19edo: Difference between revisions
Wikispaces>JosephRuhf **Imported revision 538473316 - Original comment: ** |
Wikispaces>JosephRuhf **Imported revision 538708140 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2015-01- | : This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2015-01-27 12:33:06 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>538708140</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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=As a means of extending harmony= | =As a means of extending harmony= | ||
Because 19 EDO allows for more blended, consonant harmonies than 12 EDO does, it can be a much better candidate for using alternate forms of harmony such as quartal, secondual, and poly chords. William | Because 19 EDO allows for more blended, consonant harmonies than 12 EDO does, it can be a much better candidate for using alternate forms of harmony such as quartal, secondual, and poly chords. William Lynch suggests the use of seventh chords of various types to be the fundamental sonorities with a triad deemed as incomplete. Higher extensions involving the 17th harmonic as well as other non diatonic chord extensions which tend to clash in 12 EDO blend much better in 19 EDO. | ||
In addition, Joseph Yasser talks about the idea of a 12 tone supra diatonic scale where the 7 tone major scale in 19 EDO becomes akin to the pentatonic of western music; as it would sound to a future generation, ambiguous and not tonally fortified. As paraphrased "A system in which the undeniable laws of tonal gravity exist, yet in a much more complex tonal universe. " Yasser believed that music would eventually move to a 19 tone system with a 12 note supra diatonic scale would become the standard. While this has yet to happen, Yasser's concept of supra-diatonicity is intriguing and worth exploring for those wanting to extend tonality without sounding too alien. | In addition, Joseph Yasser talks about the idea of a 12 tone supra diatonic scale where the 7 tone major scale in 19 EDO becomes akin to the pentatonic of western music; as it would sound to a future generation, ambiguous and not tonally fortified. As paraphrased "A system in which the undeniable laws of tonal gravity exist, yet in a much more complex tonal universe. " Yasser believed that music would eventually move to a 19 tone system with a 12 note supra diatonic scale would become the standard. While this has yet to happen, Yasser's concept of supra-diatonicity is intriguing and worth exploring for those wanting to extend tonality without sounding too alien. | ||
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Since 19 is prime, all rank two temperaments in 19edo have one period per octave. Therefore you can make a correspondence between intervals and the linear temperaments they generate. | Since 19 is prime, all rank two temperaments in 19edo have one period per octave. Therefore you can make a correspondence between intervals and the linear temperaments they generate. | ||
||~ Degrees of 19edo ||~ Solfege ||~ **Dodecatonic | ||~ Degrees of 19edo ||~ Solfege ||~ **Dodecatonic notation** ||~ Dodecatonic category ||~ Cents value ||||~ Ratios* ||~ Generator for || | ||
|| 0 || do || C || | || 0 || do || C || P1 ||= 0 || 1/1 || || || | ||
