User:CritDeathX/Sam's Idea Of Consonance: Difference between revisions
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Thus, by these rules, it cannot line up if it results in any other harmonic/interval. | Thus, by these rules, it cannot line up if it results in any other harmonic/interval. | ||
== | == Linear Tones == | ||
I'll show an example of what I mean using 4:5:6. | I'll show an example of what I mean using 4:5:6. | ||
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''etc...'' | ''etc...'' | ||
An interesting thing to note is that after the 5-note chord, the amount of times that the tones line up rises linearly by 2x. | An interesting thing to note is that after the 5-note chord, the amount of times that the linear tones line up rises linearly by 2x. | ||
To show an example of this method with the added reference, I'll show how 9:11:13 works here. | To show an example of this method with the added reference, I'll show how 9:11:13 works here. | ||
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== Harmonal Limits == | == Harmonal Limits == | ||
This is a term that I'm coining to describe certain patterns or outliers within a series of chords or a scale(s) based off of their | This is a term that I'm coining to describe certain patterns or outliers within a series of chords or a scale(s) based off of their linear tones. | ||
For example, here's [[:File:Erv Wilson's Fibonnaci Progression.png|an example progression using a Fibonnaci sequence from Erv Wilson's letter to McLaren]]. We can look at the tones of these chords and see whether we can notice anything interesting: | For example, here's [[:File:Erv Wilson's Fibonnaci Progression.png|an example progression using a Fibonnaci sequence from Erv Wilson's letter to McLaren]]. We can look at the linear tones of these chords and see whether we can notice anything interesting: | ||
{| class="wikitable" | {| class="wikitable" | ||
!1st chord | !1st chord | ||