17edo: Difference between revisions

Wikispaces>vaisvil
**Imported revision 241870087 - Original comment: **
Wikispaces>igliashon
**Imported revision 242820745 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:vaisvil|vaisvil]] and made on <tt>2011-07-18 22:02:02 UTC</tt>.<br>
: This revision was by author [[User:igliashon|igliashon]] and made on <tt>2011-07-25 21:04:50 UTC</tt>.<br>
: The original revision id was <tt>241870087</tt>.<br>
: The original revision id was <tt>242820745</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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Another introduction into 17-EDO theory: [[http://xenharmony.wikispaces.com/space/showimage/17puzzle.pdf|The 17-tone Puzzle]] by George Secor.
Another introduction into 17-EDO theory: [[http://xenharmony.wikispaces.com/space/showimage/17puzzle.pdf|The 17-tone Puzzle]] by George Secor.
[[17edo Solfege]]. [[17edo tetrachords]]. [[http://microtonalismo.com/proyecto-xvii|Proyect 17-Perú]]
[[17edo Solfege]]. [[17edo tetrachords]]. [[http://microtonalismo.com/proyecto-xvii|Proyect 17-Perú]]
==As a temperament==
17-EDO does not perform well as a 5- or 7-limit temperament, but is excellent as a 2.3.11.13.25 subgroup temperament.
|| Degree || Cents ||= Approximate
Ratios* ||
|| 0 || 0 ||= 1/1 ||
|| 1 || 70.59 ||= 25/24, 26/25, 33/32 ||
|| 2 || 141.18 ||= 13/12, 12/11 ||
|| 3 || 211.76 ||= 9/8, 25/22, ||
|| 4 || 282.35 ||= 13/11, 75/64 ||
|| 5 || 352.94 ||= 11/9, 16/13 ||
|| 6 || 423.53 ||= 32/25, 33/26 ||
|| 7 || 494.12 ||= 4/3 ||
|| 8 || 564.71 ||= 11/8, 18/13 ||
|| 9 || 635.294 ||= 16/11, 13/9 ||
|| 10 || 705.88 ||= 3/2 ||
|| 11 || 776.47 ||= 25/16, 52/33 ||
|| 12 || 847.06 ||= 13/8, 18/11 ||
|| 13 || 917.65 ||= 22/13, 128/75 ||
|| 14 || 988.24 ||= 16/9, 44/25 ||
|| 15 || 1058.82 ||= 11/6, 24/13 ||
|| 16 || 1129.41 ||= 25/13, 48/25, 64/33 ||
|| 17 || 1200 ||= 2/1 ||


==Commas==  
==Commas==  
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&lt;a class="wiki_link" href="/17edo%20Solfege"&gt;17edo Solfege&lt;/a&gt;. &lt;a class="wiki_link" href="/17edo%20tetrachords"&gt;17edo tetrachords&lt;/a&gt;. &lt;a class="wiki_link_ext" href="http://microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Proyect 17-Perú&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/17edo%20Solfege"&gt;17edo Solfege&lt;/a&gt;. &lt;a class="wiki_link" href="/17edo%20tetrachords"&gt;17edo tetrachords&lt;/a&gt;. &lt;a class="wiki_link_ext" href="http://microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Proyect 17-Perú&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:5:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="x17 tone equal temperament-Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:5 --&gt;Commas&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:5:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="x17 tone equal temperament-As a temperament"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:5 --&gt;As a temperament&lt;/h2&gt;
17-EDO does not perform well as a 5- or 7-limit temperament, but is excellent as a 2.3.11.13.25 subgroup temperament.&lt;br /&gt;
&lt;br /&gt;
 
 
&lt;table class="wiki_table"&gt;
    &lt;tr&gt;
        &lt;td&gt;Degree&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Cents&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;Approximate&lt;br /&gt;
Ratios*&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;0&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;0&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;1/1&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;1&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;70.59&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;25/24, 26/25, 33/32&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;2&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;141.18&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;13/12, 12/11&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;3&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;211.76&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;9/8, 25/22,&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;4&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;282.35&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;13/11, 75/64&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;5&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;352.94&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;11/9, 16/13&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;6&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;423.53&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;32/25, 