeadingRule:3:<h2> --><h2 id="toc1"><a name="x-Evaluation"></a><!-- ws:end:WikiTextHeadingRule:3 --> Evaluation </h2> <br /> Graham Breed <a class="wiki_link_ext" href="http://x31eq.com/meantone.htm" rel="nofollow">writes</a>: <em>I think of this as the standard melodic meantone because the all these ratios are the same. It has the mellow sound of 1/4 comma, but does still have a character of its own. Some algorithms make this almost exactly the optimum 5-limit tuning. It's fairly good as a 7-limit tuning as well. Almost the optimum (according to me) for diminished sevenths. I toyed with this as a guitar tuning, but rejected it because 4:6:9 chords aren't quite good enough. That is, the poor fifth leads to a sludgy major ninth.</em><br /> <br /> <!-- ws:start:WikiTextHeadingRule:5:<h2> --><h2 id="toc2"><a name="x-Listening"></a><!-- ws:end:WikiTextHeadingRule:5 --> Listening </h2> <br /> <a class="wiki_link_ext" href="http://www.io.com/~hmiller/midi/canon-golden.mid" rel="nofollow">An acoustic experience</a> - Kornerup himself had no chance to have it - is contained in the <a class="wiki_link" href="/Warped%20canon">Warped canon</a> collection.</body></html>