User:Eufalesio/Good scales: Difference between revisions
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Here's a data dump of scales I use. Some of them with funny names because they are in conlangs. I will provide the scales and all their modes, apart from other properties. | Here's a data dump of scales I use. Some of them with funny names because they are in conlangs. I will provide the scales and all their modes, apart from other properties. | ||
== 7-form == | == 7-form == | ||
=== | === RH Zarlino [SV3, CS, SP] === | ||
Best Zarlino. I rarely use LH Zarlino. | |||
{| class="wikitable" | {| class="wikitable" | ||
! colspan="7" |Scale degrees | ! colspan="7" |Scale degrees | ||
|- | |||
!9/8 | |||
!5/4 | |||
!4/3 | |||
!3/2 | |||
!5/3 | |||
!15/8 | |||
! rowspan="7" |2 | |||
|- | |||
|<small>10/9</small> | |||
|<small>32/27</small> | |||
|<small>4/3</small> | |||
|<small>40/27</small> | |||
|<small>5/3</small> | |||
|<small>16/9</small> | |||
|- | |||
|<small>16/15</small> | |||
|<small>6/5</small> | |||
|<small>4/3</small> | |||
|<small>3/2</small> | |||
|<small>8/5</small> | |||
|<small>9/5</small> | |||
|- | |||
|<small>9/8</small> | |||
|<small>5/4</small> | |||
|<small>45/32</small> | |||
|<small>3/2</small> | |||
|<small>27/16</small> | |||
|<small>15/8</small> | |||
|- | |||
|<small>10/9</small> | |||
|<small>5/4</small> | |||
|<small>4/3</small> | |||
|<small>3/2</small> | |||
|<small>5/3</small> | |||
|<small>16/9</small> | |||
|- | |||
|<small>9/8</small> | |||
|<small>6/5</small> | |||
|<small>27/20</small> | |||
|<small>3/2</small> | |||
|<small>8/5</small> | |||
|<small>9/5</small> | |||
|- | |||
|<small>16/15</small> | |||
|<small>6/5</small> | |||
|<small>4/3</small> | |||
|<small>64/45</small> | |||
|<small>8/5</small> | |||
|<small>16/9</small> | |||
|} | |||
=== Aura's Zarlinoid [MV4, CS, SP] === | |||
A scale that Aura really likes to use. It's good in some places, but Zarlino is better generally. | |||
{| class="wikitable" | |||
! colspan="7" |Scale degrees | |||
|- | |- | ||
! | !9/8 | ||
! | !5/4 | ||
! | !4/3 | ||
! | !3/2 | ||
! | !27/16 | ||
! | !15/8 | ||
! rowspan="7" |2 | ! rowspan="7" |2 | ||
|- | |- | ||
|<small> | |<small>10/9</small> | ||
|<small>32/27</small> | |||
|<small>4/3</small> | |||
|<small>3/2</small> | |||
|<small>5/3</small> | |||
|<small>16/9</small> | |||
|- | |||
|<small>16/15</small> | |||
|<small>6/5</small> | |<small>6/5</small> | ||
|<small>27/20</small> | |<small>27/20</small> | ||
|<small>3/2</small> | |<small>3/2</small> | ||
|<small> | |<small>8/5</small> | ||
|<small>9/5</small> | |<small>9/5</small> | ||
|- | |- | ||
|<small> | |<small>9/8</small> | ||
|<small> | |<small>81/64</small> | ||
|<small> | |<small>45/32</small> | ||
|<small>3/2</small> | |<small>3/2</small> | ||
|<small> | |<small>27/16</small> | ||
|<small> | |<small>15/8</small> | ||
|- | |- | ||
|<small>9/8</small> | |<small>9/8</small> | ||
|<small>5/4</small> | |<small>5/4</small> | ||
|<small> | |<small>4/3</small> | ||
|<small>3/2</small> | |<small>3/2</small> | ||
|<small>5/3</small> | |<small>5/3</small> | ||
|<small> | |<small>16/9</small> | ||
|- | |- | ||
|<small>10/9</small> | |<small>10/9</small> | ||
|<small> | |<small>32/27</small> | ||
|<small>4/3</small> | |<small>4/3</small> | ||
|<small>40/27</small> | |<small>40/27</small> | ||
|<small> | |<small>128/81</small> | ||
|<small>16/9</small> | |<small>16/9</small> | ||
|- | |- | ||
|<small> | |<small>16/15</small> | ||
|<small>6/5</small> | |<small>6/5</small> | ||
|<small>4/3</small> | |<small>4/3</small> | ||
|<small> | |<small>64/45</small> | ||
|<small>8/5</small> | |<small>8/5</small> | ||
|<small>9/5</small> | |<small>9/5</small> | ||
|} | |} | ||
=== | === LH Úuñmulu - LH Íegmul [MV3, CS, SP] === | ||
An 7et detemper that is easy to use and has delectable sonorities, based on the 10::12 trichord. | |||
{| class="wikitable" | {| class="wikitable" | ||
! colspan="7" |Scale degrees | ! colspan="7" |Scale degrees | ||
| Line 111: | Line 169: | ||
|<small>5/3</small> | |<small>5/3</small> | ||
|<small>11/6</small> | |<small>11/6</small> | ||
|} | |||
=== RH Úuñmulu - RH Íegmul [MV3, CS, P] === | |||
The simplest 7et detemper, based on the 9::12 tetrachord, that is also easy to use, but I prefer LH. | |||
{| class="wikitable" | |||
! colspan="7" |Scale degrees | |||
|- | |||
!'''10/9''' | |||
!'''11/9''' | |||
!'''4/3''' | |||
!'''3/2''' | |||
!'''5/3''' | |||
!'''11/6''' | |||
! rowspan="7" |2 | |||
