5L 2s: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:~~keenanpepper~~|~~keenanpepper~~]] and made on <tt>2012-11-~~24 13~~:23:01 UTC</tt>.<br>

: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2012-11-25 06:17:06 UTC</tt>.<br>

: The original revision id was <tt>~~385549168~~</tt>.<br>

: The original revision id was <tt>385689850</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

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Temperaments above 5\12 on this chart are called "negative temperaments" (as they lessen the size of the fifth) and include meantone systems such as 1/3-comma (close to 8\19) and 1/4-comma (close to 13\31). As these tunings approach 3\7, the majors become flatter and the minors become sharper.

Temperaments below 5/12 on this chart are called "positive temperaments" and they include Pythagorean tuning itself (well approximated by 22\53) as well as superpyth temperaments such as 7\17 and 9\22. As these tunings approach 2\5, the majors become sharper and the minors become flatter. Around 9\22, the thirds fall closer to 7-limit than 5-limit intervals: 7:6 and 9:7 as opposed to 6:5 and 5:4.

Temperaments below 5\12 on this chart are called "positive temperaments" and they include Pythagorean tuning itself (well approximated by 22\53) as well as superpyth temperaments such as 7\17 and 9\22. As these tunings approach 2\5, the majors become sharper and the minors become flatter. Around 9\22, the thirds fall closer to 7-limit than 5-limit intervals: 7:6 and 9:7 as opposed to 6:5 and 5:4.

[[image:5L2s.jpg]]

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Temperaments above 5\12 on this chart are called &quot;negative temperaments&quot; (as they lessen the size of the fifth) and include meantone systems such as 1/3-comma (close to 8\19) and 1/4-comma (close to 13\31). As these tunings approach 3\7, the majors become flatter and the minors become sharper.<br />

<br />

Temperaments below 5/12 on this chart are called &quot;positive temperaments&quot; and they include Pythagorean tuning itself (well approximated by 22\53) as well as superpyth temperaments such as 7\17 and 9\22. As these tunings approach 2\5, the majors become sharper and the minors become flatter. Around 9\22, the thirds fall closer to 7-limit than 5-limit intervals: 7:6 and 9:7 as opposed to 6:5 and 5:4.<br />

Temperaments below 5\12 on this chart are called &quot;positive temperaments&quot; and they include Pythagorean tuning itself (well approximated by 22\53) as well as superpyth temperaments such as 7\17 and 9\22. As these tunings approach 2\5, the majors become sharper and the minors become flatter. Around 9\22, the thirds fall closer to 7-limit than 5-limit intervals: 7:6 and 9:7 as opposed to 6:5 and 5:4.<br />

<br />

<img src="/file/view/5L2s.jpg/103741463/5L2s.jpg" alt="5L2s.jpg" title="5L2s.jpg" /><br />

<br />

5L 2s contains the pentatonic MOS <a class="wiki_link" href="/2L%203s">2L 3s</a> and (with the sole exception of the 5L 2s of 12edo) is itself contained in a dodecaphonic MOS: either <a class="wiki_link" href="/7L%205s">7L 5s</a> or <a class="wiki_link" href="/5L%207s">5L 7s</a>.</body></html></pre></div>

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 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:keenanpepper|keenanpepper]] and made on <tt>2012-11-24 13:23:01 UTC</tt>.<br>
+: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2012-11-25 06:17:06 UTC</tt>.<br>
-: The original revision id was <tt>385549168</tt>.<br>
+: The original revision id was <tt>385689850</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 99: / Line 99: @@
 Temperaments above 5\12 on this chart are called "negative temperaments" (as they lessen the size of the fifth) and include meantone systems such as 1/3-comma (close to 8\19) and 1/4-comma (close to 13\31). As these tunings approach 3\7, the majors become flatter and the minors become sharper.
-Temperaments below 5/12 on this chart are called "positive temperaments" and they include Pythagorean tuning itself (well approximated by 22\53) as well as superpyth temperaments such as 7\17 and 9\22. As these tunings approach 2\5, the majors become sharper and the minors become flatter. Around 9\22, the thirds fall closer to 7-limit than 5-limit intervals: 7:6 and 9:7 as opposed to 6:5 and 5:4.
+Temperaments below 5\12 on this chart are called "positive temperaments" and they include Pythagorean tuning itself (well approximated by 22\53) as well as superpyth temperaments such as 7\17 and 9\22. As these tunings approach 2\5, the majors become sharper and the minors become flatter. Around 9\22, the thirds fall closer to 7-limit than 5-limit intervals: 7:6 and 9:7 as opposed to 6:5 and 5:4.
 [[image:5L2s.jpg]]
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 Temperaments above 5\12 on this chart are called &amp;quot;negative temperaments&amp;quot; (as they lessen the size of the fifth) and include meantone systems such as 1/3-comma (close to 8\19) and 1/4-comma (close to 13\31). As these tunings approach 3\7, the majors become flatter and the minors become sharper.&lt;br /&gt;
 &lt;br /&gt;
-Temperaments below 5/12 on this chart are called &amp;quot;positive temperaments&amp;quot; and they include Pythagorean tuning itself (well approximated by 22\53) as well as superpyth temperaments such as 7\17 and 9\22. As these tunings approach 2\5, the majors become sharper and the minors become flatter. Around 9\22, the thirds fall closer to 7-limit than 5-limit intervals: 7:6 and 9:7 as opposed to 6:5 and 5:4.&lt;br /&gt;
+Temperaments below 5\12 on this chart are called &amp;quot;positive temperaments&amp;quot; and they include Pythagorean tuning itself (well approximated by 22\53) as well as superpyth temperaments such as 7\17 and 9\22. As these tunings approach 2\5, the majors become sharper and the minors become flatter. Around 9\22, the thirds fall closer to 7-limit than 5-limit intervals: 7:6 and 9:7 as opposed to 6:5 and 5:4.&lt;br /&gt;
 &lt;br /&gt;
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 &lt;br /&gt;
 L 2s contains the pentatonic MOS &lt;a class="wiki_link" href="/2L%203s"&gt;2L 3s&lt;/a&gt; and (with the sole exception of the 5L 2s of 12edo) is itself contained in a dodecaphonic MOS: either &lt;a class="wiki_link" href="/7L%205s"&gt;7L 5s&lt;/a&gt; or &lt;a class="wiki_link" href="/5L%207s"&gt;5L 7s&lt;/a&gt;.&lt;/body&gt;&lt;/html&gt;</pre></div>