|| 1 || di || Ç | || 1 || di || Ç, <span style="font-size: 13.3333339691162px;">C#/Δb</span> || A1, m2 || 63.1579 || 21/20, 25/24, 28/27 || 26/25, 27/26 || Unicorn/rhinocerus || | ||
|| 2 || ra || Ç#/Db | || 2 || ra || Ç#/Db, <span style="font-size: 13.3333339691162px;">Δ</span> || M2, m3 || 126.326 || 15/14, 16/15 || 13/12, 14/13, || [[xenharmonic/Negri|Negri]] || | ||
|| 3 || re || D || | || 3 || re || D || M3 || 189.474 || 9/8, 10/9 || || Deutone (2-meantone) / spell || | ||
|| 4 || ri/ma || Þ | || 4 || ri/ma || Þ, <span style="font-size: 13.3333339691162px;">D#/εb</span> || m4, a3 || 252.632 || 7/6, 8/7, || 15/13 || [[xenharmonic/Godzilla|Godzilla]] || | ||
|| 5 || me || Þ#/Eb | || 5 || me || Þ#/Eb, <span style="font-size: 13.3333339691162px;">ε</span> || M4, m5 || 315.789 || 6/5, 25/21 || || [[xenharmonic/Kleismic|Kleismic]] ([[xenharmonic/hanson|hanson]], [[xenharmonic/keemun|keemun]], [[xenharmonic/catakleismic|catakleismic]]) || | ||
|| 6 || mi || E || | || 6 || mi || E || M5 || 378.947 || 5/4 || 16/13 26/21 || [[xenharmonic/Magic|Magic]]/charisma/glamour || | ||
|| 7 || mo || E#/Fb || | || 7 || mo || E#/Fb || A5, d6 || 442.105 || 9/7, 32/25 || 13/10 || [[xenharmonic/Sensi|Sensi]] || | ||
|| 8 || fa || F || | || 8 || fa || F || P6 || 505.263 || 4/3 || || [[xenharmonic/Meantone|Meantone]]/[[xenharmonic/flattone|flattone]]/[[xenharmonic/meanennedecal|meanenneadecal]]/[[xenharmonic/meanpop|meanpop]] || | ||
|| 9 || fi || ϕ | || 9 || fi || ϕ, F#/Γb || A6, m7 || 568.421 || 7/5, 25/18 || 18/13 || [[xenharmonic/Liese|Liese]]/[[xenharmonic/Triton|triton]]/lisa || | ||
F#/Γb || 568.421 || 7/5, 18/13 | || 10 || se || ϕ#/Gb, Γ || M7, d8 || 631.579 || 10/7, 36/25 || 13/9 || Liese/triton/lisa || | ||
|| 10 || se || ϕ#/Gb || | || 11 || sol || G || P8 || 694.737 || 3/2 || || Meantone || | ||
|| 12 || lo || Z, <span style="font-size: 13.3333339691162px;">G#/αb</span> || A8, m9 || 757.895 || 14/9, 25/16 || 20/13 || Sensi || | |||
|| 11 || sol || G || | || 13 || le || Z#/Ab, || M9, m10 || 821.053 || 8/5 || 13/8, 21/13 || Magic || | ||
|| 12 || lo || Z | || 14 || la || A || M10 || 884.211 || 5/3 || 42/25 || Kleismic (hanson, keemun, catakleismic) || | ||
|| 13 || le || Z#/Ab || | || 15 || li/ta || Æ; A#/βb, Bb || m11, A10 || 947.368 || 7/4, 12/7 || 26/15 || Godzilla || | ||
|| 14 || la || A || | || 16 || te || Æ#/Bb; β, B || M11, m12 || 1010.53 || 9/5, 16/9 || || Deutone / spell || | ||
|| 15 || li/ta || Æ | || 17 || ti || B, H || M12 || 1073.68 || 13/7, 15/8 || 24/13, 28/15 || Negri || | ||
A#/βb, Bb || | || 18 || da || B#, H#/Cb || A12, d13 || 1136.84 || 40/21, 48/25, 27/14 || 25/13, 52/27, || Unicorn/rhinocerus || | ||
|| 16 || te || Æ#/Bb | |||
β, B || | |||
|| 17 || ti || B, H || | |||
|| 18 || da || B#, H#/Cb || | |||
*based on treating 19-EDO as a 2.3.5.7.13 subgroup temperament; other approaches are possible. | *based on treating 19-EDO as a 2.3.5.7.13 subgroup temperament; other approaches are possible. | ||
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||= 78732/78125 ||< | 2 9 -7 > ||> 13.40 ||= Medium Semicomma ||= Sensipent Comma ||= || | ||= 78732/78125 ||< | 2 9 -7 > ||> 13.40 ||= Medium Semicomma ||= Sensipent Comma ||= || | ||
||= 15625/15552 ||< | -6 -5 6 > ||> 8.11 ||= Kleisma ||= Semicomma Majeur ||= || | ||= 15625/15552 ||< | -6 -5 6 > ||> 8.11 ||= Kleisma ||= Semicomma Majeur ||= || | ||
