19edo: Difference between revisions
Wikispaces>genewardsmith **Imported revision 235305169 - Original comment: ** |
Wikispaces>hstraub **Imported revision 237681529 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:hstraub|hstraub]] and made on <tt>2011-06-20 05:38:56 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>237681529</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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In music, **19 equal temperament**, called 19-TET, 19-[[EDO]], or 19-ET, is the scale derived by dividing the [[octave]] into 19 [[equal]]ly large steps. Each step represents a frequency ratio of the 19th root of 2, or 63.16 [[cent]]s. | In music, **19 equal temperament**, called 19-TET, 19-[[EDO]], or 19-ET, is the scale derived by dividing the [[octave]] into 19 [[equal]]ly large steps. Each step represents a frequency ratio of the 19th root of 2, or 63.16 [[cent]]s. | ||
Interest in this tuning system goes back to the sixteenth century, when composer Guillaume Costeley used it in his chanson //Seigneur Dieu ta pitié// of 1558. Costeley understood and desired the circulating aspect of this tuning; in 1577 music theorist Francisco de Salinas in effect proposed it. Salinas discussed 1/3-comma meantone, in which the fifth is of size 694.786 cents; the fifth of 19-et is 694.737, which is only a twentieth of a cent flatter. Salinas suggested tuning nineteen tones to the octave to this tuning, which fails to close by less than a cent, so that his suggestion is effectively 19-et. In the nineteenth century mathematician and music theorist Wesley Woolhouse proposed it as a more practical alternative to meantone tunings he regarded as better, such as [[50edo|50 equal temperament]] ([[http://sonic-arts.org/monzo/woolhouse/essay.htm|summary of Woolhouse's essay]]). | Interest in this tuning system goes back to the sixteenth century, when composer Guillaume Costeley used it in his chanson //Seigneur Dieu ta pitié// of 1558. Costeley understood and desired the circulating aspect of this tuning; in 1577 music theorist Francisco de Salinas in effect proposed it. Salinas discussed [[1-3 Syntonic Comma Meantone|1/3-comma meantone]], in which the fifth is of size 694.786 cents; the fifth of 19-et is 694.737, which is only a twentieth of a cent flatter. Salinas suggested tuning nineteen tones to the octave to this tuning, which fails to close by less than a cent, so that his suggestion is effectively 19-et. In the nineteenth century mathematician and music theorist Wesley Woolhouse proposed it as a more practical alternative to meantone tunings he regarded as better, such as [[50edo|50 equal temperament]] ([[http://sonic-arts.org/monzo/woolhouse/essay.htm|summary of Woolhouse's essay]]). | ||
==As an approximation of other temperaments== | ==As an approximation of other temperaments== | ||
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<span class="ymp-btn-page-play ymp-media-3e72a120cc21a6d967e20c2712353cac">[[http://www.akjmusic.com/audio/juggler.mp3|The Juggler]] </span> by [[Aaron Krister Johnson]] | <span class="ymp-btn-page-play ymp-media-3e72a120cc21a6d967e20c2712353cac">[[http://www.akjmusic.com/audio/juggler.mp3|The Juggler]] </span> by [[Aaron Krister Johnson]] | ||
