KDF Fret Numbering: Difference between revisions
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The frets of a [[Kite Guitar|Kite guitar]] can of course be numbered 0 through 41. But they can also be numbered in a way that reflects the usual fret markings aka dots. This minimizes the mental effort needed to find high-numbered dots. | The frets of a [[Kite Guitar|Kite guitar]] can of course be numbered 0 through 41. But they can also be numbered in a way that reflects the usual fret markings aka dots. This minimizes the mental effort needed to find high-numbered dots. | ||
On a Kite guitar, every 4th fret is usually marked with either a single dot, a double dot or a triple dot. The full 41 frets has 10 marked frets that are single-double-triple-single-double-triple-single-double-triple-single. By a wonderful coincidence, these dots trace out three kite shapes! The three kites are named low, mid and high. The top of the low kite is also the bottom of the mid kite. For numbering purposes, this dot is thought of as the latter, not the former. Likewise the 7th dot is the bottom of the high kite. The 10 dots are named as: | On a Kite guitar, every 4th fret is usually marked with either a single dot, a double dot or a triple dot (unless the neck uses offset-fretting). The full 41 frets has 10 marked frets that are single-double-triple-single-double-triple-single-double-triple-single. By a wonderful coincidence, these dots trace out three kite shapes! The three kites are named low, mid and high. The top of the low kite is also the bottom of the mid kite. For numbering purposes, this dot is thought of as the latter, not the former. Likewise the 7th dot is the bottom of the high kite. The 10 dots are named as: | ||
* low-single, low-double, low-triple (the low kite) | * low-single, low-double, low-triple (the low kite) | ||
Line 13: | Line 13: | ||
The specific fret is indicated by how far it is from a dot. Zero, one, two or three frets: | The specific fret is indicated by how far it is from a dot. Zero, one, two or three frets: | ||
{| class="wikitable" | {| class="wikitable right-1 center-2 right-3 left-4 right-5 left-6" | ||
|+ | |+ | ||
!fret | !fret | ||
!dots | |||
!written | !written | ||
!spoken | !spoken | ||
Line 21: | Line 22: | ||
|- | |- | ||
|0 | |0 | ||
| | |||
|0 | |0 | ||
|open | |open | ||
Line 27: | Line 29: | ||
|- | |- | ||
|1 | |1 | ||
| | |||
|1 | |1 | ||
|one | |one | ||
Line 33: | Line 36: | ||
|- | |- | ||
|2 | |2 | ||
| | |||
|2 | |2 | ||
|two | |two | ||
Line 39: | Line 43: | ||
|- | |- | ||
|3 | |3 | ||
| | |||
|3 | |3 | ||
|three | |three | ||
Line 45: | Line 50: | ||
|- | |- | ||
|4 | |4 | ||
|o | |||
|,0 | |,0 | ||
|low single zero | |low single zero | ||
| | | | ||
|low single | |low single | ||
|- | |- | ||
|5 | |5 | ||
| | |||
|,1 | |,1 | ||
|low single one | |low single one | ||
Line 57: | Line 64: | ||
|- | |- | ||
|6 | |6 | ||
| | |||
|,2 | |,2 | ||
|low single two | |low single two | ||
Line 63: | Line 71: | ||
|- | |- | ||
|7 | |7 | ||
| | |||
|,3 | |,3 | ||
|low single three | |low single three | ||
Line 69: | Line 78: | ||
|- | |- | ||
|8 | |8 | ||
|oo | |||
|,,0 | |,,0 | ||
|low double zero | |low double zero | ||
Line 75: | Line 85: | ||
|- | |- | ||
|9 | |9 | ||
| | |||
|,,1 | |,,1 | ||
|low double one | |low double one | ||
Line 81: | Line 92: | ||
|- | |- | ||
|10 | |10 | ||
| | |||
|,,2 | |,,2 | ||
|low double two | |low double two | ||
Line 87: | Line 99: | ||
|- | |- | ||
|11 | |11 | ||
| | |||
|,,3 | |,,3 | ||
|low double three | |low double three | ||
Line 93: | Line 106: | ||
|- | |- | ||
|12 | |12 | ||
|ooo | |||
|,,,0 | |,,,0 | ||
|low triple zero | |low triple zero | ||
Line 99: | Line 113: | ||
|- | |- | ||
|13 | |13 | ||
| | |||
|,,,1 | |,,,1 | ||
|low triple one | |low triple one | ||
