ProgressReport: Difference between revisions
Jump to navigation
Jump to search
Wikispaces>xenwolf **Imported revision 148251895 - Original comment: ** |
Wikispaces>stephencrawford **Imported revision 367132390 - Original comment: ** |
||
| Line 1: | Line 1: | ||
<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:stephencrawford|stephencrawford]] and made on <tt>2012-09-23 21:56:32 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>367132390</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html"> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">//see also [[People]]// | ||
Make a page and link to it here, wherein you give your answer to any of these questions: | Make a page and link to it here, wherein you give your answer to any of these questions: | ||
* //What was your path to discovering alternate tunings?// | * //What was your path to discovering alternate tunings?// | ||
| Line 27: | Line 27: | ||
[[Carlo Serafini]] | [[Carlo Serafini]] | ||
[[SeanArchibald|Sean Archibald]] | [[SeanArchibald|Sean Archibald]] | ||
[[StephenCrawford|Stephen Crawford]] | |||
Rationale: | Rationale: | ||
| Line 34: | Line 35: | ||
# Collectively we have a lot more experience, and I want to see the cap of the iceberg, so to speak</pre></div> | # Collectively we have a lot more experience, and I want to see the cap of the iceberg, so to speak</pre></div> | ||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>ProgressReport</title></head><body> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>ProgressReport</title></head><body><em>see also <a class="wiki_link" href="/People">People</a></em><br /> | ||
Make a page and link to it here, wherein you give your answer to any of these questions:<br /> | Make a page and link to it here, wherein you give your answer to any of these questions:<br /> | ||
<ul><li><em>What was your path to discovering alternate tunings?</em></li><li><em>What are your current/past/future particular interests?</em></li><li><em>What instruments or means have you had/do you have now/do you want for the making of microtonal music?</em></li><li><em>What instruments or means have you successfully used in the making of microtonal music? Recommendations?</em></li><li><em>Any good microtonal anecdotes?</em></li></ul><br /> | <ul><li><em>What was your path to discovering alternate tunings?</em></li><li><em>What are your current/past/future particular interests?</em></li><li><em>What instruments or means have you had/do you have now/do you want for the making of microtonal music?</em></li><li><em>What instruments or means have you successfully used in the making of microtonal music? Recommendations?</em></li><li><em>Any good microtonal anecdotes?</em></li></ul><br /> | ||
| Line 50: | Line 51: | ||
<a class="wiki_link" href="/Carlo%20Serafini">Carlo Serafini</a><br /> | <a class="wiki_link" href="/Carlo%20Serafini">Carlo Serafini</a><br /> | ||
<a class="wiki_link" href="/SeanArchibald">Sean Archibald</a><br /> | <a class="wiki_link" href="/SeanArchibald">Sean Archibald</a><br /> | ||
<a class="wiki_link" href="/StephenCrawford">Stephen Crawford</a><br /> | |||
<br /> | <br /> | ||
Rationale:<br /> | Rationale:<br /> | ||
<ol><li>Sharing stories builds community!</li><li>People stumble upon microtones in all sorts of different ways, coming in at all sorts of different angles. If we are interested in an increased awareness of microtonal music, we would do well to study patterns in our own 'ah-ha!' moments.</li><li>Once deciding to go microtonal, many composers make early crucial decisions (or assumptions!), about which tuning and which instruments/software to concentrate on, and these sometimes end up affecting their entire life of work!</li><li>Collectively we have a lot more experience, and I want to see the cap of the iceberg, so to speak</li></ol></body></html></pre></div> | <ol><li>Sharing stories builds community!</li><li>People stumble upon microtones in all sorts of different ways, coming in at all sorts of different angles. If we are interested in an increased awareness of microtonal music, we would do well to study patterns in our own 'ah-ha!' moments.</li><li>Once deciding to go microtonal, many composers make early crucial decisions (or assumptions!), about which tuning and which instruments/software to concentrate on, and these sometimes end up affecting their entire life of work!</li><li>Collectively we have a lot more experience, and I want to see the cap of the iceberg, so to speak</li></ol></body></html></pre></div> | ||
Revision as of 21:56, 23 September 2012
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author stephencrawford and made on 2012-09-23 21:56:32 UTC.
