SeventeenTheory: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>~~2008~~-04-~~06 03~~:37:42 UTC</tt>.<br>

: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2009-03-01 14:59:17 UTC</tt>.<br>

: The original revision id was <tt>~~21038807~~</tt>.<br>

: The original revision id was <tt>60217352</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

<h4>Original Wikitext content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">17-tone equal tuning has fifths very close to just-intonation (and 12-equal) fifths. Consequently we use the usual circle-of-fifths on a five-line-staff notation, with a twist of new ~~enharmonics~~, caused by the accumulation of the difference in the size of the fifth. To figure out the enharmonic names of any closed circle of fifths, write out a portion of it, like:

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">17-tone equal tuning has fifths very close to just-intonation (and 12-equal) fifths. Consequently we use the usual circle-of-fifths on a five-line-staff notation, with a twist of new enharmonic equivalents, caused by the accumulation of the difference in the size of the fifth. To figure out the enharmonic names of any closed circle of fifths, write out a portion of it, like:

Cb Gb Db Ab Eb Bb F C G D A E B F# C# G# D# A# E#

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[[image:17versus12pcs]][[image:17versus12pcs width="1" height="1"]]</pre></div>

<h4>Original HTML content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>SeventeenTheory</title></head><body>17-tone equal tuning has fifths very close to just-intonation (and 12-equal) fifths. Consequently we use the usual circle-of-fifths on a five-line-staff notation, with a twist of new ~~enharmonics~~, caused by the accumulation of the difference in the size of the fifth. To figure out the enharmonic names of any closed circle of fifths, write out a portion of it, like:<br />

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>SeventeenTheory</title></head><body>17-tone equal tuning has fifths very close to just-intonation (and 12-equal) fifths. Consequently we use the usual circle-of-fifths on a five-line-staff notation, with a twist of new enharmonic equivalents, caused by the accumulation of the difference in the size of the fifth. To figure out the enharmonic names of any closed circle of fifths, write out a portion of it, like:<br />

<br />

Cb Gb Db Ab Eb Bb F C G D A E B F# C# G# D# A# E#<br />

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2008-04-06 03:37:42 UTC</tt>.<br>
+: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2009-03-01 14:59:17 UTC</tt>.<br>
-: The original revision id was <tt>21038807</tt>.<br>
+: The original revision id was <tt>60217352</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
 <h4>Original Wikitext content:</h4>
-<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">17-tone equal tuning has fifths very close to just-intonation (and 12-equal) fifths. Consequently we use the usual circle-of-fifths on a five-line-staff notation, with a twist of new enharmonics, caused by the accumulation of the difference in the size of the fifth. To figure out the enharmonic names of any closed circle of fifths, write out a portion of it, like:
+<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">17-tone equal tuning has fifths very close to just-intonation (and 12-equal) fifths. Consequently we use the usual circle-of-fifths on a five-line-staff notation, with a twist of new enharmonic equivalents, caused by the accumulation of the difference in the size of the fifth. To figure out the enharmonic names of any closed circle of fifths, write out a portion of it, like:
 Cb Gb Db Ab Eb Bb F C G D A E B F# C# G# D# A# E#
@@ Line 28: / Line 28: @@
 [[image:17versus12pcs]][[image:17versus12pcs width="1" height="1"]]</pre></div>
 <h4>Original HTML content:</h4>
-<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;SeventeenTheory&lt;/title&gt;&lt;/head&gt;&lt;body&gt;17-tone equal tuning has fifths very close to just-intonation (and 12-equal) fifths. Consequently we use the usual circle-of-fifths on a five-line-staff notation, with a twist of new enharmonics, caused by the accumulation of the difference in the size of the fifth. To figure out the enharmonic names of any closed circle of fifths, write out a portion of it, like:&lt;br /&gt;
+<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;SeventeenTheory&lt;/title&gt;&lt;/head&gt;&lt;body&gt;17-tone equal tuning has fifths very close to just-intonation (and 12-equal) fifths. Consequently we use the usual circle-of-fifths on a five-line-staff notation, with a twist of new enharmonic equivalents, caused by the accumulation of the difference in the size of the fifth. To figure out the enharmonic names of any closed circle of fifths, write out a portion of it, like:&lt;br /&gt;
 &lt;br /&gt;
 Cb Gb Db Ab Eb Bb F C G D A E B F# C# G# D# A# E#&lt;br /&gt;