33/26&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;7&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;494.12&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;4/3&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;8&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;564.71&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;11/8, 18/13&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;9&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;635.294&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;16/11, 13/9&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;10&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;705.88&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;3/2&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;11&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;776.47&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;25/16, 52/33&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;12&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;847.06&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;13/8, 18/11&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;13&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;917.65&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;22/13, 128/75&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;14&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;988.24&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;16/9, 44/25&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;15&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;1058.82&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;11/6, 24/13&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;16&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;1129.41&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;25/13, 48/25, 64/33&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;17&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;1200&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;2/1&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
&lt;/table&gt;
 
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:7:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc3"&gt;&lt;a name="x17 tone equal temperament-Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:7 --&gt;Commas&lt;/h2&gt;
  17 EDO &lt;a class="wiki_link" href="/tempering%20out"&gt;tempers out&lt;/a&gt; the following &lt;a class="wiki_link" href="/comma"&gt;comma&lt;/a&gt;s. (Note: This assumes &lt;a class="wiki_link" href="/val"&gt;val&lt;/a&gt; &amp;lt; 17 27 39 48 59 63 |, cent values ​​rounded to 5 digits.)&lt;br /&gt;
  17 EDO &lt;a class="wiki_link" href="/tempering%20out"&gt;tempers out&lt;/a&gt; the following &lt;a class="wiki_link" href="/comma"&gt;comma&lt;/a&gt;s. (Note: This assumes &lt;a class="wiki_link" href="/val"&gt;val&lt;/a&gt; &amp;lt; 17 27 39 48 59 63 |, cent values ​​rounded to 5 digits.)&lt;br /&gt;


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Note that despite their relatively large size, the 17-comma, the avicennma and the chromatic semitone are all tempered out by the 13-limit patent val, as stated.&lt;br /&gt;
Note that despite their relatively large size, the 17-comma, the avicennma and the chromatic semitone are all tempered out by the 13-limit patent val, as stated.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:7:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc3"&gt;&lt;a name="x17 tone equal temperament-Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:7 --&gt;Scales&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:9:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="x17 tone equal temperament-Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:9 --&gt;Scales&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Otonal%2017"&gt;Otonal 17&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Blues Peruvian 17edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/17edo%20neutral%20scale"&gt;17edo neutral scale&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Scorp"&gt;Scorp&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/MOS%20scales%20of%2017edo"&gt;MOS scales of 17edo&lt;/a&gt; (horograms)&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Otonal%2017"&gt;Otonal 17&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Blues Peruvian 17edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/17edo%20neutral%20scale"&gt;17edo neutral scale&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Scorp"&gt;Scorp&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/MOS%20scales%20of%2017edo"&gt;MOS scales of 