User:Inthar/5L 3s: Difference between revisions
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Seconds, tritones and sevenths are consonances in addition to thirds and sixths. The naiadic is a semiconsonance. The sharp fifth is fifth-like but is still a dissonance. | Seconds, tritones and sevenths are consonances in addition to thirds and sixths. The naiadic is a semiconsonance. The sharp fifth is fifth-like but is still a dissonance. | ||
It is suggested to use R-mos3-mos5-mos7 | It is suggested to use R-mos3-mos5-mos7 carefully in 21edo oneiro - it sounds more like a dissonant, unstable 12edo diminished 7th, unlike in 13edo and harder oneiro tunings. | ||
=== A primodality-inspired perspective === | === A primodality-inspired perspective === | ||
The 21edo Dylathian mode is close to the /23 JI scale 46:51:56:60:66:73:78:86:92. The other 21edo oneirotonic modes could be tuned to modal rotations of this scale. | The 21edo Dylathian mode is close to the /23 JI scale 46:51:56:60:66:73:78:86:92. The other 21edo oneirotonic modes could be tuned to modal rotations of this scale. | ||