Talk:Mason Green's New Common Practice Notation: Difference between revisions
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Everything else you said I agree with :) By the way, "2 3 and 6 7... come in a wide variety of tonal flavours," these are called imperfect degrees, 1, 4 & 5 are perfect degrees. --[[User:TallKite|TallKite]] ([[User talk:TallKite|talk]]) 02:17, 25 April 2019 (UTC) | Everything else you said I agree with :) By the way, "2 3 and 6 7... come in a wide variety of tonal flavours," these are called imperfect degrees, 1, 4 & 5 are perfect degrees. --[[User:TallKite|TallKite]] ([[User talk:TallKite|talk]]) 02:17, 25 April 2019 (UTC) | ||
2) If you say so. With all due respect, though, I'm not convinced from a fundamental level, though. First off, I and 1 are not the same exact thing, but maybe I'm splitting hairs. I is a chord and 1 is a note. The 1 note refers to the start of the scale and the I chord is the tonic chord based off of the root of the key... I don't see how an accidental can be placed on the root note of the scale in purely general terms where the context of 1 2 3 degrees would be used. Secondly, the Verse of "Shine On You Crazy Diamond" is Gm F# Bb, no? The chorus is Gm/F# Gm/F... neither are what I would ever notate as Im bI Im, more like i #VII iii... or i i/maj7 i/m7... but maybe I misunderstood. At any rate, some sort of change going Im bI Im would be more clearly notated as Im #VII Im, no (I know there are different schools for roman numeral notation)? Since, for example, the harmonic minor scale is notated with a major seventh degree. It really doesn't make any sense to me, from any context I can imagine, where a song (standard non xen tuning) in C minor has a C flat in it, rather than a B natural. And 19-edo is a tuning that fits very well within the context of diatonic scales and harmonic minor scales and such. There are lots of differing schools of thought, though. But, some of my theory professors at uni would cringe anytime someone would use an accidental in any sort of unclear way, like writing bI or #I instead of VII or bII. Maybe those people are wrong. And I never heard of augmented unison outside of the online microtuning groups. I explained why I don't like it. My word on it is, by no means, authoritative. | |||
3) Why not use W and H? Just about everyone knows that notation. I did use those to work toward explaining L and S, anyway. | |||
4) My mistake. EDO steps is much clearer. | |||
Bozu. | |||