17edo&lt;/a&gt; (horograms)&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:9:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="x17 tone equal temperament-Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:9 --&gt;Compositions&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:11:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="x17 tone equal temperament-Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:11 --&gt;Compositions&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-3ece313d36e9307c749e0e3549ece422"&gt;&lt;a class="wiki_link_ext" href="http://www.akjmusic.com/audio/adagio_for_margo.mp3" rel="nofollow"&gt;Adagio for Margo&lt;/a&gt; &lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://www.akjmusic.com/" rel="nofollow"&gt;Aaron Krister Johnson&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-cd2c0c4934993e036385ed158d0617c4"&gt;&lt;a class="wiki_link_ext" href="http://home.comcast.net/%7Eteamouse/Transformation.mp3" rel="nofollow"&gt;Transformation&lt;/a&gt; &lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://home.comcast.net/%7Eteamouse/" rel="nofollow"&gt;Herman Miller&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://home.snafu.de/djwolf/PreludeIn17tet.pdf" rel="nofollow"&gt;Prelude&lt;/a&gt; by &lt;a class="wiki_link" href="/Daniel%20Wolf"&gt;Daniel Wolf&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-c31e19054d7ac007c7b9b339babdd228"&gt;&lt;a class="wiki_link_ext" href="http://www.emcollective.org/chris/items/17tet/17waltz.mp3" rel="nofollow"&gt;Waltz&lt;/a&gt; &lt;/span&gt; by Christopher Bailey&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-817b931db5b9d03733d0439eb4c5b365"&gt;&lt;a class="wiki_link_ext" href="http://www.emcollective.org/chris/items/17Chorus/17tppp4_lostfound.mp3" rel="nofollow"&gt;Lostfound&lt;/a&gt; &lt;/span&gt; by Christopher Bailey&lt;/li&gt;&lt;li&gt;excerpt from &lt;span class="ymp-btn-page-play ymp-media-2de29bc81b3c87ba3015583ebe32228c"&gt;&lt;a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/sounds/balladei_exc.mp3" rel="nofollow"&gt;Balladei&lt;/a&gt; &lt;/span&gt; (in 17, 29 and 12) by &lt;a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/" rel="nofollow"&gt;Christopher Bailey&lt;/a&gt;, CD available &lt;a class="wiki_link_ext" href="http://www.amazon.com/Christopher-Bailey-Shiau-Uen-Jacob-Rhodebeck/dp/B000TDZSAU/ref=sr_1_19/105-0183009-3913216?ie=UTF8&amp;amp;s=music&amp;amp;qid=1184598550&amp;amp;sr=1-19" rel="nofollow"&gt;here&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.georghajdu.de/heptadecatonic_drops.html" rel="nofollow"&gt;Heptadecatonic Drops&lt;/a&gt; by Georg Hajdu&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.georghajdu.de/63.html?&amp;amp;L=1%20" rel="nofollow"&gt;Klangmoraste&lt;/a&gt; by Georg Hajdu&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-60b300d674b6179dec2e49769bcd92d2"&gt;&lt;a class="wiki_link_ext" href="http://www.h-pi.com/mp3/17ET.mp3" rel="nofollow"&gt;Two-Part Invention in 17ET&lt;/a&gt;&lt;/span&gt; by Aaron Andrew Hunt&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://azuma-asobi.com/Music/" rel="nofollow"&gt;Overture to A Midsummer Night's Dream&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://azuma-asobi.com/" rel="nofollow"&gt;Rick McGowan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://azuma-asobi.com/Music/" rel="nofollow"&gt;Fairy Lullaby from A Midsummer Night's Dream&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://azuma-asobi.com/" rel="nofollow"&gt;Rick McGowan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=5967982" rel="nofollow"&gt;A Calamitous Simultaneity&lt;/a&gt; by Iglashion Jones&lt;/li&gt;&lt;li&gt;A number of compositions from &lt;a class="wiki_link_ext" href="http://www.archive.org/details/seventeenTPP_01" rel="nofollow"&gt;seventeen-tone piano project phase I&lt;/a&gt;, &lt;a class="wiki_link" href="/SeventeenTPPPhaseTwo"&gt;seventeen-tone piano project phase II&lt;/a&gt;, &lt;a class="wiki_link" href="/SeventeenTPPPhaseThree"&gt;seventeen-tone piano project phase III&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/search.php?query=subject%3A%2217-edo%22" rel="nofollow"&gt;17edo&lt;/a&gt; - 17edo-tagged compositions on www.archive.org&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Charles Loli 17edo&lt;/a&gt; music for guitar heptadecatonic (2001) and armony inductive microtonaly (1993) -&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://microtonalismo.com/" rel="nofollow"&gt;microtonalismo&lt;/a&gt; Heptadecatonic Peruvian&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839072" rel="nofollow"&gt;sing a blue&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010). This and the other pieces below by Andrew for cümbüş, steel tubes &amp;amp; voice.