Kite's ups and downs notation: Difference between revisions
Wikispaces>TallKite **Imported revision 570453997 - Original comment: ** |
Wikispaces>TallKite **Imported revision 570454777 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2015-12-18 | : This revision was by author [[User:TallKite|TallKite]] and made on <tt>2015-12-18 05:13:07 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>570454777</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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0-7-13-18 is "C7(v3)", "C seven, down third". The altered note or notes are in parentheses. | 0-7-13-18 is "C7(v3)", "C seven, down third". The altered note or notes are in parentheses. | ||
0-8-13-21 on C is "CM7", "C major seven". | 0-8-13-21 on C is "CM7", "C major seven". | ||
0-7-13-20 on C is "C.vM7", "C downmajor seven". The down symbol affects both the 3rd and the 7th. | 0-7-13-20 on C is "C.vM7", "C downmajor seven". The down symbol affects both the 3rd and the 7th. | ||
0-8-13-21 on Cv is "Cv.M7", "C down, major seven", so one has to pronounce the period. | 0-8-13-21 on Cv is "Cv.M7", "C down, major seven", so one has to pronounce the period. | ||
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0-3-9 = sus2 | 0-3-9 = sus2 | ||
0-4-9 = m | 0-4-9 = m | ||
0-5-9 = M | 0-5-9 = M (in practice, no symbol, as in "C" for the C chord) | ||
0-5-10 = aug (the conventional aug chord) | 0-5-10 = aug (the conventional aug chord) | ||
0-6-9 = A3 (aug 3rd, perfect 5th) | 0-6-9 = (A3) (aug 3rd, perfect 5th) | ||
0-7-9 = sus4 | 0-7-9 = sus4 | ||
0-4-8-12 = dim7 (the conventional dim tetrad) | 0-4-8-12 = dim7 (the conventional dim tetrad) | ||
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chord components: P1 d2 m2 M2 d3 m3 M3 A3 P4 A4 d5 P5 d6 m6 M6 d7 m7 M7 A7 | chord components: P1 d2 m2 M2 d3 m3 M3 A3 P4 A4 d5 P5 d6 m6 M6 d7 m7 M7 A7 | ||
chord roots: I v#I/bII #I/vII II bIII vIII III IV ^IV/bV #IV/vV V #V/bVI vVI VI bVII vVII VII | chord roots: I v#I/bII #I/vII II bIII vIII III IV ^IV/bV #IV/vV V #V/bVI vVI VI bVII vVII VII | ||
0-4-11 = d3 (dim 3rd, perfect 5th) | 0-4-11 = (d3) (dim 3rd, perfect 5th) | ||
0-4-10 = dim(d3) | 0-4-10 = dim(d3) | ||
0-5-11 = m | 0-5-11 = m | ||
0-5-10 = dim | 0-5-10 = dim (conventional dim chord) | ||
0-6-11 = M | 0-6-11 = M | ||
0-7-11 = A3 (aug 3rd, perfect 5th) | 0-7-11 = (A3) (aug 3rd, perfect 5th) | ||
0-6-12 = aug | 0-6-12 = aug (conventional aug chord) | ||
0-7-12 = | 0-7-12 = aug(A3) | ||
0-8-11 = sus4 | 0-8-11 = sus4 | ||
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0-3-12 = sus2 | 0-3-12 = sus2 | ||
0-4-12 = vv or sus^2 | 0-4-12 = vv or sus^2 | ||
0-5-12 = v (a down chord, e.g. C | 0-5-12 = v (a down chord, e.g. C.v = "C dot down") | ||
0-6-12 = ~ (e.g. D | 0-6-12 = ~ (a mid chord, e.g. D.~ = "D dot mid") | ||
0-7-12 = ^ (e.g. | 0-7-12 = ^ (an up chord, e.g. E.^ = "E dot up") | ||
0-8-12 = ^^ or susv4 | 0-8-12 = ^^ or susv4 | ||
0-9-12 = sus4 | 0-9-12 = sus4 | ||