||= [[tel:[[tel | ||= [[tel:[[tel/1792620|1792620]]/1787149|1792620/1787149]] ||< | 8 14 -13 > ||> 5.29 ||= Parakleisma ||= ||= || | ||
||= [[tel:4830148/4822299|4830148/4822299]] ||< | -14 -19 19 > ||> 2.82 ||= Enneadeca ||= 19-Tone-Comma ||= || | ||= [[tel:4830148/4822299|4830148/4822299]] ||< | -14 -19 19 > ||> 2.82 ||= Enneadeca ||= 19-Tone-Comma ||= || | ||
||= 1029/1000 ||< | -3 1 -3 3 > ||> 49.49 ||= Keega ||= ||= || | ||= 1029/1000 ||< | -3 1 -3 3 > ||> 49.49 ||= Keega ||= ||= || | ||
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<br /> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule:6:&lt;h1&gt; --><h1 id="toc2"><a name="As a means of extending harmony"></a><!-- ws:end:WikiTextHeadingRule:6 -->As a means of extending harmony</h1> | <!-- ws:start:WikiTextHeadingRule:6:&lt;h1&gt; --><h1 id="toc2"><a name="As a means of extending harmony"></a><!-- ws:end:WikiTextHeadingRule:6 -->As a means of extending harmony</h1> | ||
Because 19 EDO allows for more blended, consonant harmonies than 12 EDO does, it can be a much better candidate for using alternate forms of harmony such as quartal, secondual, and poly chords. William | Because 19 EDO allows for more blended, consonant harmonies than 12 EDO does, it can be a much better candidate for using alternate forms of harmony such as quartal, secondual, and poly chords. William Lynch suggests the use of seventh chords of various types to be the fundamental sonorities with a triad deemed as incomplete. Higher extensions involving the 17th harmonic as well as other non diatonic chord extensions which tend to clash in 12 EDO blend much better in 19 EDO.<br /> | ||
<br /> | <br /> | ||
In addition, Joseph Yasser talks about the idea of a 12 tone supra diatonic scale where the 7 tone major scale in 19 EDO becomes akin to the pentatonic of western music; as it would sound to a future generation, ambiguous and not tonally fortified. As paraphrased &quot;A system in which the undeniable laws of tonal gravity exist, yet in a much more complex tonal universe. &quot; Yasser believed that music would eventually move to a 19 tone system with a 12 note supra diatonic scale would become the standard. While this has yet to happen, Yasser's concept of supra-diatonicity is intriguing and worth exploring for those wanting to extend tonality without sounding too alien.<br /> | In addition, Joseph Yasser talks about the idea of a 12 tone supra diatonic scale where the 7 tone major scale in 19 EDO becomes akin to the pentatonic of western music; as it would sound to a future generation, ambiguous and not tonally fortified. As paraphrased &quot;A system in which the undeniable laws of tonal gravity exist, yet in a much more complex tonal universe. &quot; Yasser believed that music would eventually move to a 19 tone system with a 12 note supra diatonic scale would become the standard. While this has yet to happen, Yasser's concept of supra-diatonicity is intriguing and worth exploring for those wanting to extend tonality without sounding too alien.<br /> | ||
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<th>Solfege<br /> | <th>Solfege<br /> | ||
</th> | </th> | ||
<th><strong>Dodecatonic | <th><strong>Dodecatonic notation</strong><br /> | ||
</th> | </th> | ||
<th | <th>Dodecatonic category<br /> | ||
</th> | </th> | ||
<th>Cents value<br /> | <th>Cents value<br /> | ||
</th> | </th> | ||
