Primer for 19edo: Difference between revisions
No edit summary |
No edit summary |
||
| Line 1: | Line 1: | ||
== Background == | == Background == | ||
19edo can be an easy tuning for those with a little music theory background, but no xenharmonic experience. Standard notation can be used (just be vigilant with spelling and watch enharmonic equivalents), and there are only 7 more notes than 12edo (making it the edo with the fewest notes more than 12 where standard notation can be used). | [[19edo]] can be an easy tuning for those with a little music theory background, but no xenharmonic experience. Standard notation can be used (just be vigilant with spelling and watch enharmonic equivalents), and there are only 7 more notes than 12edo (making it the edo with the fewest notes more than 12 where standard notation can be used). | ||
== Notation == | == Notation == | ||
| Line 191: | Line 191: | ||
The two examples above could not be spelled out in 12edo with distinct notes as they can in 19edo. | The two examples above could not be spelled out in 12edo with distinct notes as they can in 19edo. | ||
== Chords == | |||
Just like how the most basic scales can be easily ported from 12edo into 19edo without too much thought about notation, the same applies for chords. | |||
C major chord is spelled C E G (letters) or 1 3 5 (degrees), in either 12edo or 19edo. C minor chord is spelled C Eb G or 1 b3 5. But again, some new chords are possible in 19edo that would be problematic in 12edo, because 19edo has some new intervals. | |||
The strongest example of this is the third. In 12edo, there are major thirds and minor thirds. A diminished third sounds exactly the same as a suspended second in 12edo, so that sort of chord is never going to define its own sound. But in 19edo, you can play a diminished third chord 1 bb3 5. You can also use augmented thirds in 19edo. | |||