0-6-11 = ~ | 0-6-11 = ~(v5) | ||
0-6-12-18 = 7 | |||
0-7-12-18 = 7(^3) | |||
0-7-12-19 = ^7 | 0-7-12-19 = ^7 | ||
0-7-12- | 0-7-12-17 = ^(v7) | ||
0-7-12- | 0-6-12-15 = 6 | ||
0-7-12-15 = 6(^3) | |||
0-7-12-16 = ^6 | 0-7-12-16 = ^6 | ||
0-7-12-14 = ^(v6) | |||
0-7-12-14 = ^ | |||
24edo: D * * * E * F * * * G * * * A * * * B * C * * * D, 2 keys per #/b. | 24edo: D * * * E * F * * * G * * * A * * * B * C * * * D, 2 keys per #/b. | ||
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0-5-14 = vm | 0-5-14 = vm | ||
0-6-14 = m | 0-6-14 = m | ||
0-7-14 = ^m or vM | 0-7-14 = ^m or vM or ~ | ||
0-8-14 = M | 0-8-14 = M | ||
0-9-14 = ^M | 0-9-14 = ^M | ||
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0-7-18 = vm | 0-7-18 = vm | ||
0-8-18 = m | 0-8-18 = m | ||
0-9-18 = ^m or vM | 0-9-18 = ^m or vM or ~ | ||
0-10-18 = M | 0-10-18 = M | ||
0-11-18 = ^M | 0-11-18 = ^M | ||
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Besides the trivial EDOs, 1, 2, 3, 4 and 6, which can be notated with standard notation as a subset of 12-EDO, there are five EDO categories, based on the size of the fifth: | Besides the trivial EDOs, 1, 2, 3, 4 and 6, which can be notated with standard notation as a subset of 12-EDO, there are five EDO categories, based on the size of the fifth: | ||
"Fifth-less" EDOs (8, 11, 13 and 18) | "Fifth-less" EDOs (8, 11, 13 and 18) | ||
Fourthward EDOs (9, 16 and 23) | "Fourthward" EDOs (9, 16 and 23) | ||
"Perfect" EDOs (7, 14, 21, 28 and 35) | "Perfect" EDOs (7, 14, 21, 28 and 35) | ||
Pentatonic EDOs (5, 10, 15, 20, 25 and 30) | "Pentatonic" EDOs (5, 10, 15, 20, 25 and 30) | ||
"Sweet" EDOs (all others) | "Sweet" EDOs (all others) | ||
The first two categories never use ups and downs, the next two always do (except for 5edo and 7edo). The sweet EDOs may or may not. | The first two categories never use ups and downs, the next two always do (except for 5edo and 7edo). The sweet EDOs may or may not. | ||
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All pentatonic EDOs use the usual chain of fifths: m2 - m6 - m3 - m7 - P4 - P1 - P5 - M2 - M6 - M3 - M7 etc. | All pentatonic EDOs use the usual chain of fifths: m2 - m6 - m3 - m7 - P4 - P1 - P5 - M2 - M6 - M3 - M7 etc. | ||
Fb - Cb - Gb - Db - Ab - Eb - Bb - F - C - G - D - A - E - B - F# - C# - G# - D# - A# - E# - B# etc. | Fb - Cb - Gb - Db - Ab - Eb - Bb - F - C - G - D - A - E - B - F# - C# - G# - D# - A# - E# - B# etc. | ||
In all pentatonic EDOs, the minor 2nd = unison and the major 3rd = perfect fourth. | In all pentatonic EDOs, the minor 2nd = the unison and the major 3rd = the perfect fourth. | ||
**__5edo__:** C/Db C#/D | **__5edo__:** C/Db C#/D | ||
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0-7-13-18 is &quot;C7(v3)&quot;, &quot;C seven, down third&quot;. The altered note or notes are in parentheses.<br /> | 0-7-13-18 is &quot;C7(v3)&quot;, &quot;C seven, down third&quot;. The altered note or notes are in parentheses.<br /> | ||
