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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | ==A Four-part Round in [[17-EDO|17-EDO]] by Jacob Barton== |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2011-06-13 13:16:49 UTC</tt>.<br>
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| : The original revision id was <tt>236279652</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">==A Four-part Round in [[17-EDO]] by Jacob Barton==
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| ===Why a round?=== | | ===Why a round?=== |
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| In my microtonal journeying, I find composing and performing rounds useful in a few ways: | | In my microtonal journeying, I find composing and performing rounds useful in a few ways: |
| * Rounds have a built-in repeat, which means less starting and stopping in the course of rehearsing
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| * Rounds require multiple people or groups, standing on their own in counterpoint, which means every round is yet another opportunity to need your friends
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| * Rounds are "not-yet-music"—they have flexible instrumentation and form, which means more creative decisions to be made by the performing group in the course of rehearsing
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| * Rounds enable adventures in paradoxical listening—multiple instances of a single melody gradually unfold a counterpoint, then a harmony
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| * Rounds enable collaboration between different levels of musicianship.
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| ===Why 17?=== | | <ul><li>Rounds have a built-in repeat, which means less starting and stopping in the course of rehearsing</li><li>Rounds require multiple people or groups, standing on their own in counterpoint, which means every round is yet another opportunity to need your friends</li><li>Rounds are "not-yet-music"—they have flexible instrumentation and form, which means more creative decisions to be made by the performing group in the course of rehearsing</li><li>Rounds enable adventures in paradoxical listening—multiple instances of a single melody gradually unfold a counterpoint, then a harmony</li><li>Rounds enable collaboration between different levels of musicianship.</li></ul> |
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| | ===Why 17?=== |
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| This round is born of looking at what two systems--17-EDO and Just Intonation--do to each other. 17-EDO becomes a way of looking at Just Intonation, and vice versa. The harmony of this round is based on an understanding of the 6:7:9:11 tetrad (degrees 0-4-10-15 of 17-EDO, measure 1), which I sometimes call the "train whistle" chord. | | This round is born of looking at what two systems--17-EDO and Just Intonation--do to each other. 17-EDO becomes a way of looking at Just Intonation, and vice versa. The harmony of this round is based on an understanding of the 6:7:9:11 tetrad (degrees 0-4-10-15 of 17-EDO, measure 1), which I sometimes call the "train whistle" chord. |
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| Fun fact: This round was written as a preliminary exercise for The Elitism Rumba. | | Fun fact: This round was written as a preliminary exercise for The Elitism Rumba. |
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| Visit [[SeventeenTheory]] for information about the notation used below. There are other ways to notate this. | | Visit [[SeventeenTheory|SeventeenTheory]] for information about the notation used below. There are other ways to notate this. |
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| | ===Score=== |
| | [[File:multiverse.jpg|alt=multiverse.jpg|800x565px|multiverse.jpg]] |
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| | Also in PDF:[[:File:multiverse.pdf|multiverse.pdf]] |
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| ===Score=== | | ===Recordings=== |
| [[image:multiverse.jpg width="800" height="565"]]
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| Also in PDF:[[file:multiverse.pdf]]
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| ===Recordings=== | | <ul><li>[http://www.soundclick.com/bands/page_songInfo.cfm?bandID=145852&songID=6014186 Old basic version] |
