Polymicrotonality: Difference between revisions
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[https://stereosociety.com/polymicrotonally/ Johnny Reinhard essay on his polymicrotonal experiences] | '''Polymicrotonality''' is the use of multiple tuning systems in the same piece.<ref>[https://stereosociety.com/polymicrotonally/ Johnny Reinhard essay on his polymicrotonal experiences]</ref> [[Ivor Darreg]] also calls this '''polysystemic'''. <ref>[http://www.tonalsoft.com/sonic-arts/darreg/dar27.htm Ivor Darreg, ''Defining One's Terms'', June 1988]</ref> | ||
= | == Compositions == | ||
[http://micro.soonlabel.com/simultaneous-tunings/daily20100502-pythag17and12tet.mp3 In Search of Perfect Consonance] Roland GR-20 re-tuned to Arabic 17 note Pythagorean tuning and electric guitar in 12 equal by [http://www.chrisvaisvil.com Chris Vaisvil] => [http://chrisvaisvil.com/?p=139 performance details] | [http://micro.soonlabel.com/simultaneous-tunings/daily20100502-pythag17and12tet.mp3 In Search of Perfect Consonance] Roland GR-20 re-tuned to Arabic 17 note Pythagorean tuning and electric guitar in 12 equal by [http://www.chrisvaisvil.com Chris Vaisvil] => [http://chrisvaisvil.com/?p=139 performance details] | ||
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[http://www.seraph.it/dep/det/VenusianWeddingBand.mp3 Venusian Wedding Band] by [[Carlo_Serafini|Carlo Serafini]] ([http://www.seraph.it/blog_files/163171a0fc06728cd9a61d31eea492ef-190.html blog entry]) | [http://www.seraph.it/dep/det/VenusianWeddingBand.mp3 Venusian Wedding Band] by [[Carlo_Serafini|Carlo Serafini]] ([http://www.seraph.it/blog_files/163171a0fc06728cd9a61d31eea492ef-190.html blog entry]) | ||
== References == | |||
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Revision as of 14:27, 14 January 2022
Polymicrotonality is the use of multiple tuning systems in the same piece.[1] Ivor Darreg also calls this polysystemic. [2]
Compositions
In Search of Perfect Consonance Roland GR-20 re-tuned to Arabic 17 note Pythagorean tuning and electric guitar in 12 equal by Chris Vaisvil => performance details
Santa Barbara Shipwreck 19 edo guitar with 12 edo synthesizer by Paul H. Muller and Chris Vaisvil
Seventeen Years in the Sixties - 17 edo guitar, 12 edo 5 string bass & drums by Chris Vaisvil => Details
The following from a tuning survey by Chris Vaisvil
The Mouth Opens to Speak Bill Bremmer Shining Brow tuning and 12 edo<br>
The Lumma Cryptic Boethiuss Chromatic <br>
immoderate moderations Gramham Breed blues scale in 22 edo plus 12 edo<br>
untitled 1 12 edo and 17-limit quasi meantone in a major<br>
Venusian Wedding Band by Carlo Serafini (blog entry)