<th>Ratios*<br /> | <th colspan="2">Ratios*<br /> | ||
</th> | </th> | ||
<th>Generator for<br /> | <th>Generator for<br /> | ||
| Line 248: | Line 244: | ||
<td>C<br /> | <td>C<br /> | ||
</td> | </td> | ||
<td> | <td>P1<br /> | ||
</td> | </td> | ||
<td style="text-align: center;">0<br /> | <td style="text-align: center;">0<br /> | ||
</td> | </td> | ||
<td>1/1<br /> | <td>1/1<br /> | ||
</td> | |||
<td><br /> | |||
</td> | </td> | ||
<td><br /> | <td><br /> | ||
| Line 262: | Line 260: | ||
<td>di<br /> | <td>di<br /> | ||
</td> | </td> | ||
<td>Ç<br /> | <td>Ç, <span style="font-size: 13.3333339691162px;">C#/Δb</span><br /> | ||
</td> | </td> | ||
<td> | <td>A1, m2<br /> | ||
</td> | </td> | ||
<td>63.1579<br /> | <td>63.1579<br /> | ||
</td> | </td> | ||
<td>21/20, 25/24, 26/25, 27/26 | <td>21/20, 25/24, 28/27<br /> | ||
</td> | |||
<td>26/25, 27/26<br /> | |||
</td> | </td> | ||
<td>Unicorn/rhinocerus<br /> | <td>Unicorn/rhinocerus<br /> | ||
| Line 278: | Line 278: | ||
<td>ra<br /> | <td>ra<br /> | ||
</td> | </td> | ||
<td>Ç#/Db<br /> | <td>Ç#/Db, <span style="font-size: 13.3333339691162px;">Δ</span><br /> | ||
</td> | </td> | ||
<td> | <td>M2, m3<br /> | ||
</td> | </td> | ||
<td>126.326<br /> | <td>126.326<br /> | ||
</td> | </td> | ||
<td>13/12, 14/13, | <td>15/14, 16/15<br /> | ||
</td> | |||
<td>13/12, 14/13,<br /> | |||
</td> | </td> | ||
<td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Negri">Negri</a><br /> | <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Negri">Negri</a><br /> | ||
| Line 296: | Line 298: | ||
<td>D<br /> | <td>D<br /> | ||
</td> | </td> | ||
<td> | <td>M3<br /> | ||
</td> | </td> | ||
<td>189.474<br /> | <td>189.474<br /> | ||
</td> | </td> | ||
<td>9/8, 10/9<br /> | <td>9/8, 10/9<br /> | ||
</td> | |||
<td><br /> | |||
</td> | </td> | ||
<td>Deutone (2-meantone) / spell<br /> | <td>Deutone (2-meantone) / spell<br /> | ||
| Line 310: | Line 314: | ||
<td>ri/ma<br /> | <td>ri/ma<br /> | ||
</td> | </td> | ||
<td>Þ<br /> | <td>Þ, <span style="font-size: 13.3333339691162px;">D#/εb</span><br /> | ||
</td> | </td> | ||
<td> | <td>m4, a3<br /> | ||
</td> | </td> | ||
<td>252.632<br /> | <td>252.632<br /> | ||
</td> | </td> | ||
<td>7/6, 8/7, 15/13<br /> | <td>7/6, 8/7,<br /> | ||
</td> | |||
<td>15/13<br /> | |||
</td> | </td> | ||
<td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Godzilla">Godzilla</a><br /> | <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Godzilla">Godzilla</a><br /> | ||
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<td>me<br /> | <td>me<br /> | ||
</td> | </td> | ||
<td>Þ#/Eb<br /> | <td>Þ#/Eb, <span style="font-size: 13.3333339691162px;">ε</span><br /> | ||
</td> | </td> | ||
<td> | <td>M4, m5<br /> | ||
</td> | </td> | ||
<td>315.789<br /> | <td>315.789<br /> | ||
</td> | </td> | ||
<td>6/5, 25/21<br /> | <td>6/5, 25/21<br /> | ||
</td> | |||
<td><br /> | |||
</td> | </td> | ||
<td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Kleismic">Kleismic</a> (<a class="wiki_link" href="http://xenharmonic.wikispaces.com/hanson">hanson</a>, <a class="wiki_link" href="http://xenharmonic.wikispaces.com/keemun">keemun</a>, <a class="wiki_link" href="http://xenharmonic.wikispaces.com/catakleismic">catakleismic</a>)<br /> | <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Kleismic">Kleismic</a> (<a class="wiki_link" href="http://xenharmonic.wikispaces.com/hanson">hanson</a>, <a class="wiki_link" href="http://xenharmonic.wikispaces.com/keemun">keemun</a>, <a class="wiki_link" href="http://xenharmonic.wikispaces.com/catakleismic">catakleismic</a>)<br /> | ||
