11edo: Difference between revisions

Wikispaces>vaisvil
**Imported revision 229421938 - Original comment: **
Wikispaces>genewardsmith
**Imported revision 232644840 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:vaisvil|vaisvil]] and made on <tt>2011-05-17 20:19:52 UTC</tt>.<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-05-28 22:21:53 UTC</tt>.<br>
: The original revision id was <tt>229421938</tt>.<br>
: The original revision id was <tt>232644840</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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=Subgroup=  
=Subgroup=  
11edo provides the same tuning on the 2.9.15.7.11 subgroup as 22edo, and on this subgroup it tempers out the same commas as 22. Also on this subgroup there is an approximation of the 8:9:11:14:15:16 chord and its subchords. Though the error is rather large, this does provide 11 with a variety of chords approximating JI chords.
11edo provides the same tuning on the [[k*N subgroups|2*11 subgroup]] 2.9.15.7.11 as does 22edo, and on this subgroup it tempers out the same commas as 22. Also on this subgroup there is an approximation of the 8:9:11:14:15:16 chord and its subchords. Though the error is rather large, this does provide 11 with a variety of chords approximating JI chords.


=Intervals=  
=Intervals=  
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&lt;ul&gt;&lt;li&gt;The &amp;quot;minor second,&amp;quot; at 109.09 cents, functions melodically and harmonically very much like the 100-cent minor second of 12edo.&lt;/li&gt;&lt;li&gt;The &amp;quot;major second,&amp;quot; at 218.18 cents, works in a similar fashion to the 200-cent major second of 12edo, but as a major ninth, it may sound less harmonious. Its inversion, at 981.82 cents, can function as a &amp;quot;bluesy&amp;quot; seventh relative to 12edo's 1000-cent interval, although it is still about 13 cents away from 7/4.&lt;/li&gt;&lt;li&gt;The &amp;quot;minor third,&amp;quot; at 327.27 cents, is rather sharp and encroaching upon &amp;quot;neutral third.&amp;quot;&lt;/li&gt;&lt;li&gt;The &amp;quot;major third,&amp;quot; at 436.36 cents, is quite sharp, and closer to the supermajor third of frequency ratio 9/7 than the simpler third of 5/4.&lt;/li&gt;&lt;li&gt;The &amp;quot;perfect fourth,&amp;quot; at 545.45 cents, does not sound like a perfect fourth at all, and passes more easily as the 11/8 superfourth than the simpler perfect fourth of 4/3.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;The &amp;quot;minor second,&amp;quot; at 109.09 cents, functions melodically and harmonically very much like the 100-cent minor second of 12edo.&lt;/li&gt;&lt;li&gt;The &amp;quot;major second,&amp;quot; at 218.18 cents, works in a similar fashion to the 200-cent major second of 12edo, but as a major ninth, it may sound less harmonious. Its inversion, at 981.82 cents, can function as a &amp;quot;bluesy&amp;quot; seventh relative to 12edo's 1000-cent interval, although it is still about 13 cents away from 7/4.&lt;/li&gt;&lt;li&gt;The &amp;quot;minor third,&amp;quot; at 327.27 cents, is rather sharp and encroaching upon &amp;quot;neutral third.&amp;quot;&lt;/li&gt;&lt;li&gt;The &amp;quot;major third,&amp;quot; at 436.36 cents, is quite sharp, and closer to the supermajor third of frequency ratio 9/7 than the simpler third of 5/4.&lt;/li&gt;&lt;li&gt;The &amp;quot;perfect fourth,&amp;quot; at 545.45 cents, does not sound like a perfect fourth at all, and passes more easily as the 11/8 superfourth than the simpler perfect fourth of 4/3.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:5:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc2"&gt;&lt;a name="Subgroup"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:5 --&gt;Subgroup&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:5:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc2"&gt;&lt;a name="Subgroup"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:5 --&gt;Subgroup&lt;/h1&gt;
  11edo provides the same tuning on the 2.9.15.7.11 subgroup as 22edo, and on this subgroup it tempers out the same commas as 22. Also on this subgroup there is an approximation of the 8:9:11:14:15:16 chord and its subchords. Though the error is rather large, this does provide 11 with a variety of chords approximating JI chords.&lt;br /&gt;
  11edo provides the same tuning on the &lt;a class="wiki_link" href="/k%2AN%20subgroups"&gt;2*11 subgroup&lt;/a&gt; 2.9.15.7.11 as does 22edo, and on this subgroup it tempers out the same commas as 22. Also on this subgroup there is an approximation of the 8:9:11:14:15:16 chord and its subchords. Though the error is rather large, this does provide 11 with a variety of chords approximating JI chords.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:7:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc3"&gt;&lt;a name="Intervals"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:7 --&gt;Intervals&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:7:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc3"&gt;&lt;a name="Intervals"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:7 --&gt;Intervals&lt;/h1&gt;