User:Inthar/4L 3s: Difference between revisions
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See also: [https://xenpaper.com/#%7Br358hz%7D(osc%3Asawtooth2)%0A%7B18edo%7D%0A%5B%600_3_6_%608_%6011_13_%6016%5D-------...%0A%5B%600_3_%605_%608_%6011_13_%6016%5D-------...%0A%5B%600_3_%605_%608_10_%6013_%6016%5D-------...%0A%5B%600_3_%605_%608_10_%6013_%6015%5D-------...%0A%5B%600_2_%605_%608_10_%6013_%6015%5D-------...%0A%5B%600_2_5_%607_%6010_%6013_15%5D-------...%0A%5B%600_2_5_%607_%6010_%6012_15%5D-------...%0A%0A%0A Mother chords for smitonic modes (xenpaper link)]. | |||
=== Chords === | === Chords === | ||
The 533c (8\18) superfourth is perhaps the most important non-LCJI consonance in 18edo smitonic. Not only can it be used as a basic consonance in chords such as 0c-200c-533c, it also helps stabilize more unstable chords such as those with sharp and flat fifths especially when voiced as 1733c. Movements down superfourths (or supraminor thirds) are also convincing. | The 533c (8\18) superfourth is perhaps the most important non-LCJI consonance in 18edo smitonic. Not only can it be used as a basic consonance in chords such as 0c-200c-533c, it also helps stabilize more unstable chords such as those with sharp and flat fifths especially when voiced as 1733c. Movements down superfourths (or supraminor thirds) are also convincing. | ||