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839073" rel="nofollow"&gt;stringfinger it everybean&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839069" rel="nofollow"&gt;cat feet belly&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010).&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-c1117aea0d7479a1907922962588a201"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=a9N_T6LNDaE" rel="nofollow"&gt;17 Tone Jam&lt;/a&gt;&lt;/span&gt; by Marmalade Man&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/results?search_query=17edo&amp;amp;search=tag" rel="nofollow"&gt;youtube videos tagged with 17edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=784" rel="nofollow" target="_blank"&gt;On the Shores of the Dead Sea blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-58c0d564107bea8b718066b4a846e9a4"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=D39MVFhb0Ho" rel="nofollow"&gt;video of On the Shores of the Dead Sea&lt;/a&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=466" rel="nofollow" target="_blank"&gt;Only in Disneyland 17 blog&lt;/a&gt; edo guitar solo &lt;span class="ymp-btn-page-play ymp-media-ed57956200d2220e2dd400299c6c9d82"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110205-17et-disneyland.mp3" rel="nofollow"&gt;play Only in Disneyland&lt;/a&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=460" rel="nofollow" target="_blank"&gt;17 Reasons I Hate the Blues blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-b9bb77ee97249899bce1c2e34b7ca029"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3" rel="nofollow"&gt;play 17 Reasons I Hate the Blues&lt;/a&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=422" rel="nofollow" target="_blank"&gt;Klingon Opera Overture blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-1270ddd333612c93cd386aaa93b59aba"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110109-albino-17et.mp3" rel="nofollow"&gt;play Klingon Opera Overture&lt;/a&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=298" rel="nofollow" target="_blank"&gt;Seventeen Selfless Notes blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-835371d8b0e3022bd14b58e3c0a6175a"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/if20101028selfless.mp3" rel="nofollow"&gt;play Seventeen Selfless Notes&lt;/a&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=76" rel="nofollow" target="_blank"&gt;17ET Jazz blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-b4292082727ce51de4e72ce8e860e140"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/60x60-4001-1-ver2.mp3" rel="nofollow"&gt;play 17et Jazz&lt;/a&gt;&lt;/span&gt; by Chris Vaisvil (60 x 60 winner)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=742" rel="nofollow"&gt;17 Pink Tuxedos blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-20284c23c4ce5614c44285891a72b2b9"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110416-17_pink-tuxes.mp3" rel="nofollow"&gt;play 17 Pink Tuxedos&lt;/a&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=706" rel="nofollow"&gt;Devil in the Deep Blue Sea blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-2b49237889b140316b82293bc4e5743c"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110401-17-2-devil_in_the_deep_blue_sea.mp3" rel="nofollow"&gt;play Devil in the Deep Blue sea&lt;/a&gt;&lt;/span&gt; blues collaboration between The Two Regs (vocals / lyrics) and Norm Harris (percussion) and Chris Vaisvil (17 note per octave electric guitar and fretless bass).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=585" rel="nofollow"&gt;Seventeen Years in the Sixties blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-e59982cb3a388488ca0ccb733e7439e7"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110318-seventeen-years-in-the-sixties.mp3" rel="nofollow"&gt;play Seventeen Years in the Sixties&lt;/a&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=699" rel="nofollow" target="_blank"&gt;CT Scan blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-6c6c5ec192c22569d28c8dd09467c623"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=ZEEuytYwtbo" rel="nofollow"&gt;play video CT Scan&lt;/a&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=470" rel="nofollow"&gt;Fish and a Grenade blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-d882886a0b66279c7c3aa180aacb7339"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110208-17-a-fish-and-a-grenade.mp3" rel="nofollow"&gt;play Fish and a