The 16 most stable triads of 22edo: Difference between revisions
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[[File:16 most stable triads.png|thumb|611x611px|The 16 most stable triads of 22-TET, from | [[File:16 most stable triads.png|thumb|611x611px|The 16 most stable triads of 22-TET, from empirical data, notated in [[Ups and Downs Notation|Ups and Downs. Triads represent inversional equivalence classes and are written in normal form, with a root of zero. The second and third numbers in the triple represent the lower and outer intervals in degrees of 22-TET respectively. Triads are written in the inversion for which the outer interval is the smallest, and, in the case that two inversion have the same sized outer interval, that the lower interval is the smallest.]]]] | ||
Triads represent inversional equivalence classes and are written in normal form, with a root of zero. The second and third numbers in the triple represent the lower and outer intervals in degrees of 22-TET respectively. Triads are written in the inversion for which the outer interval is the smallest, and, in the case that two inversion have the same sized outer interval, that the lower interval is the smallest. | |||
Click the triad for an audio sample | Click the triad for an audio sample | ||
Line 24: | Line 22: | ||
|[0,4,13] | |[0,4,13] | ||
|Suspended triad | |Suspended triad | ||
|491 | |491 | ||
709 | |||
|4/3, 8/7, 4/3, 6:8:9 | |4/3, 8/7, 4/3, 6:8:9 | ||
|0.34 | |0.34 | ||
Line 38: | Line 37: | ||
|[0,6,13] | |[0,6,13] | ||
|Classic minor triad | |Classic minor triad | ||
|327 | |327 | ||
709 | |||
|6/5, 5/4, 4/3, 10:12:15 | |6/5, 5/4, 4/3, 10:12:15 | ||
|0.53 | |0.53 | ||
Line 45: | Line 45: | ||
|[0,5,9] | |[0,5,9] | ||
|Subminor seventh (no third) | |Subminor seventh (no third) | ||
|709 | |709 | ||
982 | |||
|3/2, 7/6, 8/7, 4:6:7 | |3/2, 7/6, 8/7, 4:6:7 | ||
|0.53 | |0.53 | ||
Line 52: | Line 53: | ||
|[0,4,9] | |[0,4,9] | ||
|Subminor seventh (no fifth) | |Subminor seventh (no fifth) | ||
|273 | |273 | ||
982 | |||
|7/6, 3/2, 8/7, 12:14:21 | |7/6, 3/2, 8/7, 12:14:21 | ||
|0.71 | |0.71 | ||
Line 59: | Line 61: | ||
|[0,2,9] | |[0,2,9] | ||
|Classic major seventh (no fifth) | |Classic major seventh (no fifth) | ||
|382 | |382 | ||
1082 | |||
|5/4, 3/2, 15/14, 8:10:15 | |5/4, 3/2, 15/14, 8:10:15 | ||
|0.78 | |0.78 | ||
Line 66: | Line 69: | ||
|[0,7,12] | |[0,7,12] | ||
|"Squished" major triad | |"Squished" major triad | ||
|382 | |382 | ||
655 | |||
|5/4, 7/6, 11/8, 24:30:35 | |5/4, 7/6, 11/8, 24:30:35 | ||
|0.84 | |0.84 | ||
Line 73: | Line 77: | ||
|[0,6,11] | |[0,6,11] | ||
|Harmonic diminished triad | |Harmonic diminished triad | ||
|327 | |327 | ||
600 | |||
|6/5, 7/6, 7/5, 5:6:7 | |6/5, 7/6, 7/5, 5:6:7 | ||
|0.86 | |0.86 | ||
Line 80: | Line 85: | ||
|[0,4,11] | |[0,4,11] | ||
|Harmonic dominant seventh (no fifth) | |Harmonic dominant seventh (no fifth) | ||
|382 | |382 | ||