[[http://www.soundclick.com/bands/page_songInfo.cfm?bandID=145852&songID=1008195|Foum]] [[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Barton/Foum.mp3|play]] by [[Jacob Barton]] | [[http://www.soundclick.com/bands/page_songInfo.cfm?bandID=145852&songID=1008195|Foum]] <span class="ymp-btn-page-play ymp-media-2b0116564acb823413278e931e9bca8e">[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Barton/Foum.mp3|play]]</span> by [[Jacob Barton]] | ||
[[http://music.columbia.edu/%7Echris/sand.html|Sand]] by [[Christopher Bailey]] | [[http://music.columbia.edu/%7Echris/sand.html|Sand]] by [[Christopher Bailey]] | ||
<span class="ymp-btn-page-play ymp-media-1ec26b280d7788ac0e790719d577a218">[[http://works.music.columbia.edu/%7Echris/19mix1.mp3|Walking Down the Hillside at Cortona, and Seeing its Towers Rise Before Me]] </span> by Christopher Bailey | <span class="ymp-btn-page-play ymp-media-1ec26b280d7788ac0e790719d577a218">[[http://works.music.columbia.edu/%7Echris/19mix1.mp3|Walking Down the Hillside at Cortona, and Seeing its Towers Rise Before Me]] </span> by Christopher Bailey | ||
<span class="ymp-btn-page-play ymp-media-cd7d3a983dce091a8096cb87d6862820">[[http://www.emcollective.org/chris/items/ditty/ditty_fast.mp3|Ditty]] </span> by Christopher Bailey | <span class="ymp-btn-page-play ymp-media-cd7d3a983dce091a8096cb87d6862820">[[http://www.emcollective.org/chris/items/ditty/ditty_fast.mp3|Ditty]] </span> by Christopher Bailey | ||
[[http://sethares.engr.wisc.edu/mp3s/sympathetic.html|Sympathetic Metaphor]] [[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/SympatheticMetaphor.mp3|play]] by [[William Sethares]] [[http://www.webcitation.org/5zFdC6u4V|Permalink]] | [[http://sethares.engr.wisc.edu/mp3s/sympathetic.html|Sympathetic Metaphor]] <span class="ymp-btn-page-play ymp-media-e4e0069ea45121cc80c2ce578a945837">[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/SympatheticMetaphor.mp3|play]]</span> by [[William Sethares]] [[http://www.webcitation.org/5zFdC6u4V|Permalink]] | ||
[[http://sethares.engr.wisc.edu/mp3s/truthonabus.html|Truth on a bus]] [[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/Truth_on_a_Bus.mp3|play]] by William Sethares [[http://www.webcitation.org/5zFdSw1g4|Permalink]] | [[http://sethares.engr.wisc.edu/mp3s/truthonabus.html|Truth on a bus]] <span class="ymp-btn-page-play ymp-media-526d4e563c03aca7835db55159692c7d">[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/Truth_on_a_Bus.mp3|play]]</span> by William Sethares [[http://www.webcitation.org/5zFdSw1g4|Permalink]] | ||
<span class="ymp-btn-page-play ymp-media-d26b8b4b4beee2371ad7b7c7cc71a9da">[[http://www.h-pi.com/mp3/Rondo19ET.mp3|Rondo in 19ET]] </span> by [[Aaron Andrew Hunt]] | <span class="ymp-btn-page-play ymp-media-d26b8b4b4beee2371ad7b7c7cc71a9da">[[http://www.h-pi.com/mp3/Rondo19ET.mp3|Rondo in 19ET]] </span> by [[Aaron Andrew Hunt]] | ||
[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Starrett/CitifiedNotions19tet.mp3|Citified Notions]] by [[John Starrett]]. | <span class="ymp-btn-page-play ymp-media-c1ba958b4d29ea779eb3e6e1cb5779c7">[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Starrett/CitifiedNotions19tet.mp3|Citified Notions]]</span> by [[John Starrett]]. | ||
[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Khramov/betelgeuse.mp3|The Light Of My Betelgeuse]] by [[Mykhaylo Khramov]] | <span class="ymp-btn-page-play ymp-media-e5a2a3d148bc1b07acdba10ca90219c7">[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Khramov/betelgeuse.mp3|The Light Of My Betelgeuse]]</span> by [[Mykhaylo Khramov]] | ||
