User:Ganaram inukshuk/Methodologies
This page is for describing how I approach various xen-related topics. It's neither definitive nor pedagogical, rather it's insight into how I understand certain concepts and put them to use. (Mileage may vary.)
The default mode of a mos
By convention, the two main scales that most musicians talk about are the major and minor scales, or the ionian and aeolian modes. This convention is not something most musicians may agree on, but it provides a starting point when talking about music in a more general sense or in a context that is not as technical. Thus, when looking at a mos that falls outside the familiar diatonic scale (5L 2s), can this notion of a major and minor scale be generalized?
Examples using heptatonic mosses
As an example, let's use all six more heptatonic mosses: 1L 6s (anti-archeotonic), 2L 5s (antidiatonic), 3L 4s (mosh), 4L 3s (smitonic), 5L 2s (diatonic), and 6L 1s (archeotonic) to get the table below. All modes are sorted by modal brightness. The familiar major and minor scales are shown in bold.
| Anti-archeotonic | Antidiatonic | Mosh | Smitonic | Diatonic | Archeotonic | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Mode Name | UDP | Step Pattern | Mode Name | UDP | Step Pattern | Mode Name | UDP | Step Pattern | Mode Name | UDP | Step Pattern | Mode Name | UDP | Step Pattern | Mode Name | UDP | Step Pattern |
| Antizokalaraian | 6|0 | Lssssss | Antilocrian | 6|0 | LssLsss | Dril | 6|0 | LsLsLss | Nerevarine | 6|0 | LLsLsLs | Lydian | 6|0 | LLLsLLs | Ryonian | 6|0 | LLLLLLs |
| Antitamashian | 5|1 | sLsssss | Antiphrygian | 5|1 | LsssLss | Gil | 5|1 | LsLssLs | Vivecan | 5|1 | LsLLsLs | Ionian (major) | 5|1 | LLsLLLs | Karakalian | 5|1 | LLLLLsL |
| Anti-oukranian | 4|2 | ssLssss | Anti-aeolian | 4|2 | sLssLss | Kleeth | 4|2 | LssLsLs | Lorkhanic | 4|2 | LsLsLLs | Mixolydian | 4|2 | LLsLLsL | Lobonian | 4|2 | LLLLsLL |
| Anti-horthathian | 3|3 | sssLsss | Antidorian | 3|3 | sLsssLs | Bish | 3|3 | sLsLsLs | Sothic | 3|3 | LsLsLsL | Dorian | 3|3 | LsLLLsL | Horthathian | 3|3 | LLLsLLL |
| Antilobonian | 2|4 | ssssLss | Antimixolydian | 2|4 | ssLssLs | Fish | 2|4 | sLsLssL | Kagrenacan | 2|4 | sLLsLsL | Aeolian (minor) | 2|4 | LsLLsLL | Oukranian | 2|4 | LLsLLLL |
| Antikarakalian | 1|5 | sssssLs | Anti-ionian | 1|5 | ssLsssL | Jwl | 1|5 | sLssLsL | Almalexian | 1|5 | sLsLLsL | Phrygian | 1|5 | sLLLsLL | Tamashian | 1|5 | LsLLLLL |
| Anti-ryonian | 0|6 | ssssssL | Antilydian | 0|6 | sssLssL | Led | 0|6 | ssLsLsL | Dagothic | 0|6 | sLsLsLL | Locrian | 0|6 | sLLsLLL | Zokalarian | 0|6 | sLLLLLL |
There are a few ways to answer the default mode question. Looking at the scale pattern for ionian may provide some clues. Since it's the second-darkest mode, an easy answer is that it's the second-brightest mode. However, a more interesting answer is to say that the default (bright) mode is the darkest mode whose step pattern starts with L and ends with s.
As of the default dark mode, a similar easy answer is to say it's the third-darkest mode. However, a more interesting answer is to say it's the mode that starts with an L and ends with an L. However, this definition does not work with scales that more s's than L's; 1L 6s, 2L 5s, and 3L 4s have no such modes that fit this description. This definition can be amended to say that the default dark mode is the darkest mode whose step pattern starts and ends with the same step size.
Using this assumption as a guide, we can then identify the corresponding major and minor modes of these mosses in bold.
| Anti-archeotonic | Antidiatonic | Mosh | Smitonic | Diatonic | Archeotonic | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Mode Name | UDP | Step Pattern | Mode Name | UDP | Step Pattern | Mode Name | UDP | Step Pattern | Mode Name | UDP | Step Pattern | Mode Name | UDP | Step Pattern | Mode Name | UDP | Step Pattern |
| Antizokalaraian | 6|0 | Lssssss | Antilocrian | 6|0 | LssLsss | Dril | 6|0 | LsLsLss | Nerevarine | 6|0 | LLsLsLs | Lydian | 6|0 | LLLsLLs | Ryonian | 6|0 | LLLLLLs |
| Antitamashian | 5|1 | sLsssss | Antiphrygian | 5|1 | LsssLss | Gil | 5|1 | LsLssLs | Vivecan | 5|1 | LsLLsLs | Ionian (major) | 5|1 | LLsLLLs | Karakalian | 5|1 | LLLLLsL |
| Anti-oukranian | 4|2 | ssLssss | Anti-aeolian | 4|2 | sLssLss | Kleeth | 4|2 | LssLsLs | Lorkhanic | 4|2 | LsLsLLs | Mixolydian | 4|2 | LLsLLsL | Lobonian | 4|2 | LLLLsLL |
| Anti-horthathian | 3|3 | sssLsss | Antidorian | 3|3 | sLsssLs | Bish | 3|3 | sLsLsLs | Sothic | 3|3 | LsLsLsL | Dorian | 3|3 | LsLLLsL | Horthathian | 3|3 | LLLsLLL |
| Antilobonian | 2|4 | ssssLss | Antimixolydian | 2|4 | ssLssLs | Fish | 2|4 | sLsLssL | Kagrenacan | 2|4 | sLLsLsL | Aeolian (minor) | 2|4 | LsLLsLL | Oukranian | 2|4 | LLsLLLL |
| Antikarakalian | 1|5 | sssssLs | Anti-ionian | 1|5 | ssLsssL | Jwl | 1|5 | sLssLsL | Almalexian | 1|5 | sLsLLsL | Phrygian | 1|5 | sLLLsLL | Tamashian | 1|5 | LsLLLLL |
| Anti-ryonian | 0|6 | ssssssL | Antilydian | 0|6 | sssLssL | Led | 0|6 | ssLsLsL | Dagothic | 0|6 | sLsLsLL | Locrian | 0|6 | sLLsLLL | Zokalarian | 0|6 | sLLLLLL |
Interestingly, this results in some mosses that have more than one lydian equivalent (a mode that is brighter than its default major mode), and this also results in every mos having a locrian equivalent (an "unusable" mode that has its generating interval be in its diminished form). It's important to note that there are many ways to settle on a mos's default mode, and which one is decided may vary between musicians and their musical goals. This is just one of many ways to answer the default mode question.
Interestingly, this definition of a default mode has some overlap with Jake Freivald's method of enumerating a mos's modes.
Example using a mos with far more notes
wip