91edo: Difference between revisions

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== Selected intervals ==
== Selected intervals ==
Eliora, who believes the diatonic way of naming intervals in 91edo is starting to lag due to its size, proposes a way of naming that merges the factors 7 and 13 - 7 equidistant notes are named do, re, mi, and 13 are named by some other virtue. The proposition is to use Old Slavic letter names, since no one uses them for naming or in mathematics. The 7 + 13 naming convention can be called a duality notation. Intervals can be named through Latin ones for the 7-note scale, and Greek ones for the 13-note.
Eliora, who believes the diatonic way of naming intervals in 91edo is starting to lag due to its size, and the fact that other temperaments and techniques for 91edo are more prominent, proposes a way of naming that merges the factors 7 and 13 - 7 equidistant notes are named do, re, mi, and 13 are named by some other virtue. The proposition is to use Old Slavic letter names, since no one uses them for naming or in mathematics. The 7 + 13 naming convention can be called a duality notation. Intervals can be named through Latin ones for the 7-note scale, and Greek ones for the 13-note.


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Revision as of 17:20, 4 March 2022

← 90edo 91edo 92edo →
Prime factorization 7 × 13
Step size 13.1868 ¢ 
Fifth 53\91 (698.901 ¢)
Semitones (A1:m2) 7:8 (92.31 ¢ : 105.5 ¢)
Consistency limit 9
Distinct consistency limit 9

The 91 equal divisions of the octave (91edo), or 91-tone equal temperament (91tet, 91et) when viewed from a regular temperament perspective, divides the octave into 91 parts of 13.187 cents each.

91 is the smallest composite number whose composite character is not immediately evident in the decimal system; it is, in fact, the product of 7 and 13. From an aesthetic standpoint, the factoring of 91 represents a kind of "yin-yang" since historically, the number 7 symbolizes luck and 13 misfortune.

Theory

The 3, 5 and 7 for 91 are on the flat side, making this a mostly flat system. It provides the optimal patent val for 11- and 13-limit septimin temperament, and the 13-limit rank three tripod temperament, as well as the 11-limit rank four temperament tempering out 245/242 and the 13-limit rank five temperament tempering out 105/104, or rank four tempering out 105/104 and 144/143, or else 105/104 and 196/195 and hence 225/224 also. It tempers out 15625/15552 in the 5-limit, 225/224 and 4375/4374 in the 7-limit, 245/242, 385/384 in the 11-limit, and 105/104, 144/143, 196/195 in the 13-limit. It is the second highest it a series of four consecutive edos that temper out quartisma ([24 -6 0 1 -5). Using the 91c val, it is audibly indistinguishable from a closed system of 1/7 comma meantone, with a 5th only 0.018 cents sharper.

Odd harmonics

Approximation of odd harmonics in 91edo
Harmonic 3 5 7 9 11 13 15 17 19 21 23
Error Absolute (¢) -3.05 -3.90 -6.19 -6.11 +2.53 +3.43 +6.24 +0.54 +5.78 +3.94 +4.69
Relative (%) -23.2 -29.5 -46.9 -46.3 +19.2 +26.0 +47.3 +4.1 +43.9 +29.9 +35.6
Steps
(reduced)
144
(53)
211
(29)
255
(73)
288
(15)
315
(42)
337
(64)
356
(83)
372
(8)
387
(23)
400
(36)
412
(48)

Regular temperament properties

Subgroup Comma list Mapping Optimal
8ve stretch (¢)
Tuning error
Absolute (¢) Relative (%)
2.3 [-144 91 [91 144]] +0.963 0.964 7.31
2.3.5 15625/15552, 43046721/41943040 [91 144 211]] +1.202 0.857 6.49
2.3.5.7 225/224, 4375/4374, 50421/50000 [91 144 211 255]] +1.453 0.860 6.51

Selected intervals

Eliora, who believes the diatonic way of naming intervals in 91edo is starting to lag due to its size, and the fact that other temperaments and techniques for 91edo are more prominent, proposes a way of naming that merges the factors 7 and 13 - 7 equidistant notes are named do, re, mi, and 13 are named by some other virtue. The proposition is to use Old Slavic letter names, since no one uses them for naming or in mathematics. The 7 + 13 naming convention can be called a duality notation. Intervals can be named through Latin ones for the 7-note scale, and Greek ones for the 13-note.

Table of intervals in 91edo
# Eliora's Naming System Eliora's Notation Associated Ratio
0 unison, perfect prime, perfect prota C, Az 1/1
1 major prime, major prota C#
7 neutral deiteria Buki
13 neutral secunde D
14 neural tritia Vedi
20 minor tesseria Glagol♭ 7/6
21 neutral tesseria Glagol
26 neutral tertie E 11/9
27 major tertie, minor pemptia E# 16/13, 27/22
28 neutral pemptia Dobro
35 neutral hektia Yest
39 neutral quarte F
42 neutral hebdomia Zhivete
44 augmented hebdomia Zhivete## 7/5
45 biaugmented hebdomia Zhivete### 10/7
49 neutral ogdonia Dzelo
52 neutral quinte G 121/81
53 major quinte G# 3/2
54 augmented quinte, diminished ennatia G##, Zemle♭♭ 3/2 II, 256/169
55 minor ennatia Zemle♭
56 neutral ennatia Zemle
63 neutral decatia Izhe
64 major decatia, minor sexte Izhe#, A♭
65 neutral sexte A
70 neutral hendecatia Izhe-yi
77 neutral dodecatia Jerve
78 neutral septime B
84 neutral decatotritia Kako
91 perfect octave, perfect decatotetartia C, Az 2/1 exact

Scales

  • NaiveMajor[7]: 13 16 10 13 16 13 10
  • NaiveMinor[7]: 13 10 16 13 10 13 16
  • HungarianNaiveOrwell[13]: 7 7 8 6 11 5 5 7 10 4 4 13 4
  • Semaphore5
  • Semaphore9
  • Semaphore14

Music