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**Imported revision 360409366 - Original comment: **
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**Imported revision 413120792 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2012-08-28 08:49:34 UTC</tt>.<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2013-03-08 02:53:42 UTC</tt>.<br>
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Green, Burdette Lamar, //[[http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF|The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music]]// . The Ohio State University, Ph.D., 1969.
Green, Burdette Lamar, //[[http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF|The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music]]// . The Ohio State University, Ph.D., 1969.
Signell, Karl L, &lt;span class="Z3988"&gt;The Turkish "makam" system in contemporary theory and practice. XXX, Ph. D., 1973.&lt;/span&gt;
Signell, Karl L, &lt;span class="Z3988"&gt;The Turkish "makam" system in contemporary theory and practice. XXX, Ph. D., 1973.&lt;/span&gt;
Whaley, David Robert. //The Microtonal Capability of the Horn//. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.
Battan, Suzette Mary, [[https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;versionNumber=1|Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems]], University of Rochester, Ph. D., 1980.
Battan, Suzette Mary, [[https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;versionNumber=1|Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems]], University of Rochester, Ph. D., 1980.
Djordjevic, Michael, L., Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum. Radio Belgrade, Ph. D., 1995.
Djordjevic, Michael, L., Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum. Radio Belgrade, Ph. D., 1995.
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Green, Burdette Lamar, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF" rel="nofollow"&gt;The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music&lt;/a&gt;&lt;/em&gt; . The Ohio State University, Ph.D., 1969.&lt;br /&gt;
Green, Burdette Lamar, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF" rel="nofollow"&gt;The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music&lt;/a&gt;&lt;/em&gt; . The Ohio State University, Ph.D., 1969.&lt;br /&gt;
Signell, Karl L, &lt;span class="Z3988"&gt;The Turkish &amp;quot;makam&amp;quot; system in contemporary theory and practice. XXX, Ph. D., 1973.&lt;/span&gt;&lt;br /&gt;
Signell, Karl L, &lt;span class="Z3988"&gt;The Turkish &amp;quot;makam&amp;quot; system in contemporary theory and practice. XXX, Ph. D., 1973.&lt;/span&gt;&lt;br /&gt;
Whaley, David Robert. &lt;em&gt;The Microtonal Capability of the Horn&lt;/em&gt;. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.&lt;br /&gt;
Battan, Suzette Mary, &lt;a class="wiki_link_ext" href="https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;amp;versionNumber=1" rel="nofollow"&gt;Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems&lt;/a&gt;, University of Rochester, Ph. D., 1980.&lt;br /&gt;
Battan, Suzette Mary, &lt;a class="wiki_link_ext" href="https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;amp;versionNumber=1" rel="nofollow"&gt;Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems&lt;/a&gt;, University of Rochester, Ph. D., 1980.&lt;br /&gt;
Djordjevic, Michael, L., Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum. Radio Belgrade, Ph. D., 1995.&lt;br /&gt;
Djordjevic, Michael, L., Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum. Radio Belgrade, Ph. D., 1995.&lt;br /&gt;
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