A number of compositions that were perfomed at the [[http://midwestmicrofest.org/concerts.html|midwestmicrofest concert in 2007]] | A number of compositions that were perfomed at the [[http://midwestmicrofest.org/concerts.html|midwestmicrofest concert in 2007]] | ||
Fanfare in 19-note Equal Tuning by Easley Blackwood | Fanfare in 19-note Equal Tuning by Easley Blackwood | ||
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[[@http://chrisvaisvil.com/?p=820|19 ImprovFridays blog]] <span class="ymp-btn-page-play ymp-media-c6d81d29a5290997eac85574c62b39e3">[[http://www.youtube.com/watch?v=-KaRXFoYwT4|play video of performance of 19 ImprovFridays]] </span> by Chris Vaisvil | [[@http://chrisvaisvil.com/?p=820|19 ImprovFridays blog]] <span class="ymp-btn-page-play ymp-media-c6d81d29a5290997eac85574c62b39e3">[[http://www.youtube.com/watch?v=-KaRXFoYwT4|play video of performance of 19 ImprovFridays]] </span> by Chris Vaisvil | ||
[[@http://chrisvaisvil.com/?p=800|The World has Changed blog]] <span class="ymp-media-d1cc76332b281044aecd4287b683de9d ymp-btn-page-play">[[http://micro.soonlabel.com/19-ET/daily20110429-19edo-the_world_has_changed3.mp3|play The World has Changed]] </span> by Chris Vaisvil | [[@http://chrisvaisvil.com/?p=800|The World has Changed blog]] <span class="ymp-media-d1cc76332b281044aecd4287b683de9d ymp-btn-page-play">[[http://micro.soonlabel.com/19-ET/daily20110429-19edo-the_world_has_changed3.mp3|play The World has Changed]] </span> by Chris Vaisvil | ||
[[http://chrisvaisvil.com/?p=883|jjj]] [[http://micro.soonlabel.com/19-ET/daily20110523-19take2.mp3|play]] by Chris Vaisvil</pre></div> | [[http://chrisvaisvil.com/?p=883|jjj]] <span class="ymp-btn-page-play ymp-media-35bea9630e48d0842ee9259bac028257">[[http://micro.soonlabel.com/19-ET/daily20110523-19take2.mp3|play]]</span> by Chris Vaisvil</pre></div> | ||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>19edo</title></head><body><!-- ws:start:WikiTextMediaRule:0:&lt;img src=&quot;http://www.wikispaces.com/site/embedthumbnail/custom/9458830?h=0&amp;w=0&quot; class=&quot;WikiMedia WikiMediaCustom&quot; id=&quot;wikitext@@media@@type=&amp;quot;custom&amp;quot; key=&amp;quot;9458830&amp;quot;&quot; title=&quot;Custom Media&quot;/&gt; --><script type="text/javascript" src="http://webplayer.yahooapis.com/player.js"> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>19edo</title></head><body><!-- ws:start:WikiTextMediaRule:0:&lt;img src=&quot;http://www.wikispaces.com/site/embedthumbnail/custom/9458830?h=0&amp;w=0&quot; class=&quot;WikiMedia WikiMediaCustom&quot; id=&quot;wikitext@@media@@type=&amp;quot;custom&amp;quot; key=&amp;quot;9458830&amp;quot;&quot; title=&quot;Custom Media&quot;/&gt; --><script type="text/javascript" src="http://webplayer.yahooapis.com/player.js"> | ||
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In music, <strong>19 equal temperament</strong>, called 19-TET, 19-<a class="wiki_link" href="/EDO">EDO</a>, or 19-ET, is the scale derived by dividing the <a class="wiki_link" href="/octave">octave</a> into 19 <a class="wiki_link" href="/equal">equal</a>ly large steps. Each step represents a frequency ratio of the 19th root of 2, or 63.16 <a class="wiki_link" href="/cent">cent</a>s.<br /> | In music, <strong>19 equal temperament</strong>, called 19-TET, 19-<a class="wiki_link" href="/EDO">EDO</a>, or 19-ET, is the scale derived by dividing the <a class="wiki_link" href="/octave">octave</a> into 19 <a class="wiki_link" href="/equal">equal</a>ly large steps. Each step represents a frequency ratio of the 19th root of 2, or 63.16 <a class="wiki_link" href="/cent">cent</a>s.<br /> | ||