<br /> | <br /> | ||
0-8-13-21 on C is &quot;CM7&quot;, &quot;C major seven&quot;. <br /> | 0-8-13-21 on C is &quot;CM7&quot;, &quot;C major seven&quot;.<br /> | ||
0-7-13-20 on C is &quot;C.vM7&quot;, &quot;C downmajor seven&quot;. The down symbol affects both the 3rd and the 7th.<br /> | 0-7-13-20 on C is &quot;C.vM7&quot;, &quot;C downmajor seven&quot;. The down symbol affects both the 3rd and the 7th.<br /> | ||
0-8-13-21 on Cv is &quot;Cv.M7&quot;, &quot;C down, major seven&quot;, so one has to pronounce the period.<br /> | 0-8-13-21 on Cv is &quot;Cv.M7&quot;, &quot;C down, major seven&quot;, so one has to pronounce the period.<br /> | ||
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0-3-9 = sus2<br /> | 0-3-9 = sus2<br /> | ||
0-4-9 = m<br /> | 0-4-9 = m<br /> | ||
0-5-9 = M<br /> | 0-5-9 = M (in practice, no symbol, as in &quot;C&quot; for the C chord)<br /> | ||
0-5-10 = aug (the conventional aug chord)<br /> | 0-5-10 = aug (the conventional aug chord)<br /> | ||
0-6-9 = A3 (aug 3rd, perfect 5th)<br /> | 0-6-9 = (A3) (aug 3rd, perfect 5th)<br /> | ||
0-7-9 = sus4<br /> | 0-7-9 = sus4<br /> | ||
0-4-8-12 = dim7 (the conventional dim tetrad)<br /> | 0-4-8-12 = dim7 (the conventional dim tetrad)<br /> | ||
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chord components: P1 d2 m2 M2 d3 m3 M3 A3 P4 A4 d5 P5 d6 m6 M6 d7 m7 M7 A7<br /> | chord components: P1 d2 m2 M2 d3 m3 M3 A3 P4 A4 d5 P5 d6 m6 M6 d7 m7 M7 A7<br /> | ||
chord roots: I v#I/bII #I/vII II bIII vIII III IV ^IV/bV #IV/vV V #V/bVI vVI VI bVII vVII VII<br /> | chord roots: I v#I/bII #I/vII II bIII vIII III IV ^IV/bV #IV/vV V #V/bVI vVI VI bVII vVII VII<br /> | ||
0-4-11 = d3 (dim 3rd, perfect 5th)<br /> | 0-4-11 = (d3) (dim 3rd, perfect 5th)<br /> | ||
0-4-10 = dim(d3)<br /> | 0-4-10 = dim(d3)<br /> | ||
0-5-11 = m<br /> | 0-5-11 = m<br /> | ||
0-5-10 = dim | 0-5-10 = dim (conventional dim chord)<br /> | ||
0-6-11 = M<br /> | 0-6-11 = M<br /> | ||
0-7-11 = A3 (aug 3rd, perfect 5th)<br /> | 0-7-11 = (A3) (aug 3rd, perfect 5th)<br /> | ||
0-6-12 = aug | 0-6-12 = aug (conventional aug chord)<br /> | ||
0-7-12 = | 0-7-12 = aug(A3)<br /> | ||
0-8-11 = sus4<br /> | 0-8-11 = sus4<br /> | ||
<br /> | <br /> | ||
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0-3-12 = sus2<br /> | 0-3-12 = sus2<br /> | ||
0-4-12 = vv or sus^2<br /> | 0-4-12 = vv or sus^2<br /> | ||
0-5-12 = v (a down chord, e.g. C | 0-5-12 = v (a down chord, e.g. C.v = &quot;C dot down&quot;)<br /> | ||
0-6-12 = ~ (e.g. D | 0-6-12 = ~ (a mid chord, e.g. D.~ = &quot;D dot mid&quot;)<br /> | ||
0-7-12 = ^ (e.g. | 0-7-12 = ^ (an up chord, e.g. E.^ = &quot;E dot up&quot;)<br /> | ||
0-8-12 = ^^ or susv4<br /> | 0-8-12 = ^^ or susv4<br /> | ||
0-9-12 = sus4<br /> | 0-9-12 = sus4<br /> | ||
0-6-11 = ~ | 0-6-11 = ~(v5)<br /> | ||
<br /> | <br /> | ||
0-6-12-18 = 7<br /> | |||
0-7-12-18 = 7(^3)<br /> | |||
0-7-12-19 = ^7<br /> | 0-7-12-19 = ^7<br /> | ||
0-7-12- | 0-7-12-17 = ^(v7)<br /> | ||
