1617/1600: Difference between revisions

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{{Infobox Interval
{{Infobox Interval
| JI glyph =
| Ratio = 1617/1600
| Ratio = 1617/1600
| Monzo = -6 1 -2 2 1
| Monzo = -6 1 -2 2 1
| Cents = 18.2973
| Cents = 18.2973
| Name = antimisma
| Name = antimisma
| Sound =
| Color name = 1ozzgg2, lo double zogu 2nd
| Color name = 1ozzgg2, lo double zogu 2nd
| FJS name = d2<sup>7,7,11</sup><sub>5,5</sub>
| FJS name = d2<sup>7,7,11</sup><sub>5,5</sub>
| Sound =
}}
}}


The '''antimisma''', '''1617/1600''', is the amount by which [[11/10]] exceeds [[160/147]]. It is the difference between the ptolemisma ([[100/99]]) and the septimal diesis ([[49/48]]), making it an anti-ptolemisma, or anti-misma. However, that is not the origin of the name. In fact, it is named after [[Wikipedia: Antimo Liberati|Antimo Liberati]], because his birth year of 1617 is the numerator of this comma.
The '''antimisma''', '''1617/1600''', is an [[11-limit]] [[small comma]. It is the amount by which [[11/10]] exceeds [[160/147]]. It is also the difference between the ptolemisma ([[100/99]]) and the septimal diesis ([[49/48]]), making it an anti-ptolemisma, or anti-misma. However, that is not the origin of the name. In fact, it is named after [[Wikipedia: Antimo Liberati|Antimo Liberati]], because his birth year of 1617 is the numerator of this comma.


A stack of two septimal tritones ([[7/5]]) and an undecimal superfourth ([[11/8]]) is an antimisma above a perfect eleventh ([[8/3]]). While this leads to an essentially tempered chord of 1/1-7/5-49/25-8/3, it's rather far-flung.
A stack of two septimal tritones ([[7/5]]) and an undecimal superfourth ([[11/8]]) is an antimisma above a perfect eleventh ([[8/3]]). While this leads to an essentially tempered chord of 1/1-7/5-49/25-8/3, it's rather far-flung.


[[Category:Interval]]
[[Category:11-limit]]
[[Category:11-limit]]
[[Category:Small comma]]
[[Category:Small comma]]


{{todo|review}}
{{todo|review}}