<br /> | <br /> | ||
Interest in this tuning system goes back to the sixteenth century, when composer Guillaume Costeley used it in his chanson <em>Seigneur Dieu ta pitié</em> of 1558. Costeley understood and desired the circulating aspect of this tuning; in 1577 music theorist Francisco de Salinas in effect proposed it. Salinas discussed 1/3-comma meantone, in which the fifth is of size 694.786 cents; the fifth of 19-et is 694.737, which is only a twentieth of a cent flatter. Salinas suggested tuning nineteen tones to the octave to this tuning, which fails to close by less than a cent, so that his suggestion is effectively 19-et. In the nineteenth century mathematician and music theorist Wesley Woolhouse proposed it as a more practical alternative to meantone tunings he regarded as better, such as <a class="wiki_link" href="/50edo">50 equal temperament</a> (<a class="wiki_link_ext" href="http://sonic-arts.org/monzo/woolhouse/essay.htm" rel="nofollow">summary of Woolhouse's essay</a>).<br /> | Interest in this tuning system goes back to the sixteenth century, when composer Guillaume Costeley used it in his chanson <em>Seigneur Dieu ta pitié</em> of 1558. Costeley understood and desired the circulating aspect of this tuning; in 1577 music theorist Francisco de Salinas in effect proposed it. Salinas discussed <a class="wiki_link" href="/1-3%20Syntonic%20Comma%20Meantone">1/3-comma meantone</a>, in which the fifth is of size 694.786 cents; the fifth of 19-et is 694.737, which is only a twentieth of a cent flatter. Salinas suggested tuning nineteen tones to the octave to this tuning, which fails to close by less than a cent, so that his suggestion is effectively 19-et. In the nineteenth century mathematician and music theorist Wesley Woolhouse proposed it as a more practical alternative to meantone tunings he regarded as better, such as <a class="wiki_link" href="/50edo">50 equal temperament</a> (<a class="wiki_link_ext" href="http://sonic-arts.org/monzo/woolhouse/essay.htm" rel="nofollow">summary of Woolhouse's essay</a>).<br /> | ||
<br /> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule:3:&lt;h2&gt; --><h2 id="toc1"><a name="Theory-As an approximation of other temperaments"></a><!-- ws:end:WikiTextHeadingRule:3 -->As an approximation of other temperaments</h2> | <!-- ws:start:WikiTextHeadingRule:3:&lt;h2&gt; --><h2 id="toc1"><a name="Theory-As an approximation of other temperaments"></a><!-- ws:end:WikiTextHeadingRule:3 -->As an approximation of other temperaments</h2> | ||
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For both of these there are more optimal tunings, however. The generating interval for meantone is a fifth, and the fifth of 19-et is flatter than the usual for meantone; a more accurate approximation is <a class="wiki_link" href="/31edo">31 equal temperament</a>. Similarly, the generating interval of magic temperament is a major third, and again 19-et's is flatter; <a class="wiki_link" href="/41edo">41 equal temperament</a> more closely matches it.<br /> | For both of these there are more optimal tunings, however. The generating interval for meantone is a fifth, and the fifth of 19-et is flatter than the usual for meantone; a more accurate approximation is <a class="wiki_link" href="/31edo">31 equal temperament</a>. Similarly, the generating interval of magic temperament is a major third, and again 19-et's is flatter; <a class="wiki_link" href="/41edo">41 equal temperament</a> more closely matches it.<br /> | ||
