15edo/Interval names: Difference between revisions

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|P1
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|1/1
|1/1
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|m2
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|25/24, 21/20, 16/15
|25/24, 21/20, 16/15
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|NM2 (Narrow M2)
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|11/10, 12/11, 10/9
|11/10, 12/11, 10/9
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|LM2
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|8/7, 7/6, 9/8
|8/7, 7/6, 9/8
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|Lm3
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|6/5, 11/9
|6/5, 11/9
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|M3
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|5/4, 14/11
|5/4, 14/11
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|S4 (Small 4)
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|4/3, 9/7, 21/16
|4/3, 9/7, 21/16
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|Na4/Sd5
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|11/8, 7/5
|11/8, 7/5
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|La4/Wd5
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|16/11, 10/7
|16/11, 10/7
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|L5
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|3/2, 14/9, 32/21
|3/2, 14/9, 32/21
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|m6
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|8/5, 11/7
|8/5, 11/7
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|SM6
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|5/3, 18/11
|5/3, 18/11
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|SM7
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|7/4, 12/7, 16/9
|7/4, 12/7, 16/9
Line 146: Line 146:
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|Wm7
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|20/11, 11/6, 9/5
|20/11, 11/6, 9/5
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|M7
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|48/25, 40/21, 15/8
|48/25, 40/21, 15/8
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|P8
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|2/1
|2/1
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Revision as of 04:56, 27 September 2018

Degree Cents Ig's Input Keenan Category Kite's Colours SagiSpeak Aaron Andrew's Answer Margo's Method Represented Ratios
0 0 Unison P1 P1 1/1
1 80 Subminor 2nd m2 m2 25/24, 21/20, 16/15
2 160 Neutral 2nd M2 NM2 (Narrow M2) 11/10, 12/11, 10/9
3 240 Supermajor 2nd A2/D3 LM2 8/7, 7/6, 9/8
4 320 Minor 3rd m3 Lm3 6/5, 11/9
5 400 Major 3rd M3 M3 5/4, 14/11
6 480 Perfect / Sub 4th P4 S4 (Small 4) 4/3, 9/7, 21/16
7 560 Narrow Tritone A4 Na4/Sd5 11/8, 7/5
8 640 Wide Tritone d5 La4/Wd5 16/11, 10/7
9 720 Perfect / Super 5th P5 L5 3/2, 14/9, 32/21
10 800 Minor 6th m6 m6 8/5, 11/7
11 880 Major 6th M6 SM6 5/3, 18/11
12 960 Subminor 7th A6/d7 SM7 7/4, 12/7, 16/9
13 1040 Neutral 7th m7 Wm7 20/11, 11/6, 9/5
14 1120 Supermajor 7th M7 M7 48/25, 40/21, 15/8
15 1200 Octave P8 P8 2/1