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<td>E<br /> | <td>E<br /> | ||
</td> | </td> | ||
<td> | <td>M5<br /> | ||
</td> | </td> | ||
<td>378.947<br /> | <td>378.947<br /> | ||
</td> | </td> | ||
<td>5/4 | <td>5/4<br /> | ||
</td> | |||
<td>16/13 26/21<br /> | |||
</td> | </td> | ||
<td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Magic">Magic</a>/charisma/glamour<br /> | <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Magic">Magic</a>/charisma/glamour<br /> | ||
| Line 360: | Line 370: | ||
<td>E#/Fb<br /> | <td>E#/Fb<br /> | ||
</td> | </td> | ||
<td> | <td>A5, d6<br /> | ||
</td> | </td> | ||
<td>442.105<br /> | <td>442.105<br /> | ||
</td> | </td> | ||
<td>9/7, 13/10 | <td>9/7, 32/25<br /> | ||
</td> | |||
<td>13/10<br /> | |||
</td> | </td> | ||
<td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Sensi">Sensi</a><br /> | <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Sensi">Sensi</a><br /> | ||
| Line 376: | Line 388: | ||
<td>F<br /> | <td>F<br /> | ||
</td> | </td> | ||
<td> | <td>P6<br /> | ||
</td> | </td> | ||
<td>505.263<br /> | <td>505.263<br /> | ||
</td> | </td> | ||
<td>4/3<br /> | <td>4/3<br /> | ||
</td> | |||
<td><br /> | |||
</td> | </td> | ||
<td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Meantone">Meantone</a>/<a class="wiki_link" href="http://xenharmonic.wikispaces.com/flattone">flattone</a>/<a class="wiki_link" href="http://xenharmonic.wikispaces.com/meanennedecal">meanenneadecal</a>/<a class="wiki_link" href="http://xenharmonic.wikispaces.com/meanpop">meanpop</a><br /> | <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Meantone">Meantone</a>/<a class="wiki_link" href="http://xenharmonic.wikispaces.com/flattone">flattone</a>/<a class="wiki_link" href="http://xenharmonic.wikispaces.com/meanennedecal">meanenneadecal</a>/<a class="wiki_link" href="http://xenharmonic.wikispaces.com/meanpop">meanpop</a><br /> | ||
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<td>fi<br /> | <td>fi<br /> | ||
</td> | </td> | ||
<td>ϕ<br /> | <td>ϕ, F#/Γb<br /> | ||
</td> | </td> | ||
<td> | <td>A6, m7<br /> | ||
</td> | </td> | ||
<td>568.421<br /> | <td>568.421<br /> | ||
</td> | </td> | ||
<td>7/5, 18/ | <td>7/5, 25/18<br /> | ||
</td> | |||
<td>18/13<br /> | |||
</td> | </td> | ||
<td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Liese">Liese</a>/<a class="wiki_link" href="http://xenharmonic.wikispaces.com/Triton">triton</a>/lisa<br /> | <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Liese">Liese</a>/<a class="wiki_link" href="http://xenharmonic.wikispaces.com/Triton">triton</a>/lisa<br /> | ||
| Line 407: | Line 422: | ||
<td>se<br /> | <td>se<br /> | ||
</td> | </td> | ||
<td>ϕ#/Gb<br /> | <td>ϕ#/Gb, Γ<br /> | ||
</td> | </td> | ||
<td> | <td>M7, d8<br /> | ||
</td> | </td> | ||
<td>631.579<br /> | <td>631.579<br /> | ||
</td> | </td> | ||
<td>10/7, 13/9 | <td>10/7, 36/25<br /> | ||
</td> | |||
<td>13/9<br /> | |||
</td> | </td> | ||
<td>Liese/triton/lisa<br /> | <td>Liese/triton/lisa<br /> | ||
| Line 426: | Line 442: | ||
<td>G<br /> | <td>G<br /> | ||