<br /> | <br /> | ||
However, for all of these 19-et has the practical advantage of requiring fewer pitches, which makes physical realizations of it easier to build. (Many 19-et instruments have been built.) 19-et is in fact the second equal temperament, after 12-et which is able to deal with <a class="wiki_link" href="/Harmonic%20Limit">5-limit</a> music in a tolerable manner, and is the fifth (after 12) Zeta function integral tuning, <!-- ws:start:WikiTextUrlRule: | However, for all of these 19-et has the practical advantage of requiring fewer pitches, which makes physical realizations of it easier to build. (Many 19-et instruments have been built.) 19-et is in fact the second equal temperament, after 12-et which is able to deal with <a class="wiki_link" href="/Harmonic%20Limit">5-limit</a> music in a tolerable manner, and is the fifth (after 12) Zeta function integral tuning, <!-- ws:start:WikiTextUrlRule:975:http://www.research.att.com/~njas/sequences/A117538 --><a class="wiki_link_ext" href="http://www.research.att.com/~njas/sequences/A117538" rel="nofollow">http://www.research.att.com/~njas/sequences/A117538</a><!-- ws:end:WikiTextUrlRule:975 -->. It is less successful with <a class="wiki_link" href="/7-limit">7-limit</a> (but still better than 12-et), as it eliminates the distinction between a septimal minor third (<a class="wiki_link" href="/7_6">7/6</a>), and a septimal whole tone (<a class="wiki_link" href="/8_7">8/7</a>).<br /> | ||
<br /> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule:5:&lt;h2&gt; --><h2 id="toc2"><a name="Theory-Intervals"></a><!-- ws:end:WikiTextHeadingRule:5 -->Intervals</h2> | <!-- ws:start:WikiTextHeadingRule:5:&lt;h2&gt; --><h2 id="toc2"><a name="Theory-Intervals"></a><!-- ws:end:WikiTextHeadingRule:5 -->Intervals</h2> | ||
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<br /> | <br /> | ||
<span class="ymp-btn-page-play ymp-media-3e72a120cc21a6d967e20c2712353cac"><a class="wiki_link_ext" href="http://www.akjmusic.com/audio/juggler.mp3" rel="nofollow">The Juggler</a> </span> by <a class="wiki_link" href="/Aaron%20Krister%20Johnson">Aaron Krister Johnson</a><br /> | <span class="ymp-btn-page-play ymp-media-3e72a120cc21a6d967e20c2712353cac"><a class="wiki_link_ext" href="http://www.akjmusic.com/audio/juggler.mp3" rel="nofollow">The Juggler</a> </span> by <a class="wiki_link" href="/Aaron%20Krister%20Johnson">Aaron Krister Johnson</a><br /> | ||
<a class="wiki_link_ext" href="http://www.soundclick.com/bands/page_songInfo.cfm?bandID=145852&amp;songID=1008195" rel="nofollow">Foum</a> <a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Barton/Foum.mp3" rel="nofollow">play</a> by <a class="wiki_link" href="/Jacob%20Barton">Jacob Barton</a><br /> | <a class="wiki_link_ext" href="http://www.soundclick.com/bands/page_songInfo.cfm?bandID=145852&amp;songID=1008195" rel="nofollow">Foum</a> <span class="ymp-btn-page-play ymp-media-2b0116564acb823413278e931e9bca8e"><a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Barton/Foum.mp3" rel="nofollow">play</a></span> by <a class="wiki_link" href="/Jacob%20Barton">Jacob Barton</a><br /> | ||
<a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/sand.html" rel="nofollow">Sand</a> by <a class="wiki_link" href="/Christopher%20Bailey">Christopher Bailey</a><br /> | <a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/sand.html" rel="nofollow">Sand</a> by <a class="wiki_link" href="/Christopher%20Bailey">Christopher Bailey</a><br /> | ||