Grenade&lt;/a&gt;&lt;/span&gt; (parental advisory language) by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=550" rel="nofollow" target="_blank"&gt;Seventeen Unsteady Hands blog&lt;/a&gt;&lt;span class="ymp-btn-page-play ymp-media-0623ec5592a422ce10eddb210d094b60"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=rAKHCqBNhfc" rel="nofollow"&gt;play video of performance of Seventeen Unsteady Hands&lt;/a&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=38" rel="nofollow"&gt;The Pond blog&lt;/a&gt; by Chris Vaisvil and &lt;span class="ymp-btn-page-play ymp-media-ad53e2e57d0cedd582013ae5cdd29164"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=25sC3_uheyA" rel="nofollow" target="_blank"&gt;video version of The Pond with Japanese Garden &lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-ad53e2e57d0cedd582013ae5cdd29164"&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=305" rel="nofollow" target="_blank"&gt;Graveyard blog&lt;/a&gt;&lt;/span&gt;&lt;span class="ymp-btn-page-play ymp-media-7a8cb8e49c18c67a2ea8b60d80c25b21"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/if20101028-graveyard.mp3" rel="nofollow"&gt;play Graveyard&lt;/a&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-e13a9b281483c4b0a10ba321bb7cc2b4"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110713_q49_17_brass_voice_choirs.mp3" rel="nofollow"&gt;For Brass and Voice Choirs in 17 edo&lt;/a&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/" rel="nofollow" target="_blank"&gt;Chris Vaisvil &lt;/a&gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1039" rel="nofollow" target="_blank"&gt;more on the composition&lt;/a&gt;&lt;br /&gt;
  &lt;ul&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-3ece313d36e9307c749e0e3549ece422"&gt;&lt;a class="wiki_link_ext" href="http://www.akjmusic.com/audio/adagio_for_margo.mp3" rel="nofollow"&gt;Adagio for Margo&lt;/a&gt; &lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://www.akjmusic.com/" rel="nofollow"&gt;Aaron Krister Johnson&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-cd2c0c4934993e036385ed158d0617c4"&gt;&lt;a class="wiki_link_ext" href="http://home.comcast.net/%7Eteamouse/Transformation.mp3" rel="nofollow"&gt;Transformation&lt;/a&gt; &lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://home.comcast.net/%7Eteamouse/" rel="nofollow"&gt;Herman Miller&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://home.snafu.de/djwolf/PreludeIn17tet.pdf" rel="nofollow"&gt;Prelude&lt;/a&gt; by &lt;a class="wiki_link" href="/Daniel%20Wolf"&gt;Daniel Wolf&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-c31e19054d7ac007c7b9b339babdd228"&gt;&lt;a class="wiki_link_ext" href="http://www.emcollective.org/chris/items/17tet/17waltz.mp3" rel="nofollow"&gt;Waltz&lt;/a&gt; &lt;/span&gt; by Christopher Bailey&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-817b931db5b9d03733d0439eb4c5b365"&gt;&lt;a class="wiki_link_ext" href="http://www.emcollective.org/chris/items/17Chorus/17tppp4_lostfound.mp3" rel="nofollow"&gt;Lostfound&lt;/a&gt; &lt;/span&gt; by Christopher Bailey&lt;/li&gt;&lt;li&gt;excerpt from &lt;span class="ymp-btn-page-play ymp-media-2de29bc81b3c87ba3015583ebe32228c"&gt;&lt;a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/sounds/balladei_exc.mp3" rel="nofollow"&gt;Balladei&lt;/a&gt; &lt;/span&gt; (in 17, 29 and 12) by &lt;a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/" rel="nofollow"&gt;Christopher Bailey&lt;/a&gt;, CD available &lt;a class="wiki_link_ext" href="http://www.amazon.com/Christopher-Bailey-Shiau-Uen-Jacob-Rhodebeck/dp/B000TDZSAU/ref=sr_1_19/105-0183009-3913216?ie=UTF8&amp;amp;s=music&amp;amp;qid=1184598550&amp;amp;sr=1-19" rel="nofollow"&gt;here&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.georghajdu.de/heptadecatonic_drops.html" rel="nofollow"&gt;Heptadecatonic Drops&lt;/a&gt; by Georg Hajdu&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.georghajdu.de/63.html?&amp;amp;L=1%20" rel="nofollow"&gt;Klangmoraste&lt;/a&gt; by Georg Hajdu&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-60b300d674b6179dec2e49769bcd92d2"&gt;&lt;a class="wiki_link_ext" href="http://www.h-pi.com/mp3/17ET.mp3" rel="nofollow"&gt;Two-Part Invention in 17ET&lt;/a&gt;&lt;/span&gt; by Aaron Andrew Hunt&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://azuma-asobi.com/Music/" rel="nofollow"&gt;Overture to A Midsummer Night's Dream&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://azuma-asobi.com/" rel="nofollow"&gt;Rick McGowan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://azuma-asobi.com/Music/" rel="nofollow"&gt;Fairy Lullaby from A Midsummer Night's