The Library: Difference between revisions
Wikispaces>hstraub **Imported revision 539814990 - Original comment: ** |
Wikispaces>hstraub **Imported revision 602940088 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:hstraub|hstraub]] and made on <tt> | : This revision was by author [[User:hstraub|hstraub]] and made on <tt>2017-01-01 11:05:13 UTC</tt>.<br> | ||
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The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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Signell, Karl L, <span class="Z3988">The Turkish "makam" system in contemporary theory and practice. XXX, Ph. D., 1973.</span> | Signell, Karl L, <span class="Z3988">The Turkish "makam" system in contemporary theory and practice. XXX, Ph. D., 1973.</span> | ||
Whaley, David Robert. //The Microtonal Capability of the Horn//. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975. | Whaley, David Robert. //The Microtonal Capability of the Horn//. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975. | ||
Battan, Suzette Mary, [[https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&versionNumber=1|Alois | Battan, Suzette Mary, [[https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&versionNumber=1|Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems]], University of Rochester, Ph. D., 1980. | ||
Djordjevic, Michael, L., Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum. Radio Belgrade, Ph. D., 1995. | Djordjevic, Michael, L., Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum. Radio Belgrade, Ph. D., 1995. | ||
Kassel, Richard M., The Evolution of Harry Partch's Monophony. CUNY, Ph. D., 1996. | Kassel, Richard M., The Evolution of Harry Partch's Monophony. CUNY, Ph. D., 1996. | ||
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Douthett, Jack, The Theory of Maximally and Minimally Even Sets, the One-Dimensional Antiferromagnetic Ising Model, and the Continued Fraction Compromise of Musical Scales. University of New Mexico, Ph. D., 1999. | Douthett, Jack, The Theory of Maximally and Minimally Even Sets, the One-Dimensional Antiferromagnetic Ising Model, and the Continued Fraction Compromise of Musical Scales. University of New Mexico, Ph. D., 1999. | ||
Werntz, Julia Catherine, Toward an understanding of expanded equal temperament (Joseph Maneri). Brandeis University, Ph. D., 2000. | Werntz, Julia Catherine, Toward an understanding of expanded equal temperament (Joseph Maneri). Brandeis University, Ph. D., 2000. | ||
Quinn, Ian, [[http://canonsrythmiques.free.fr/gueststars/diss.pdf|A Unified Theory of Chord Quality in Equal Temperaments]], Eastman School of Music, Ph. D., 2004. | |||
Skinner. Myles, [[http://www.tierceron.com/diss/index.php|Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky]], Buffalo University, Ph. D., 2006. | Skinner. Myles, [[http://www.tierceron.com/diss/index.php|Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky]], Buffalo University, Ph. D., 2006. | ||
Yarman, Ozan, [[http://www.ozanyarman.com/files/doctorate_thesis.pdf|79-Tone Tuning & Theory for Turkish Maqam Music]]. Istanbul Technical University, Ph. D., 2008. | Yarman, Ozan, [[http://www.ozanyarman.com/files/doctorate_thesis.pdf|79-Tone Tuning & Theory for Turkish Maqam Music]]. Istanbul Technical University, Ph. D., 2008. | ||
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Signell, Karl L, <span class="Z3988">The Turkish &quot;makam&quot; system in contemporary theory and practice. XXX, Ph. D., 1973.</span><br /> | Signell, Karl L, <span class="Z3988">The Turkish &quot;makam&quot; system in contemporary theory and practice. XXX, Ph. D., 1973.</span><br /> | ||
Whaley, David Robert. <em>The Microtonal Capability of the Horn</em>. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.<br /> | Whaley, David Robert. <em>The Microtonal Capability of the Horn</em>. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.<br /> | ||
Battan, Suzette Mary, <a class="wiki_link_ext" href="https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;versionNumber=1" rel="nofollow">Alois | Battan, Suzette Mary, <a class="wiki_link_ext" href="https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;versionNumber=1" rel="nofollow">Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems</a>, University of Rochester, Ph. D., 1980.<br /> | ||
Djordjevic, Michael, L., Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum. Radio Belgrade, Ph. D., 1995.<br /> | Djordjevic, Michael, L., Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum. Radio Belgrade, Ph. D., 1995.<br /> | ||
Kassel, Richard M., The Evolution of Harry Partch's Monophony. CUNY, Ph. D., 1996.<br /> | Kassel, Richard M., The Evolution of Harry Partch's Monophony. CUNY, Ph. D., 1996.<br /> | ||
| Line 80: | Line 81: | ||
Douthett, Jack, The Theory of Maximally and Minimally Even Sets, the One-Dimensional Antiferromagnetic Ising Model, and the Continued Fraction Compromise of Musical Scales. University of New Mexico, Ph. D., 1999.<br /> | Douthett, Jack, The Theory of Maximally and Minimally Even Sets, the One-Dimensional Antiferromagnetic Ising Model, and the Continued Fraction Compromise of Musical Scales. University of New Mexico, Ph. D., 1999.<br /> | ||
Werntz, Julia Catherine, Toward an understanding of expanded equal temperament (Joseph Maneri). Brandeis University, Ph. D., 2000.<br /> | Werntz, Julia Catherine, Toward an understanding of expanded equal temperament (Joseph Maneri). Brandeis University, Ph. D., 2000.<br /> | ||
Quinn, Ian, <a class="wiki_link_ext" href="http://canonsrythmiques.free.fr/gueststars/diss.pdf" rel="nofollow">A Unified Theory of Chord Quality in Equal Temperaments</a>, Eastman School of Music, Ph. D., 2004.<br /> | |||
Skinner. Myles, <a class="wiki_link_ext" href="http://www.tierceron.com/diss/index.php" rel="nofollow">Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky</a>, Buffalo University, Ph. D., 2006.<br /> | Skinner. Myles, <a class="wiki_link_ext" href="http://www.tierceron.com/diss/index.php" rel="nofollow">Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky</a>, Buffalo University, Ph. D., 2006.<br /> | ||
Yarman, Ozan, <a class="wiki_link_ext" href="http://www.ozanyarman.com/files/doctorate_thesis.pdf" rel="nofollow">79-Tone Tuning &amp; Theory for Turkish Maqam Music</a>. Istanbul Technical University, Ph. D., 2008.<br /> | Yarman, Ozan, <a class="wiki_link_ext" href="http://www.ozanyarman.com/files/doctorate_thesis.pdf" rel="nofollow">79-Tone Tuning &amp; Theory for Turkish Maqam Music</a>. Istanbul Technical University, Ph. D., 2008.<br /> | ||