Carl Lumma

Revision as of 15:40, 13 August 2011 by Wikispaces>clumma (**Imported revision 245786205 - Original comment: draft**)

IMPORTED REVISION FROM WIKISPACES

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

This revision was by author clumma and made on 2011-08-13 15:40:08 UTC.
The original revision id was 245786205.
The revision comment was: draft

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

Original Wikitext content:

**Carl Lumma** (b. 1977) is a man with varied interests, including: energy policy & nuclear engineering, macroeconomics, game theory & mechanism design, artificial intelligence & cognitive computing, haptics & UX design, music theory & psychoacoustics, music composition, and the game of chess.  Making his home in the San Francisco bay area, he has worked as an editor at [[http://www.keyboardmag.com|Keyboard magazine]] and as a program manager at [[http://www.apple.com|Apple Inc]].  Here's a partial list of his music theory stuff:

28-string Cosmolyra after Ivor Darreg
Isomorphic keyboard mapping for 5-limit just intonation
Marvel temperament: 225/224 is a critical 7-limit comma
Spectral analysis shows accurate 7-limit intonation in barbershop music
Archimedean keyboards
Rothenberg stability in pitch space
Stellated Combination Product Sets: How many tones?
Xenharmonic Moving Windows: Extended JI with conventional keyboards
MIDI-based adaptive tuning by common-tone matching
Generalizing diatonicity
Classification of microtonal notation systems
Triadic beat ratios do not predict listener preference
New well temperaments from first principles
Successive improvements in 17-limit TOP damage for the first 100 ETs
Logflat-best rank 1 temperaments up to 100 notes/octave
Beyond limits: Optimal subgroups for equal temperaments
A quantitative measure for the strength of chord progressions
Maximum dyadic error of triads in equal temperaments
Optimal tunings for adaptive just intonation
The MOS theorem: well-formed scales are tempered Fokker blocks

Stuff of a more tutorial nature:
The alternative tuning FAQ (draft)
Cross-sets Primer
The Too-Condensed Tuning-Math Outline

Elsewhere on the web:
[[http://plus.google.com/115045287509032322837/|Google Plus]]
[[http://www.facebook.com/clumma|Facebook]]
[[http://www.quora.com/Carl-Lumma|Quora]]
[[http://en.wikipedia.org/wiki/Special:Contributions/Beefman|Wikipedia contributions]]
[[http://lumma.org/microwave/|Personal blog]]

Original HTML content:

<html><head><title>Carl Lumma</title></head><body><strong>Carl Lumma</strong> (b. 1977) is a man with varied interests, including: energy policy &amp; nuclear engineering, macroeconomics, game theory &amp; mechanism design, artificial intelligence &amp; cognitive computing, haptics &amp; UX design, music theory &amp; psychoacoustics, music composition, and the game of chess.  Making his home in the San Francisco bay area, he has worked as an editor at <a class="wiki_link_ext" href="http://www.keyboardmag.com" rel="nofollow">Keyboard magazine</a> and as a program manager at <a class="wiki_link_ext" href="http://www.apple.com" rel="nofollow">Apple Inc</a>.  Here's a partial list of his music theory stuff:<br />
<br />
28-string Cosmolyra after Ivor Darreg<br />
Isomorphic keyboard mapping for 5-limit just intonation<br />
Marvel temperament: 225/224 is a critical 7-limit comma<br />
Spectral analysis shows accurate 7-limit intonation in barbershop music<br />
Archimedean keyboards<br />
Rothenberg stability in pitch space<br />
Stellated Combination Product Sets: How many tones?<br />
Xenharmonic Moving Windows: Extended JI with conventional keyboards<br />
MIDI-based adaptive tuning by common-tone matching<br />
Generalizing diatonicity<br />
Classification of microtonal notation systems<br />
Triadic beat ratios do not predict listener preference<br />
New well temperaments from first principles<br />
Successive improvements in 17-limit TOP damage for the first 100 ETs<br />
Logflat-best rank 1 temperaments up to 100 notes/octave<br />
Beyond limits: Optimal subgroups for equal temperaments<br />
A quantitative measure for the strength of chord progressions<br />
Maximum dyadic error of triads in equal temperaments<br />
Optimal tunings for adaptive just intonation<br />
The MOS theorem: well-formed scales are tempered Fokker blocks<br />
<br />
Stuff of a more tutorial nature:<br />
The alternative tuning FAQ (draft)<br />
Cross-sets Primer<br />
The Too-Condensed Tuning-Math Outline<br />
<br />
Elsewhere on the web:<br />
<a class="wiki_link_ext" href="http://plus.google.com/115045287509032322837/" rel="nofollow">Google Plus</a><br />
<a class="wiki_link_ext" href="http://www.facebook.com/clumma" rel="nofollow">Facebook</a><br />
<a class="wiki_link_ext" href="http://www.quora.com/Carl-Lumma" rel="nofollow">Quora</a><br />
<a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Special:Contributions/Beefman" rel="nofollow">Wikipedia contributions</a><br />
<a class="wiki_link_ext" href="http://lumma.org/microwave/" rel="nofollow">Personal blog</a></body></html>