Dream&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://azuma-asobi.com/" rel="nofollow"&gt;Rick McGowan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=5967982" rel="nofollow"&gt;A Calamitous Simultaneity&lt;/a&gt; by Iglashion Jones&lt;/li&gt;&lt;li&gt;A number of compositions from &lt;a class="wiki_link_ext" href="http://www.archive.org/details/seventeenTPP_01" rel="nofollow"&gt;seventeen-tone piano project phase I&lt;/a&gt;, &lt;a class="wiki_link" href="/SeventeenTPPPhaseTwo"&gt;seventeen-tone piano project phase II&lt;/a&gt;, &lt;a class="wiki_link" href="/SeventeenTPPPhaseThree"&gt;seventeen-tone piano project phase III&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/search.php?query=subject%3A%2217-edo%22" rel="nofollow"&gt;17edo&lt;/a&gt; - 17edo-tagged compositions on www.archive.org&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Charles Loli 17edo&lt;/a&gt; music for guitar heptadecatonic (2001) and armony inductive microtonaly (1993) -&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://microtonalismo.com/" rel="nofollow"&gt;microtonalismo&lt;/a&gt; Heptadecatonic Peruvian&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839072" rel="nofollow"&gt;sing a blue&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010). This and the other pieces below by Andrew for cümbüş, steel tubes &amp;amp; voice.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839073" rel="nofollow"&gt;stringfinger it everybean&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839069" rel="nofollow"&gt;cat feet belly&lt;/a&gt; by Andrew Heathwaite (composed 2008, recorded 2010).&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-c1117aea0d7479a1907922962588a201"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=a9N_T6LNDaE" rel="nofollow"&gt;17 Tone Jam&lt;/a&gt;&lt;/span&gt; by Marmalade Man&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/results?search_query=17edo&amp;amp;search=tag" rel="nofollow"&gt;youtube videos tagged with 17edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=784" rel="nofollow" target="_blank"&gt;On the Shores of the Dead Sea blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-58c0d564107bea8b718066b4a846e9a4"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=D39MVFhb0Ho" rel="nofollow"&gt;video of On the Shores of the Dead Sea&lt;/a&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=466" rel="nofollow" target="_blank"&gt;Only in Disneyland 17 blog&lt;/a&gt; edo guitar solo &lt;span class="ymp-btn-page-play ymp-media-ed57956200d2220e2dd400299c6c9d82"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110205-17et-disneyland.mp3" rel="nofollow"&gt;play Only in Disneyland&lt;/a&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=460" rel="nofollow" target="_blank"&gt;17 Reasons I Hate the Blues blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-b9bb77ee97249899bce1c2e34b7ca029"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3" rel="nofollow"&gt;play 17 Reasons I Hate the Blues&lt;/a&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=422" rel="nofollow" target="_blank"&gt;Klingon Opera Overture blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-1270ddd333612c93cd386aaa93b59aba"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110109-albino-17et.mp3" rel="nofollow"&gt;play Klingon Opera Overture&lt;/a&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=298" rel="nofollow" target="_blank"&gt;Seventeen Selfless Notes blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-835371d8b0e3022bd14b58e3c0a6175a"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/if20101028selfless.mp3" rel="nofollow"&gt;play Seventeen Selfless Notes&lt;/a&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=76" rel="nofollow" target="_blank"&gt;17ET Jazz blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-b4292082727ce51de4e72ce8e860e140"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/60x60-4001-1-ver2.mp3" rel="nofollow"&gt;play 17et Jazz&lt;/a&gt;&lt;/span&gt; by Chris Vaisvil (60 x 60 winner)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=742" rel="nofollow"&gt;17 Pink Tuxedos blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-20284c23c4ce5614c44285891a72b2b9"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110416-17_pink-tuxes.mp3" rel="nofollow"&gt;play 17 Pink Tuxedos&lt;/a&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=706" rel="nofollow"&gt;Devil in the Deep Blue Sea blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-2b49237889b140316b82293bc4e5743c"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110401-17-2-devil_in_the_deep_blue_sea.mp3" rel="nofollow"&gt;play Devil in the Deep Blue sea&lt;/a&gt;&lt;/span&gt; blues collaboration between The Two Regs (vocals / lyrics) and Norm Harris (percussion) and Chris Vaisvil (17 note per octave electric guitar and fretless bass).