User:Aura: Difference between revisions

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<u>What was your path to discovering alternate tunings?</u>

I found microtuning while delving into the harmonic series, and I developed a particular fascination with the eleventh harmonic. So much so, that in 2014, I wrote the first version of my first microtonal piece in 24-EDO, "Folly of a Drunk", under the working title "Folly". Notably, the first version of this piece featured a modulation from a microtonality-enhanced version of key of A- alternating between Major and Minor- to a microtonality-enhanced version of the key of G-Demisharp Minor, all by use of chords built on 24-EDO's versions of both the eleventh harmonic and the eleventh subharmonic.

~~(I'll be happy to share this piece in the future once everything's in place, as I only just recently finalized the 24-EDO version~~. ~~Trust me, this little ragtime-esque song is an earworm, and yes, it still has the aforementioned modulation, albeit with improvements...)~~

[[File:Folly of a Drunk.mp3|thumb|none|Folly of a Drunk]]

<u>What are your current/past/future particular interests?</u>

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[[User:Aura/Aura's EDO Impressions|Aura's EDO Impressions]]

The song that started

An experimental piece called "Anticipation", which I wrote in 24edo that runs through 1edo, 2edo, 3edo, 4edo, 6edo and 8edo- though not in that order- before going to quartertone-enhanced traditional tonality in 24edo itself.

[[File:Anticipation.mp3]]

[[File:Anticipation.mp3|thumb|none|Anticipation]]

A pair of weird and creepy microtonal songs that are the remnants of my participation in the music composition for a videogame- don't worry, I still own the rights to these songs since I asked to have them back when my work relationship with the budding company fell through. If I recall correctly, both were written in an approximation of 94edo~~. The first one is called "Deadlands", and the second is called "The Forgotten"~~.

A pair of weird and creepy microtonal songs that are the remnants of my participation in the music composition for a videogame- don't worry, I still own the rights to these songs since I asked to have them back when my work relationship with the budding company fell through. If I recall correctly, both were written in an approximation of 94edo.

[[File:Deadlands.mp3]]

[[File:Deadlands.mp3|thumb|none|Deadlands]]

[[File:The_Forgotten.mp3]]

[[File:The_Forgotten.mp3|thumb|none|The Forgotten]]

@@ Line 5: / Line 5: @@
 <u>What was your path to discovering alternate tunings?</u>
 I found microtuning while delving into the harmonic series, and I developed a particular fascination with the eleventh harmonic.  So much so, that in 2014, I wrote the first version of my first microtonal piece in 24-EDO, "Folly of a Drunk", under the working title "Folly".  Notably, the first version of this piece featured a modulation from a microtonality-enhanced version of key of A- alternating between Major and Minor- to a microtonality-enhanced version of the key of G-Demisharp Minor, all by use of chords built on 24-EDO's versions of both the eleventh harmonic and the eleventh subharmonic.
-(I'll be happy to share this piece in the future once everything's in place, as I only just recently finalized the 24-EDO version. Trust me, this little ragtime-esque song is an earworm, and yes, it still has the aforementioned modulation, albeit with improvements...)
+[[File:Folly of a Drunk.mp3|thumb|none|Folly of a Drunk]]
 <u>What are your current/past/future particular interests?</u>
@@ Line 28: / Line 28: @@
 [[User:Aura/Aura's EDO Impressions|Aura's EDO Impressions]]
+The song that started
 An experimental piece called "Anticipation", which I wrote in 24edo that runs through 1edo, 2edo, 3edo, 4edo, 6edo and 8edo- though not in that order- before going to quartertone-enhanced traditional tonality in 24edo itself.
-[[File:Anticipation.mp3]]
+[[File:Anticipation.mp3|thumb|none|Anticipation]]
-A pair of weird and creepy microtonal songs that are the remnants of my participation in the music composition for a videogame- don't worry, I still own the rights to these songs since I asked to have them back when my work relationship with the budding company fell through.  If I recall correctly, both were written in an approximation of 94edo.  The first one is called "Deadlands", and the second is called "The Forgotten".
+A pair of weird and creepy microtonal songs that are the remnants of my participation in the music composition for a videogame- don't worry, I still own the rights to these songs since I asked to have them back when my work relationship with the budding company fell through.  If I recall correctly, both were written in an approximation of 94edo.
-[[File:Deadlands.mp3]]
+[[File:Deadlands.mp3|thumb|none|Deadlands]]
-[[File:The_Forgotten.mp3]]
+[[File:The_Forgotten.mp3|thumb|none|The Forgotten]]