Line 105: | Line 120: | ||
|- | |- | ||
|14 | |14 | ||
| | |||
|,,,2 | |,,,2 | ||
|low triple two | |low triple two | ||
Line 111: | Line 127: | ||
|- | |- | ||
|15 | |15 | ||
| | |||
|,,,3 | |,,,3 | ||
|low triple three | | low triple three | ||
| | | | ||
| | | | ||
|- | |- | ||
|16 | |16 | ||
|o | |||
|⸰0 | |⸰0 | ||
|mid single zero | |mid single zero | ||
Line 123: | Line 141: | ||
|- | |- | ||
|17 | |17 | ||
| | |||
|⸰1 | |⸰1 | ||
|mid single one | |mid single one | ||
Line 129: | Line 148: | ||
|- | |- | ||
|18 | |18 | ||
| | |||
|⸰2 | |⸰2 | ||
|mid single two | |mid single two | ||
Line 135: | Line 155: | ||
|- | |- | ||
|19 | |19 | ||
| | |||
|⸰3 | |⸰3 | ||
|mid single three | | mid single three | ||
|~3 | |~3 | ||
| | | | ||
|- | |- | ||
|20 | |20 | ||
|oo | |||
|⸰⸰0 | |⸰⸰0 | ||
|mid double zero | |mid double zero | ||
Line 147: | Line 169: | ||
|- | |- | ||
|21 | |21 | ||
| | |||
|⸰⸰1 | |⸰⸰1 | ||
|mid double one | |mid double one | ||
Line 152: | Line 175: | ||
| | | | ||
|- | |- | ||
|22 | | 22 | ||
| | |||
|⸰⸰2 | |⸰⸰2 | ||
|mid double two | |mid double two | ||
Line 159: | Line 183: | ||
|- | |- | ||
|23 | |23 | ||
| | |||
|⸰⸰3 | |⸰⸰3 | ||
|mid double three | |mid double three | ||
Line 165: | Line 190: | ||
|- | |- | ||
|24 | |24 | ||
|ooo | |||
|⸰⸰⸰0 | |⸰⸰⸰0 | ||
|mid triple zero | |mid triple zero | ||
Line 171: | Line 197: | ||
|- | |- | ||
|25 | |25 | ||
| | |||
|⸰⸰⸰1 | |⸰⸰⸰1 | ||
|mid triple one | |mid triple one | ||
Line 177: | Line 204: | ||
|- | |- | ||
|26 | |26 | ||
| | |||
|⸰⸰⸰2 | |⸰⸰⸰2 | ||
|mid triple two | |mid triple two | ||
Line 183: | Line 211: | ||
|- | |- | ||
|27 | |27 | ||
|⸰⸰⸰3 | | | ||
| ⸰⸰⸰3 | |||
|mid triple three | |mid triple three | ||
|<nowiki>~~~3</nowiki> | |<nowiki>~~~3</nowiki> | ||
Line 189: | Line 218: | ||
|- | |- | ||
|28 | |28 | ||
|o | |||
|'0 | |'0 | ||
|high single zero | |high single zero | ||
Line 195: | Line 225: | ||
|- | |- | ||
|29 | |29 | ||
|'1 | | | ||
| '1 | |||
|high single one | |high single one | ||
| | | | ||
Line 201: | Line 232: | ||
|- | |- | ||
|30 | |30 | ||
| | |||
|'2 | |'2 | ||
|high single two | |high single two | ||
Line 207: | Line 239: | ||
|- | |- | ||
|31 | |31 | ||
| | |||
|'3 | |'3 | ||
|high single three | |high single three | ||
Line 213: | Line 246: | ||
|- | |- | ||
|32 | |32 | ||
|oo | |||
|"0 | |"0 | ||
|high double zero | |high double zero | ||
| | | | ||
|high double | | high double | ||
|- | |- | ||
|33 | |33 | ||
| | |||
|"1 | |"1 | ||
|high double one | |high double one | ||
Line 225: | Line 260: | ||
|- | |- | ||
|34 | |34 | ||
| | |||
|"2 | |"2 | ||
|high double two | |high double two | ||
Line 231: | Line 267: | ||
|- | |- | ||
|35 | |35 | ||
| | |||
|"3 | |"3 | ||
|high double three | |high double three | ||
Line 237: | Line 274: | ||
|- | |- | ||
|36 | |36 | ||
|ooo | |||
|"'0 | |"'0 | ||
|high triple zero | |high triple zero | ||
Line 243: | Line 281: | ||
|- | |- | ||
|37 | |37 | ||
| | |||
|"'1 | |"'1 | ||
|high triple one | |high triple one | ||
Line 249: | Line 288: | ||
|- | |- | ||
|38 | |38 | ||
| | |||
|"'2 | |"'2 | ||
|high triple two | |high triple two | ||
Line 254: | Line 294: | ||
| | | | ||
|- | |- | ||
|39 | | 39 | ||
| | |||
|"'3 | |"'3 | ||
|high triple three | |high triple three | ||
Line 261: | Line 302: | ||
|- | |- | ||
|40 | |40 | ||
| o | |||
|"'4 | |"'4 | ||
|high triple four | |high triple four | ||
| | | | ||
|top or top zero | | top or top zero | ||
|- | |- | ||
|41 | | 41 | ||
|"'5 | | | ||
| "'5 | |||
|high triple five | |high triple five | ||
| | | |
Revision as of 18:38, 5 June 2021
The frets of a Kite guitar can of course be numbered 0 through 41. But they can also be numbered in a way that reflects the usual fret markings aka dots. This minimizes the mental effort needed to find high-numbered dots.