<span class="ymp-btn-page-play ymp-media-1ec26b280d7788ac0e790719d577a218"><a class="wiki_link_ext" href="http://works.music.columbia.edu/%7Echris/19mix1.mp3" rel="nofollow">Walking Down the Hillside at Cortona, and Seeing its Towers Rise Before Me</a> </span> by Christopher Bailey<br /> | <span class="ymp-btn-page-play ymp-media-1ec26b280d7788ac0e790719d577a218"><a class="wiki_link_ext" href="http://works.music.columbia.edu/%7Echris/19mix1.mp3" rel="nofollow">Walking Down the Hillside at Cortona, and Seeing its Towers Rise Before Me</a> </span> by Christopher Bailey<br /> | ||
<span class="ymp-btn-page-play ymp-media-cd7d3a983dce091a8096cb87d6862820"><a class="wiki_link_ext" href="http://www.emcollective.org/chris/items/ditty/ditty_fast.mp3" rel="nofollow">Ditty</a> </span> by Christopher Bailey<br /> | <span class="ymp-btn-page-play ymp-media-cd7d3a983dce091a8096cb87d6862820"><a class="wiki_link_ext" href="http://www.emcollective.org/chris/items/ditty/ditty_fast.mp3" rel="nofollow">Ditty</a> </span> by Christopher Bailey<br /> | ||
<a class="wiki_link_ext" href="http://sethares.engr.wisc.edu/mp3s/sympathetic.html" rel="nofollow">Sympathetic Metaphor</a> <a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/SympatheticMetaphor.mp3" rel="nofollow">play</a> by <a class="wiki_link" href="/William%20Sethares">William Sethares</a> <a class="wiki_link_ext" href="http://www.webcitation.org/5zFdC6u4V" rel="nofollow">Permalink</a><br /> | <a class="wiki_link_ext" href="http://sethares.engr.wisc.edu/mp3s/sympathetic.html" rel="nofollow">Sympathetic Metaphor</a> <span class="ymp-btn-page-play ymp-media-e4e0069ea45121cc80c2ce578a945837"><a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/SympatheticMetaphor.mp3" rel="nofollow">play</a></span> by <a class="wiki_link" href="/William%20Sethares">William Sethares</a> <a class="wiki_link_ext" href="http://www.webcitation.org/5zFdC6u4V" rel="nofollow">Permalink</a><br /> | ||
<a class="wiki_link_ext" href="http://sethares.engr.wisc.edu/mp3s/truthonabus.html" rel="nofollow">Truth on a bus</a> <a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/Truth_on_a_Bus.mp3" rel="nofollow">play</a> by William Sethares <a class="wiki_link_ext" href="http://www.webcitation.org/5zFdSw1g4" rel="nofollow">Permalink</a><br /> | <a class="wiki_link_ext" href="http://sethares.engr.wisc.edu/mp3s/truthonabus.html" rel="nofollow">Truth on a bus</a> <span class="ymp-btn-page-play ymp-media-526d4e563c03aca7835db55159692c7d"><a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/Truth_on_a_Bus.mp3" rel="nofollow">play</a></span> by William Sethares <a class="wiki_link_ext" href="http://www.webcitation.org/5zFdSw1g4" rel="nofollow">Permalink</a><br /> | ||
<span class="ymp-btn-page-play ymp-media-d26b8b4b4beee2371ad7b7c7cc71a9da"><a class="wiki_link_ext" href="http://www.h-pi.com/mp3/Rondo19ET.mp3" rel="nofollow">Rondo in 19ET</a> </span> by <a class="wiki_link" href="/Aaron%20Andrew%20Hunt">Aaron Andrew Hunt</a><br /> | <span class="ymp-btn-page-play ymp-media-d26b8b4b4beee2371ad7b7c7cc71a9da"><a class="wiki_link_ext" href="http://www.h-pi.com/mp3/Rondo19ET.mp3" rel="nofollow">Rondo in 19ET</a> </span> by <a class="wiki_link" href="/Aaron%20Andrew%20Hunt">Aaron Andrew Hunt</a><br /> | ||