982 | |||
|5/4, 7/5, 8/7, 4:5:7 | |5/4, 7/5, 8/7, 4:5:7 | ||
|0.96 | |0.96 | ||
Line 87: | Line 93: | ||
|[0,4,7] | |[0,4,7] | ||
|Classic major add 9 (no fifth) | |Classic major add 9 (no fifth) | ||
|218 | |218 | ||
382 | |||
|8/7, 10/9, 8/5, 8:9:10 | |8/7, 10/9, 8/5, 8:9:10 | ||
|0.99 | |0.99 | ||
Line 94: | Line 101: | ||
|[0,5,13] | |[0,5,13] | ||
|Subminor triad | |Subminor triad | ||
|273 | |273 | ||
709 | |||
|7/6, 9/7, 4/3, 6:7:9 | |7/6, 9/7, 4/3, 6:7:9 | ||
|1.03 | |1.03 | ||
Line 101: | Line 109: | ||
|[0,7,11] | |[0,7,11] | ||
|Classic major flat 5 | |Classic major flat 5 | ||
|382 | |382 | ||
600 | |||
|5/4, 8/7, 7/5, 12:15:17 | |5/4, 8/7, 7/5, 12:15:17 | ||
|1.06 | |1.06 | ||
Line 108: | Line 117: | ||
|[0,7,14] | |[0,7,14] | ||
|Classic augmented triad | |Classic augmented triad | ||
|382 | |382 | ||
765 | |||
|5/4, 5/4, 9/7, 16:20:25 | |5/4, 5/4, 9/7, 16:20:25 | ||
|1.08 | |1.08 | ||
Line 115: | Line 125: | ||
|[0,3,9] | |[0,3,9] | ||
|Classic minor seventh (no fifth) | |Classic minor seventh (no fifth) | ||
|327 | |327 | ||
1036 | |||
|6/5, 3/2, 10/9, 5:6:9 | |6/5, 3/2, 10/9, 5:6:9 | ||
|1.09 | |1.09 | ||
Line 122: | Line 133: | ||
|[0,7,9] | |[0,7,9] | ||
|Classic major seventh (no third) | |Classic major seventh (no third) | ||
|709 | |709 | ||
1082 | |||
|3/2, 5/4, 15/14, 8:12:15 | |3/2, 5/4, 15/14, 8:12:15 | ||
|1.10 | |1.10 | ||
|} | |} |
Revision as of 12:16, 31 January 2021

Click the triad for an audio sample
Rank | Triad | Name | Size in cents | Ratios approximated | Relative Instability |
---|---|---|---|---|---|
1 | [0,7,13] | Classic major triad | 382
709 |
5/4, 6/5, 4/3, 4:5:6 | 0 |
2 | [0,4,13] | Suspended triad | 491
709 |
4/3, 8/7, 4/3, 6:8:9 | 0.34 |
3 | [0,8,13] | Supermajor triad | 436-709 | 9/7, 7/6, 4/3, 14:18:21 | 0.40 |
4 | [0,6,13] | Classic minor triad | 327
709 |
6/5, 5/4, 4/3, 10:12:15 | 0.53 |
5 | [0,5,9] | Subminor seventh (no third) | 709
982 |
3/2, 7/6, 8/7, 4:6:7 | 0.53 |
6 | [0,4,9] | Subminor seventh (no fifth) | 273
982 |
7/6, 3/2, 8/7, 12:14:21 | 0.71 |
7 | [0,2,9] | Classic major seventh (no fifth) | 382
1082 |
5/4, 3/2, 15/14, 8:10:15 | 0.78 |
8 | [0,7,12] | "Squished" major triad | 382
655 |
5/4, 7/6, 11/8, 24:30:35 | 0.84 |
9 | [0,6,11] | Harmonic diminished triad | 327
600 |
6/5, 7/6, 7/5, 5:6:7 | 0.86 |
10 | [0,4,11] | Harmonic dominant seventh (no fifth) | 382
982 |
5/4, 7/5, 8/7, 4:5:7 | 0.96 |
11 | [0,4,7] | Classic major add 9 (no fifth) | 218
382 |
8/7, 10/9, 8/5, 8:9:10 | 0.99 |
12 | [0,5,13] | Subminor triad | 273
709 |
7/6, 9/7, 4/3, 6:7:9 | 1.03 |
13 | [0,7,11] | Classic major flat 5 | 382
600 |
5/4, 8/7, 7/5, 12:15:17 | 1.06 |
14 | [0,7,14] | Classic augmented triad | 382
765 |
5/4, 5/4, 9/7, 16:20:25 | 1.08 |
15 | [0,3,9] | Classic minor seventh (no fifth) | 327
1036 |
6/5, 3/2, 10/9, 5:6:9 | 1.09 |
16 | [0,7,9] | Classic major seventh (no third) | 709
1082 |
3/2, 5/4, 15/14, 8:12:15 | 1.10 |