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| * [[http://www.soundclick.com/bands/page_songInfo.cfm?bandID=145852&songID=6014186|Old basic version]]
| | Newer, orchestrated minus-one version: [[File:multiverse_jmx.mp3]]</li></ul> |
| > Newer, orchestrated minus-one version: [[media type="file" key="multiverse_jmx.mp3" width="240" height="20"]]
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| ===Translations=== | | ===Translations=== |
| Ideally, this would be sung in multiple languages. French, Korean, Estonian translations forthcoming.</pre></div> | | Ideally, this would be sung in multiple languages. French, Korean, Estonian translations forthcoming. |
| <h4>Original HTML content:</h4>
| | [[Category:todo:link]] |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Multiverse</title></head><body><!-- ws:start:WikiTextHeadingRule:1:&lt;h2&gt; --><h2 id="toc0"><a name="x-A Four-part Round in 17-EDO by Jacob Barton"></a><!-- ws:end:WikiTextHeadingRule:1 -->A Four-part Round in <a class="wiki_link" href="/17-EDO">17-EDO</a> by Jacob Barton</h2>
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| <!-- ws:start:WikiTextHeadingRule:3:&lt;h3&gt; --><h3 id="toc1"><a name="x-A Four-part Round in 17-EDO by Jacob Barton-Why a round?"></a><!-- ws:end:WikiTextHeadingRule:3 -->Why a round?</h3>
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| <br />
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| In my microtonal journeying, I find composing and performing rounds useful in a few ways:<br />
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| <ul><li>Rounds have a built-in repeat, which means less starting and stopping in the course of rehearsing</li><li>Rounds require multiple people or groups, standing on their own in counterpoint, which means every round is yet another opportunity to need your friends</li><li>Rounds are &quot;not-yet-music&quot;—they have flexible instrumentation and form, which means more creative decisions to be made by the performing group in the course of rehearsing</li><li>Rounds enable adventures in paradoxical listening—multiple instances of a single melody gradually unfold a counterpoint, then a harmony</li><li>Rounds enable collaboration between different levels of musicianship.</li></ul><br />
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| <!-- ws:start:WikiTextHeadingRule:5:&lt;h3&gt; --><h3 id="toc2"><a name="x-A Four-part Round in 17-EDO by Jacob Barton-Why 17?"></a><!-- ws:end:WikiTextHeadingRule:5 -->Why 17?</h3>
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| <br />
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| This round is born of looking at what two systems--17-EDO and Just Intonation--do to each other. 17-EDO becomes a way of looking at Just Intonation, and vice versa. The harmony of this round is based on an understanding of the 6:7:9:11 tetrad (degrees 0-4-10-15 of 17-EDO, measure 1), which I sometimes call the &quot;train whistle&quot; chord.<br />
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| <br />
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| Fun fact: This round was written as a preliminary exercise for The Elitism Rumba.<br />
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| <br />
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| Visit <a class="wiki_link" href="/SeventeenTheory">SeventeenTheory</a> for information about the notation used below. There are other ways to notate this.<br />
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| <br />
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| <!-- ws:start:WikiTextHeadingRule:7:&lt;h3&gt; --><h3 id="toc3"><a name="x-A Four-part Round in 17-EDO by Jacob Barton-Score"></a><!-- ws:end:WikiTextHeadingRule:7 -->Score</h3>
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| <!-- ws:start:WikiTextLocalImageRule:30:&lt;img src=&quot;/file/view/multiverse.jpg/235948740/800x565/multiverse.jpg&quot; alt=&quot;&quot; title=&quot;&quot; style=&quot;height: 565px; width: 800px;&quot; /&gt; --><img src="/file/view/multiverse.jpg/235948740/800x565/multiverse.jpg" alt="multiverse.jpg" title="multiverse.jpg" style="height: 565px; width: 800px;" /><!-- ws:end:WikiTextLocalImageRule:30 --><br />