0-7-12- | 0-6-12-15 = 6<br /> | ||
0-7-12-15 = 6(^3)<br /> | |||
0-7-12-16 = ^6<br /> | 0-7-12-16 = ^6<br /> | ||
0-7-12-14 = ^(v6)<br /> | |||
0-7-12-14 = ^ | |||
<br /> | <br /> | ||
24edo: D * * * E * F * * * G * * * A * * * B * C * * * D, 2 keys per #/b.<br /> | 24edo: D * * * E * F * * * G * * * A * * * B * C * * * D, 2 keys per #/b.<br /> | ||
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0-5-14 = vm<br /> | 0-5-14 = vm<br /> | ||
0-6-14 = m<br /> | 0-6-14 = m<br /> | ||
0-7-14 = ^m or vM<br /> | 0-7-14 = ^m or vM or ~<br /> | ||
0-8-14 = M<br /> | 0-8-14 = M<br /> | ||
0-9-14 = ^M<br /> | 0-9-14 = ^M<br /> | ||
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0-7-18 = vm<br /> | 0-7-18 = vm<br /> | ||
0-8-18 = m<br /> | 0-8-18 = m<br /> | ||
0-9-18 = ^m or vM<br /> | 0-9-18 = ^m or vM or ~<br /> | ||
0-10-18 = M<br /> | 0-10-18 = M<br /> | ||
0-11-18 = ^M<br /> | 0-11-18 = ^M<br /> | ||
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Besides the trivial EDOs, 1, 2, 3, 4 and 6, which can be notated with standard notation as a subset of 12-EDO, there are five EDO categories, based on the size of the fifth:<br /> | Besides the trivial EDOs, 1, 2, 3, 4 and 6, which can be notated with standard notation as a subset of 12-EDO, there are five EDO categories, based on the size of the fifth:<br /> | ||
&quot;Fifth-less&quot; EDOs (8, 11, 13 and 18)<br /> | &quot;Fifth-less&quot; EDOs (8, 11, 13 and 18)<br /> | ||
Fourthward EDOs (9, 16 and 23)<br /> | &quot;Fourthward&quot; EDOs (9, 16 and 23)<br /> | ||
&quot;Perfect&quot; EDOs (7, 14, 21, 28 and 35)<br /> | &quot;Perfect&quot; EDOs (7, 14, 21, 28 and 35)<br /> | ||
Pentatonic EDOs (5, 10, 15, 20, 25 and 30)<br /> | &quot;Pentatonic&quot; EDOs (5, 10, 15, 20, 25 and 30)<br /> | ||
&quot;Sweet&quot; EDOs (all others)<br /> | &quot;Sweet&quot; EDOs (all others)<br /> | ||
The first two categories never use ups and downs, the next two always do (except for 5edo and 7edo). The sweet EDOs may or may not.<br /> | The first two categories never use ups and downs, the next two always do (except for 5edo and 7edo). The sweet EDOs may or may not.<br /> | ||
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All pentatonic EDOs use the usual chain of fifths: m2 - m6 - m3 - m7 - P4 - P1 - P5 - M2 - M6 - M3 - M7 etc.<br /> | All pentatonic EDOs use the usual chain of fifths: m2 - m6 - m3 - m7 - P4 - P1 - P5 - M2 - M6 - M3 - M7 etc.<br /> | ||
Fb - Cb - Gb - Db - Ab - Eb - Bb - F - C - G - D - A - E - B - F# - C# - G# - D# - A# - E# - B# etc.<br /> | Fb - Cb - Gb - Db - Ab - Eb - Bb - F - C - G - D - A - E - B - F# - C# - G# - D# - A# - E# - B# etc.<br /> | ||
In all pentatonic EDOs, the minor 2nd = unison and the major 3rd = perfect fourth.<br /> | In all pentatonic EDOs, the minor 2nd = the unison and the major 3rd = the perfect fourth.<br /> | ||
<br /> | <br /> | ||
<strong><u>5edo</u>:</strong> C/Db C#/D<br /> | <strong><u>5edo</u>:</strong> C/Db C#/D<br /> | ||