</td> | </td> | ||
<td> | <td>P8<br /> | ||
</td> | </td> | ||
<td>694.737<br /> | <td>694.737<br /> | ||
</td> | </td> | ||
<td>3/2<br /> | <td>3/2<br /> | ||
</td> | |||
<td><br /> | |||
</td> | </td> | ||
<td>Meantone<br /> | <td>Meantone<br /> | ||
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<td>lo<br /> | <td>lo<br /> | ||
</td> | </td> | ||
<td>Z<br /> | <td>Z, <span style="font-size: 13.3333339691162px;">G#/αb</span><br /> | ||
</td> | </td> | ||
<td> | <td>A8, m9<br /> | ||
</td> | </td> | ||
<td>757.895<br /> | <td>757.895<br /> | ||
</td> | </td> | ||
<td>14/9, 20/13 | <td>14/9, 25/16<br /> | ||
</td> | |||
<td>20/13<br /> | |||
</td> | </td> | ||
<td>Sensi<br /> | <td>Sensi<br /> | ||
| Line 456: | Line 476: | ||
<td>le<br /> | <td>le<br /> | ||
</td> | </td> | ||
<td>Z#/Ab<br /> | <td>Z#/Ab,<br /> | ||
</td> | </td> | ||
<td> | <td>M9, m10<br /> | ||
</td> | </td> | ||
<td>821.053<br /> | <td>821.053<br /> | ||
</td> | </td> | ||
<td>8/5 | <td>8/5<br /> | ||
</td> | |||
<td>13/8, 21/13<br /> | |||
</td> | </td> | ||
<td>Magic<br /> | <td>Magic<br /> | ||
| Line 474: | Line 496: | ||
<td>A<br /> | <td>A<br /> | ||
</td> | </td> | ||
<td> | <td>M10<br /> | ||
</td> | </td> | ||
<td>884.211<br /> | <td>884.211<br /> | ||
</td> | </td> | ||
<td>5/3 | <td>5/3<br /> | ||
</td> | |||
<td>42/25<br /> | |||
</td> | </td> | ||
<td>Kleismic (hanson, keemun, catakleismic)<br /> | <td>Kleismic (hanson, keemun, catakleismic)<br /> | ||
| Line 488: | Line 512: | ||
<td>li/ta<br /> | <td>li/ta<br /> | ||
</td> | </td> | ||
<td>Æ | <td>Æ; A#/βb, Bb<br /> | ||
A#/βb, Bb<br /> | |||
</td> | </td> | ||
<td> | <td>m11, A10<br /> | ||
</td> | </td> | ||
<td>947.368<br /> | <td>947.368<br /> | ||
</td> | </td> | ||
<td>7/4, 12/7 | <td>7/4, 12/7<br /> | ||
</td> | |||
<td>26/15<br /> | |||
</td> | </td> | ||
<td>Godzilla<br /> | <td>Godzilla<br /> | ||
| Line 505: | Line 530: | ||
<td>te<br /> | <td>te<br /> | ||
</td> | </td> | ||
<td>Æ#/Bb | <td>Æ#/Bb; β, B<br /> | ||
β, B<br /> | |||
</td> | </td> | ||
<td> | <td>M11, m12<br /> | ||
</td> | </td> | ||
<td>1010.53<br /> | <td>1010.53<br /> | ||
</td> | </td> | ||
<td>9/5, 16/9<br /> | <td>9/5, 16/9<br /> | ||
</td> | |||
<td><br /> | |||
</td> | </td> | ||
<td>Deutone / spell<br /> | <td>Deutone / spell<br /> | ||
| Line 524: | Line 550: | ||
<td>B, H<br /> | <td>B, H<br /> | ||
</td> | </td> | ||
<td> | <td>M12<br /> | ||
</td> | </td> | ||
<td>1073.68<br /> | <td>1073.68<br /> | ||
</td> | </td> | ||
<td>13/7, 15/8 | <td>13/7, 15/8<br /> | ||
</td> | |||
<td>24/13, 28/15<br /> | |||
</td> | </td> | ||
<td>Negri<br /> | <td>Negri<br /> | ||
| Line 540: | Line 568: | ||
<td>B#, H#/Cb<br /> | <td>B#, H#/Cb<br /> | ||
</td> | </td> | ||
<td> | <td>A12, d13<br /> | ||
</td> | </td> | ||
<td>1136.84<br /> | <td>1136.84<br /> | ||
</td> | </td> | ||
<td>40/21, 48/25, 25/13, 52/27, | <td>40/21, 48/25, 27/14<br /> | ||
</td> | |||
<td>25/13, 52/27,<br /> | |||
</td> | </td> | ||
<td>Unicorn/rhinocerus<br /> | <td>Unicorn/rhinocerus<br /> | ||
| Line 711: | Line 741: | ||
<br /> | <br /> | ||
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19 note per octave Ibanez conversion by Brad Smith (Indianapolis)<br /> | 19 note per octave Ibanez conversion by Brad Smith (Indianapolis)<br /> | ||
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