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=585" rel="nofollow"&gt;Seventeen Years in the Sixties blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-e59982cb3a388488ca0ccb733e7439e7"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110318-seventeen-years-in-the-sixties.mp3" rel="nofollow"&gt;play Seventeen Years in the Sixties&lt;/a&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=699" rel="nofollow" target="_blank"&gt;CT Scan blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-6c6c5ec192c22569d28c8dd09467c623"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=ZEEuytYwtbo" rel="nofollow"&gt;play video CT Scan&lt;/a&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=470" rel="nofollow"&gt;Fish and a Grenade blog&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-d882886a0b66279c7c3aa180aacb7339"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110208-17-a-fish-and-a-grenade.mp3" rel="nofollow"&gt;play Fish and a Grenade&lt;/a&gt;&lt;/span&gt; (parental advisory language) by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=550" rel="nofollow" target="_blank"&gt;Seventeen Unsteady Hands blog&lt;/a&gt;&lt;span class="ymp-btn-page-play ymp-media-0623ec5592a422ce10eddb210d094b60"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=rAKHCqBNhfc" rel="nofollow"&gt;play video of performance of Seventeen Unsteady Hands&lt;/a&gt;&lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=38" rel="nofollow"&gt;The Pond blog&lt;/a&gt; by Chris Vaisvil and &lt;span class="ymp-btn-page-play ymp-media-ad53e2e57d0cedd582013ae5cdd29164"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=25sC3_uheyA" rel="nofollow" target="_blank"&gt;video version of The Pond with Japanese Garden &lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-ad53e2e57d0cedd582013ae5cdd29164"&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=305" rel="nofollow" target="_blank"&gt;Graveyard blog&lt;/a&gt;&lt;/span&gt;&lt;span class="ymp-btn-page-play ymp-media-7a8cb8e49c18c67a2ea8b60d80c25b21"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/if20101028-graveyard.mp3" rel="nofollow"&gt;play Graveyard&lt;/a&gt; &lt;/span&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;span class="ymp-btn-page-play ymp-media-e13a9b281483c4b0a10ba321bb7cc2b4"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/17-ET/daily20110713_q49_17_brass_voice_choirs.mp3" rel="nofollow"&gt;For Brass and Voice Choirs in 17 edo&lt;/a&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/" rel="nofollow" target="_blank"&gt;Chris Vaisvil &lt;/a&gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1039" rel="nofollow" target="_blank"&gt;more on the composition&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:11:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="x17 tone equal temperament-Instruments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:11 --&gt;Instruments&lt;/h2&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:13:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc6"&gt;&lt;a name="x17 tone equal temperament-Instruments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:13 --&gt;Instruments&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;&lt;!-- ws:start:WikiTextHeadingRule:13:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc6"&gt;&lt;a name="x17 tone equal temperament-Instruments--Guitar Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:13 --&gt;&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Guitar Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani&lt;/a&gt;&lt;/strong&gt;&lt;/h4&gt;
  &lt;ul&gt;&lt;li&gt;&lt;!-- ws:start:WikiTextHeadingRule:15:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc7"&gt;&lt;a name="x17 tone equal temperament-Instruments--Guitar Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:15 --&gt;&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Guitar Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani&lt;/a&gt;&lt;/strong&gt;&lt;/h4&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:15:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc7"&gt;&lt;!-- ws:end:WikiTextHeadingRule:15 --&gt;&lt;!-- ws:start:WikiTextRemoteImageRule:308:&amp;lt;img src=&amp;quot;http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs883.snc4/71639_167001659983806_100000219181856_601995_1526184_n.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 249px; width: 706px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs883.snc4/71639_167001659983806_100000219181856_601995_1526184_n.jpg" alt="external image 71639_167001659983806_100000219181856_601995_1526184_n.jpg" title="external image 71639_167001659983806_100000219181856_601995_1526184_n.jpg" style="height: 249px; width: 706px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:308 --&gt;&lt;/h4&gt;