- The original revision id was 367132390.
- The revision comment was:
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
//see also [[People]]// Make a page and link to it here, wherein you give your answer to any of these questions: * //What was your path to discovering alternate tunings?// * //What are your current/past/future particular interests?// * //What instruments or means have you had/do you have now/do you want for the making of microtonal music?// * //What instruments or means have you successfully used in the making of microtonal music? Recommendations?// * //Any good microtonal anecdotes?// Name your page after yourself, or whatever you'd like yourself to be called. When you have new answers, update the page! (add links here) [[JacobBarton|Jacob]] [[Rozencrantz]] [[Prent Rodgers]] [[Daniel Thompson]] [[Herman Miller]] [[AustinButts|Austin Butts]] [[HansStraub|Hans Straub]] [[IgliashonJones|Igliashon Jones]] [[Carlo Serafini]] [[SeanArchibald|Sean Archibald]] [[StephenCrawford|Stephen Crawford]] Rationale: # Sharing stories builds community! # People stumble upon microtones in all sorts of different ways, coming in at all sorts of different angles. If we are interested in an increased awareness of microtonal music, we would do well to study patterns in our own 'ah-ha!' moments. # Once deciding to go microtonal, many composers make early crucial decisions (or assumptions!), about which tuning and which instruments/software to concentrate on, and these sometimes end up affecting their entire life of work! # Collectively we have a lot more experience, and I want to see the cap of the iceberg, so to speak
Original HTML content:
<html><head><title>ProgressReport</title></head><body><em>see also <a class="wiki_link" href="/People">People</a></em><br /> Make a page and link to it here, wherein you give your answer to any of these questions:<br /> <ul><li><em>What was your path to discovering alternate tunings?</em></li><li><em>What are your current/past/future particular interests?</em></li><li><em>What instruments or means have you had/do you have now/do you want for the making of microtonal music?</em></li><li><em>What instruments or means have you successfully used in the making of microtonal music? Recommendations?</em></li><li><em>Any good microtonal anecdotes?</em></li></ul><br /> Name your page after yourself, or whatever you'd like yourself to be called. When you have new answers, update the page!<br /> <br /> (add links here)<br /> <a class="wiki_link" href="/JacobBarton">Jacob</a><br /> <a class="wiki_link" href="/Rozencrantz">Rozencrantz</a><br /> <a class="wiki_link" href="/Prent%20Rodgers">Prent Rodgers</a><br /> <a class="wiki_link" href="/Daniel%20Thompson">Daniel Thompson</a><br /> <a class="wiki_link" href="/Herman%20Miller">Herman Miller</a><br /> <a class="wiki_link" href="/AustinButts">Austin Butts</a><br /> <a class="wiki_link" href="/HansStraub">Hans Straub</a><br /> <a class="wiki_link" href="/IgliashonJones">Igliashon Jones</a><br /> <a class="wiki_link" href="/Carlo%20Serafini">Carlo Serafini</a><br /> <a class="wiki_link" href="/SeanArchibald">Sean Archibald</a><br /> <a class="wiki_link" href="/StephenCrawford">Stephen Crawford</a><br /> <br /> Rationale:<br /> <ol><li>Sharing stories builds community!</li><li>People stumble upon microtones in all sorts of different ways, coming in at all sorts of different angles. If we are interested in an increased awareness of microtonal music, we would do well to study patterns in our own 'ah-ha!' moments.</li><li>Once deciding to go microtonal, many composers make early crucial decisions (or assumptions!), about which tuning and which instruments/software to concentrate on, and these sometimes end up affecting their entire life of work!</li><li>Collectively we have a lot more experience, and I want to see the cap of the iceberg, so to speak</li></ol></body></html>