On a Kite guitar, every 4th fret is usually marked with either a single dot, a double dot or a triple dot (unless the neck uses offset-fretting). The full 41 frets has 10 marked frets that are single-double-triple-single-double-triple-single-double-triple-single. By a wonderful coincidence, these dots trace out three kite shapes! The three kites are named low, mid and high. The top of the low kite is also the bottom of the mid kite. For numbering purposes, this dot is thought of as the latter, not the former. Likewise the 7th dot is the bottom of the high kite. The 10 dots are named as:
- low-single, low-double, low-triple (the low kite)
- mid-single, mid-double, mid-triple (the mid kite)
- high-single, high-double, high-triple (the high kite)
- top
Mid also refers to mid-2nd, mid-3rd, etc., and low and high also refer to low-C, hi-3 voicing etc. Ambiguity is avoided because when referring to the fretboard, low/mid/high is always immediately followed by either single/double/triple or kite.
For guitar tablature, a compact written form of the dot names is needed. A dot in the low kite is indicated by one, two or three commas (the actual punctuation mark ","). The comma was chosen because of its compact shape, tight kerning, and tail (a period would be too easy to miss). Also, it literally sits low on the line. For similar reasons, a high dot is indicated by one, two or three apostrophes. (Or an apostrophe, a quote mark, and a quote mark plus an apostrophe.) For the mid dot, there is unfortunately no obvious punctuation mark. There are several options. A tilde is easily typed, but not at all compact. A hyphen would tend to be obscured by the lines on the tablature staff. There is also a unicode character Ring Point (U+2E30) which looks like a dot: ⸰
The specific fret is indicated by how far it is from a dot. Zero, one, two or three frets:
fret | dots | written | spoken | alternative name | |
---|---|---|---|---|---|
0 | 0 | open | |||
1 | 1 | one | |||
2 | 2 | two | |||
3 | 3 | three | |||
4 | o | ,0 | low single zero | low single | |
5 | ,1 | low single one | |||
6 | ,2 | low single two | |||
7 | ,3 | low single three | |||
8 | oo | ,,0 | low double zero | low double | |
9 | ,,1 | low double one | |||
10 | ,,2 | low double two | |||
11 | ,,3 | low double three | |||
12 | ooo | ,,,0 | low triple zero | low triple | |
13 | ,,,1 | low triple one | |||
14 | ,,,2 | low triple two | |||
15 | ,,,3 | low triple three | |||
16 | o | ⸰0 | mid single zero | ~0 | mid single |
17 | ⸰1 | mid single one | ~1 | ||
18 | ⸰2 | mid single two | ~2 | ||
19 | ⸰3 | mid single three | ~3 | ||
20 | oo | ⸰⸰0 | mid double zero | ~~0 | mid double |
21 | ⸰⸰1 | mid double one | ~~1 | ||
22 | ⸰⸰2 | mid double two | ~~2 | ||
23 | ⸰⸰3 | mid double three | ~~3 | ||
24 | ooo | ⸰⸰⸰0 | mid triple zero | ~~~0 | mid triple |
25 | ⸰⸰⸰1 | mid triple one | ~~~1 | ||
26 | ⸰⸰⸰2 | mid triple two | ~~~2 | ||
27 | ⸰⸰⸰3 | mid triple three | ~~~3 | ||
28 | o | '0 | high single zero | high single | |
29 | '1 | high single one | |||
30 | '2 | high single two | |||
31 | '3 | high single three | |||
32 | oo | "0 | high double zero | high double | |
33 | "1 | high double one | |||
34 | "2 | high double two | |||
35 | "3 | high double three | |||
36 | ooo | "'0 | high triple zero | high triple | |
37 | "'1 | high triple one | |||
38 | "'2 | high triple two | |||
39 | "'3 | high triple three | |||
40 | o | "'4 | high triple four | top or top zero | |
41 | "'5 | high triple five | top one |
The main use of this fret numbering is for tab. But it can also be used for chords, and x8x759 can be written as x ,,0 x ,3 ,1 ,,1.