<a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Starrett/CitifiedNotions19tet.mp3" rel="nofollow">Citified Notions</a> by <a class="wiki_link" href="/John%20Starrett">John Starrett</a>.<br /> | <span class="ymp-btn-page-play ymp-media-c1ba958b4d29ea779eb3e6e1cb5779c7"><a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Starrett/CitifiedNotions19tet.mp3" rel="nofollow">Citified Notions</a></span> by <a class="wiki_link" href="/John%20Starrett">John Starrett</a>.<br /> | ||
<a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Khramov/betelgeuse.mp3" rel="nofollow">The Light Of My Betelgeuse</a> by <a class="wiki_link" href="/Mykhaylo%20Khramov">Mykhaylo Khramov</a><br /> | <span class="ymp-btn-page-play ymp-media-e5a2a3d148bc1b07acdba10ca90219c7"><a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Khramov/betelgeuse.mp3" rel="nofollow">The Light Of My Betelgeuse</a></span> by <a class="wiki_link" href="/Mykhaylo%20Khramov">Mykhaylo Khramov</a><br /> | ||
A number of compositions that were perfomed at the <a class="wiki_link_ext" href="http://midwestmicrofest.org/concerts.html" rel="nofollow">midwestmicrofest concert in 2007</a><br /> | A number of compositions that were perfomed at the <a class="wiki_link_ext" href="http://midwestmicrofest.org/concerts.html" rel="nofollow">midwestmicrofest concert in 2007</a><br /> | ||
Fanfare in 19-note Equal Tuning by Easley Blackwood<br /> | Fanfare in 19-note Equal Tuning by Easley Blackwood<br /> | ||
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<a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=820" rel="nofollow" target="_blank">19 ImprovFridays blog</a> <span class="ymp-btn-page-play ymp-media-c6d81d29a5290997eac85574c62b39e3"><a class="wiki_link_ext" href="http://www.youtube.com/watch?v=-KaRXFoYwT4" rel="nofollow">play video of performance of 19 ImprovFridays</a> </span> by Chris Vaisvil<br /> | <a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=820" rel="nofollow" target="_blank">19 ImprovFridays blog</a> <span class="ymp-btn-page-play ymp-media-c6d81d29a5290997eac85574c62b39e3"><a class="wiki_link_ext" href="http://www.youtube.com/watch?v=-KaRXFoYwT4" rel="nofollow">play video of performance of 19 ImprovFridays</a> </span> by Chris Vaisvil<br /> | ||
<a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=800" rel="nofollow" target="_blank">The World has Changed blog</a> <span class="ymp-media-d1cc76332b281044aecd4287b683de9d ymp-btn-page-play"><a class="wiki_link_ext" href="http://micro.soonlabel.com/19-ET/daily20110429-19edo-the_world_has_changed3.mp3" rel="nofollow">play The World has Changed</a> </span> by Chris Vaisvil<br /> | <a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=800" rel="nofollow" target="_blank">The World has Changed blog</a> <span class="ymp-media-d1cc76332b281044aecd4287b683de9d ymp-btn-page-play"><a class="wiki_link_ext" href="http://micro.soonlabel.com/19-ET/daily20110429-19edo-the_world_has_changed3.mp3" rel="nofollow">play The World has Changed</a> </span> by Chris Vaisvil<br /> | ||
<a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=883" rel="nofollow">jjj</a> <a class="wiki_link_ext" href="http://micro.soonlabel.com/19-ET/daily20110523-19take2.mp3" rel="nofollow">play</a> by Chris Vaisvil</body></html></pre></div> | <a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=883" rel="nofollow">jjj</a> <span class="ymp-btn-page-play ymp-media-35bea9630e48d0842ee9259bac028257"><a class="wiki_link_ext" href="http://micro.soonlabel.com/19-ET/daily20110523-19take2.mp3" rel="nofollow">play</a></span> by Chris Vaisvil</body></html></pre></div> | ||