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**Imported revision 215743046 - Original comment: **
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**Imported revision 215954850 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2011-03-31 03:59:13 UTC</tt>.<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-03-31 14:59:37 UTC</tt>.<br>
: The original revision id was <tt>215743046</tt>.<br>
: The original revision id was <tt>215954850</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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[[http://gewi.uni-graz.at/%7Ecim04/CIM04_paper_pdf/Bucht_Huovinen_CIM04_proceedings.pdf|Bucht, Saku and Huovinen, Erkki, //Perceived consonance of harmonic intervals in 19-tone equal temperament]]
[[http://gewi.uni-graz.at/%7Ecim04/CIM04_paper_pdf/Bucht_Huovinen_CIM04_proceedings.pdf|Bucht, Saku and Huovinen, Erkki, //Perceived consonance of harmonic intervals in 19-tone equal temperament]]
//[[Ivor Darreg]]. A Case For Nineteen. URL:http://sonic-arts.org/darreg/case.htm. Accessed: 2011-03-30. (Archived by WebCite® at http://www.webcitation.org/5xZzBtDGF)//
//[[Ivor Darreg]]. A Case For Nineteen. URL:http://sonic-arts.org/darreg/case.htm. Accessed: 2011-03-30. (Archived by WebCite® at http://www.webcitation.org/5xZzBtDGF)//
//[[http://qcpages.qc.edu/%7Ehowe/articles/19-Tone%20Theory.html|Howe, Hubert S. Jr., //9-Tone Theory and Applications//]]//
//[[http://www.webcitation.org/5xbMKVaqa|Howe, Hubert S. Jr., //19-Tone Theory and Applications//]]//
//[[http://eceserv0.ece.wisc.edu/%7Esethares/tet19/guitarchords19.html|Sethares, William A., //Tunings for 19 Tone Equal Tempered Guitar//]]//
//[[http://eceserv0.ece.wisc.edu/%7Esethares/tet19/guitarchords19.html|Sethares, William A., //Tunings for 19 Tone Equal Tempered Guitar//]]//
//[[[http://www.n-ism.org/Projects/microtonalism.php%7CHair|http://www.n-ism.org/Projects/microtonalism.php|Hair]], Bailey, Morrison, Pearson and Parncutt,// Rehearsing Microtonal Music: Grappling with Performance and Intonational Problems //(project summary)]]//
//[[[http://www.n-ism.org/Projects/microtonalism.php%7CHair|http://www.n-ism.org/Projects/microtonalism.php|Hair]], Bailey, Morrison, Pearson and Parncutt,// Rehearsing Microtonal Music: Grappling with Performance and Intonational Problems //(project summary)]]//
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&lt;a class="wiki_link_ext" href="http://gewi.uni-graz.at/%7Ecim04/CIM04_paper_pdf/Bucht_Huovinen_CIM04_proceedings.pdf" rel="nofollow"&gt;Bucht, Saku and Huovinen, Erkki, //Perceived consonance of harmonic intervals in 19-tone equal temperament&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://gewi.uni-graz.at/%7Ecim04/CIM04_paper_pdf/Bucht_Huovinen_CIM04_proceedings.pdf" rel="nofollow"&gt;Bucht, Saku and Huovinen, Erkki, //Perceived consonance of harmonic intervals in 19-tone equal temperament&lt;/a&gt;&lt;br /&gt;
&lt;em&gt;&lt;a class="wiki_link" href="/Ivor%20Darreg"&gt;Ivor Darreg&lt;/a&gt;. A Case For Nineteen. URL:&lt;!-- ws:start:WikiTextUrlRule:313:http://sonic-arts.org/darreg/case.htm --&gt;&lt;a class="wiki_link_ext" href="http://sonic-arts.org/darreg/case.htm" rel="nofollow"&gt;http://sonic-arts.org/darreg/case.htm&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:313 --&gt;. Accessed: 2011-03-30. (Archived by WebCite® at &lt;!-- ws:start:WikiTextUrlRule:314:http://www.webcitation.org/5xZzBtDGF --&gt;&lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xZzBtDGF" rel="nofollow"&gt;http://www.webcitation.org/5xZzBtDGF&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:314 --&gt;)&lt;/em&gt;&lt;br /&gt;
&lt;em&gt;&lt;a class="wiki_link" href="/Ivor%20Darreg"&gt;Ivor Darreg&lt;/a&gt;. A Case For Nineteen. URL:&lt;!-- ws:start:WikiTextUrlRule:313:http://sonic-arts.org/darreg/case.htm --&gt;&lt;a class="wiki_link_ext" href="http://sonic-arts.org/darreg/case.htm" rel="nofollow"&gt;http://sonic-arts.org/darreg/case.htm&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:313 --&gt;. Accessed: 2011-03-30. (Archived by WebCite® at &lt;!-- ws:start:WikiTextUrlRule:314:http://www.webcitation.org/5xZzBtDGF --&gt;&lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xZzBtDGF" rel="nofollow"&gt;http://www.webcitation.org/5xZzBtDGF&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:314 --&gt;)&lt;/em&gt;&lt;br /&gt;
&lt;em&gt;&lt;a class="wiki_link_ext" href="http://qcpages.qc.edu/%7Ehowe/articles/19-Tone%20Theory.html" rel="nofollow"&gt;Howe, Hubert S. Jr., //9-Tone Theory and Applications//&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xbMKVaqa" rel="nofollow"&gt;Howe, Hubert S. Jr., //19-Tone Theory and Applications//&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
&lt;em&gt;&lt;a class="wiki_link_ext" href="http://eceserv0.ece.wisc.edu/%7Esethares/tet19/guitarchords19.html" rel="nofollow"&gt;Sethares, William A., //Tunings for 19 Tone Equal Tempered Guitar//&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
&lt;em&gt;&lt;a class="wiki_link_ext" href="http://eceserv0.ece.wisc.edu/%7Esethares/tet19/guitarchords19.html" rel="nofollow"&gt;Sethares, William A., //Tunings for 19 Tone Equal Tempered Guitar//&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
&lt;em&gt;[&lt;a class="wiki_link_ext" href="http://www.n-ism.org/Projects/microtonalism.php%7CHair" rel="nofollow"&gt;http://www.n-ism.org/Projects/microtonalism.php|Hair&lt;/a&gt;, Bailey, Morrison, Pearson and Parncutt,&lt;/em&gt; Rehearsing Microtonal Music: Grappling with Performance and Intonational Problems &lt;em&gt;(project summary)]]&lt;/em&gt;&lt;br /&gt;
&lt;em&gt;[&lt;a class="wiki_link_ext" href="http://www.n-ism.org/Projects/microtonalism.php%7CHair" rel="nofollow"&gt;http://www.n-ism.org/Projects/microtonalism.php|Hair&lt;/a&gt;, Bailey, Morrison, Pearson and Parncutt,&lt;/em&gt; Rehearsing Microtonal Music: Grappling with Performance and Intonational Problems &lt;em&gt;(project summary)]]&lt;/em&gt;&lt;br /&gt;
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