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| Also in PDF:<!-- ws:start:WikiTextFileRule:31:&lt;img src=&quot;http://www.wikispaces.com/site/embedthumbnail/file/multiverse.pdf?h=52&amp;w=320&quot; class=&quot;WikiFile&quot; id=&quot;wikitext@@file@@multiverse.pdf&quot; title=&quot;File: multiverse.pdf&quot; width=&quot;320&quot; height=&quot;52&quot; /&gt; --><div class="objectEmbed"><a href="/file/view/multiverse.pdf/235948604/multiverse.pdf" onclick="ws.common.trackFileLink('/file/view/multiverse.pdf/235948604/multiverse.pdf');"><img src="http://www.wikispaces.com/i/mime/32/application/pdf.png" height="32" width="32" alt="multiverse.pdf" /></a><div><a href="/file/view/multiverse.pdf/235948604/multiverse.pdf" onclick="ws.common.trackFileLink('/file/view/multiverse.pdf/235948604/multiverse.pdf');" class="filename" title="multiverse.pdf">multiverse.pdf</a><br /><ul><li><a href="/file/detail/multiverse.pdf">Details</a></li><li><a href="/file/view/multiverse.pdf/235948604/multiverse.pdf">Download</a></li><li style="color: #666">142 KB</li></ul></div></div><!-- ws:end:WikiTextFileRule:31 --><br />
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| <!-- ws:start:WikiTextHeadingRule:9:&lt;h3&gt; --><h3 id="toc4"><a name="x-A Four-part Round in 17-EDO by Jacob Barton-Recordings"></a><!-- ws:end:WikiTextHeadingRule:9 -->Recordings</h3>
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| <br />
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| <ul><li><a class="wiki_link_ext" href="http://www.soundclick.com/bands/page_songInfo.cfm?bandID=145852&amp;songID=6014186" rel="nofollow">Old basic version</a><br />
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| Newer, orchestrated minus-one version: <!-- ws:start:WikiTextMediaRule:0:&lt;img src=&quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/multiverse_jmx.mp3?h=20&amp;w=240&quot; class=&quot;WikiMedia WikiMediaFile&quot; id=&quot;wikitext@@media@@type=&amp;quot;file&amp;quot; key=&amp;quot;multiverse_jmx.mp3&amp;quot; width=&amp;quot;240&amp;quot; height=&amp;quot;20&amp;quot;&quot; title=&quot;Local Media File&quot;height=&quot;20&quot; width=&quot;240&quot;/&gt; --><embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252Fmultiverse_jmx.mp3?file_extension=mp3&autostart=false&repeat=false&showdigits=true&showfsbutton=false&width=240&height=20"></embed><!-- ws:end:WikiTextMediaRule:0 --></li></ul><br />
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| <!-- ws:start:WikiTextHeadingRule:11:&lt;h3&gt; --><h3 id="toc5"><a name="x-A Four-part Round in 17-EDO by Jacob Barton-Translations"></a><!-- ws:end:WikiTextHeadingRule:11 -->Translations</h3>
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| Ideally, this would be sung in multiple languages. French, Korean, Estonian translations forthcoming.</body></html></pre></div>
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A Four-part Round in 17-EDO by Jacob Barton
Why a round?
In my microtonal journeying, I find composing and performing rounds useful in a few ways:
- Rounds have a built-in repeat, which means less starting and stopping in the course of rehearsing
- Rounds require multiple people or groups, standing on their own in counterpoint, which means every round is yet another opportunity to need your friends
- Rounds are "not-yet-music"—they have flexible instrumentation and form, which means more creative decisions to be made by the performing group in the course of rehearsing
- Rounds enable adventures in paradoxical listening—multiple instances of a single melody gradually unfold a counterpoint, then a harmony
- Rounds enable collaboration between different levels of musicianship.
Why 17?
This round is born of looking at what two systems--17-EDO and Just Intonation--do to each other. 17-EDO becomes a way of looking at Just Intonation, and vice versa. The harmony of this round is based on an understanding of the 6:7:9:11 tetrad (degrees 0-4-10-15 of 17-EDO, measure 1), which I sometimes call the "train whistle" chord.
Fun fact: This round was written as a preliminary exercise for The Elitism Rumba.
Visit SeventeenTheory for information about the notation used below. There are other ways to notate this.
Score
Also in PDF:multiverse.pdf
Recordings
Translations
Ideally, this would be sung in multiple languages. French, Korean, Estonian translations forthcoming.