&lt;!-- ws:start:WikiTextHeadingRule:17:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc8"&gt;&lt;!-- ws:end:WikiTextHeadingRule:17 --&gt;&lt;!-- ws:start:WikiTextRemoteImageRule:464:&amp;lt;img src=&amp;quot;http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs883.snc4/71639_167001659983806_100000219181856_601995_1526184_n.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 249px; width: 706px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs883.snc4/71639_167001659983806_100000219181856_601995_1526184_n.jpg" alt="external image 71639_167001659983806_100000219181856_601995_1526184_n.jpg" title="external image 71639_167001659983806_100000219181856_601995_1526184_n.jpg" style="height: 249px; width: 706px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:464 --&gt;&lt;/h4&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;!-- ws:start:WikiTextHeadingRule:17:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc8"&gt;&lt;a name="x17 tone equal temperament-Instruments--Bass Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:17 --&gt;&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Bass Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani&lt;/a&gt;&lt;/strong&gt;&lt;/h4&gt;
&lt;ul&gt;&lt;li&gt;&lt;!-- ws:start:WikiTextHeadingRule:19:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc9"&gt;&lt;a name="x17 tone equal temperament-Instruments--Bass Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:19 --&gt;&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://www.microtonalismo.com/proyecto-xvii" rel="nofollow"&gt;Bass Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani&lt;/a&gt;&lt;/strong&gt;&lt;/h4&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:19:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc9"&gt;&lt;!-- ws:end:WikiTextHeadingRule:19 --&gt;&lt;!-- ws:start:WikiTextRemoteImageRule:309:&amp;lt;img src=&amp;quot;http://sphotos.ak.fbcdn.net/hphotos-ak-ash2/hs382.ash2/66019_167001006650538_100000219181856_601987_48585_n.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 256px; width: 689px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://sphotos.ak.fbcdn.net/hphotos-ak-ash2/hs382.ash2/66019_167001006650538_100000219181856_601987_48585_n.jpg" alt="external image 66019_167001006650538_100000219181856_601987_48585_n.jpg" title="external image 66019_167001006650538_100000219181856_601987_48585_n.jpg" style="height: 256px; width: 689px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:309 --&gt;&lt;/h4&gt;
&lt;!-- ws:start:WikiTextHeadingRule:21:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc10"&gt;&lt;!-- ws:end:WikiTextHeadingRule:21 --&gt;&lt;!-- ws:start:WikiTextRemoteImageRule:465:&amp;lt;img src=&amp;quot;http://sphotos.ak.fbcdn.net/hphotos-ak-ash2/hs382.ash2/66019_167001006650538_100000219181856_601987_48585_n.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 256px; width: 689px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://sphotos.ak.fbcdn.net/hphotos-ak-ash2/hs382.ash2/66019_167001006650538_100000219181856_601987_48585_n.jpg" alt="external image 66019_167001006650538_100000219181856_601987_48585_n.jpg" title="external image 66019_167001006650538_100000219181856_601987_48585_n.jpg" style="height: 256px; width: 689px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:465 --&gt;&lt;/h4&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=436" rel="nofollow" target="_blank"&gt;17 note per octave conversion from a &amp;quot;standard&amp;quot; stratocastor copy&lt;/a&gt; - conversion by Brad Smith&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=436" rel="nofollow" target="_blank"&gt;17 note per octave conversion from a &amp;quot;standard&amp;quot; stratocastor copy&lt;/a&gt; - conversion by Brad Smith&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:307:&amp;lt;img src=&amp;quot;/file/view/17P1050829r.JPG/199154192/17P1050829r.JPG&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/17P1050829r.JPG/199154192/17P1050829r.JPG" alt="17P1050829r.JPG" title="17P1050829r.JPG" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:307 --&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
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