|- | |||
|<small>11/10</small> | |||
|<small>6/5</small> | |||
|<small>27/20</small> | |||
|<small>3/2</small> | |||
|<small>33/20</small> | |||
|<small>9/5</small> | |||
|- | |||
|<small>12/11</small> | |||
|<small>27/22</small> | |||
|<small>15/11</small> | |||
|<small>3/2</small> | |||
|<small>18/11</small> | |||
|<small>20/11</small> | |||
|- | |||
|<small>9/8</small> | |||
|<small>5/4</small> | |||
|<small>11/8</small> | |||
|<small>3/2</small> | |||
|<small>5/3</small> | |||
|<small>11/6</small> | |||
|- | |||
|<small>10/9</small> | |||
|<small>11/9</small> | |||
|<small>4/3</small> | |||
|<small>40/27</small> | |||
|<small>44/27</small> | |||
|<small>16/9</small> | |||
|- | |||
|<small>11/10</small> | |||
|<small>6/5</small> | |||
|<small>4/3</small> | |||
|<small>22/15</small> | |||
|<small>8/5</small> | |||
|<small>9/5</small> | |||
|- | |||
|<small>12/11</small> | |||
|<small>40/33</small> | |||
|<small>4/3</small> | |||
|<small>16/11</small> | |||
|<small>18/11</small> | |||
|<small>20/11</small> | |||
|} | |} | ||
== 10-form == | == 10-form == | ||
=== Ngwóoghe - Góqäi === | === Ngwóoghe - Góqäi [MV5 (''MV10''), CS, SP] === | ||
24:26:28:30:32:''34'':36:39:42:45:48. 12::18 repeated and cut at the octave, or alternatively, two 12::16 pentachords, with another a fifth up and with the addition of 17/12 to fill out the scale into a proper 10-form. I personally don't use the 17/ intervals as much, instead I change between the modes to pick what I need, but 17 is undoubtedly the most natural rendition of the 5-step of the scale. | 24:26:28:30:32:''34'':36:39:42:45:48. 12::18 repeated and cut at the octave, or alternatively, two 12::16 pentachords, with another a fifth up and with the addition of 17/12 to fill out the scale into a proper 10-form. I personally don't use the 17/ intervals as much, instead I change between the modes to pick what I need, but 17 is undoubtedly the most natural rendition of the 5-step of the scale. | ||
| Line 226: | Line 340: | ||
== 12-form == | == 12-form == | ||
=== Duodene === | === Duodene [MV4, CS, SP] === | ||
{| class="wikitable" | {| class="wikitable" | ||
! colspan="12" |Scale degrees | ! colspan="12" |Scale degrees | ||
| Line 376: | Line 490: | ||
|} | |} | ||
=== Nelaá - Jälg === | === Nelaá - Jälg [MV4, CS, SP] === | ||
{| class="wikitable" | {| class="wikitable" | ||
! colspan="12" |Scale degrees | ! colspan="12" |Scale degrees | ||
| Line 524: | Line 638: | ||
|<small>9/5</small> | |<small>9/5</small> | ||
|<small>48/25</small> | |<small>48/25</small> | ||
|} | |||
=== Carlos Harmonic [MV12, CS] === | |||
19-limit realized into an easy 12-note scale, and a very easy way to | |||
{| class="wikitable" | |||
! colspan="12" |Scale degrees | |||
|- | |||
!'''17/16''' | |||
!'''9/8''' | |||
!'''19/16''' | |||
!'''5/4''' | |||
!'''21/16''' | |||
!'''11/8''' | |||
!'''3/2''' | |||
!'''13/8''' | |||
!'''27/16''' | |||
!'''7/4''' | |||
!'''15/8''' | |||
! rowspan="12" |2 | |||
|- | |||
|<small>18/17</small> | |||
|<small>19/17</small> | |||
|<small>20/17</small> | |||
|<small>21/17</small> | |||
|<small>22/17</small> | |||
|<small>24/17</small> | |||
|<small>26/17</small> | |||
|<small>27/17</small> | |||
|<small>28/17</small> | |||
|<small>30/17</small> | |||
|<small>32/17</small> | |||
|- | |||
|<small>19/18</small> | |||
|<small>10/9</small> | |||
|<small>7/6</small> | |||
|<small>11/9</small> | |||
|<small>4/3</small> | |||
|<small>13/9</small> | |||
|<small>3/2</small> | |||
|<small>14/9</small> | |||
|<small>5/3</small> | |||
|<small>16/9</small> | |||
|<small>17/9</small> | |||
|- | |||
|<small>20/19</small> | |||
|<small>21/19</small> | |||
|<small>22/19</small> | |||
|<small>24/19</small> | |||
|<small>26/19</small> | |||
|<small>27/19</small> | |||
|<small>28/19</small> | |||
|<small>30/19</small> | |||
|<small>32/19</small> | |||
|<small>34/19</small> | |||
|<small>36/19</small> | |||
|- | |||
|<small>21/20</small> | |||
|<small>11/10</small> | |||
|<small>6/5</small> | |||
|<small>13/10</small> | |||
|<small>27/20</small> | |||
|<small>7/5</small> | |||
|<small>3/2</small> | |||
|<small>8/5</small> | |||
|<small>17/10</small> | |||
|<small>9/5</small> | |||
|<small>19/10</small> | |||
|- | |||
|<small>22/21</small> | |||
|<small>8/7</small> | |||
|<small>26/21</small> | |||
|<small>9/7</small> | |||
|<small>4/3</small> | |||
|<small>10/7</small> | |||
|<small>32/21</small> | |||
|<small>34/21</small> | |||
|<small>12/7</small> | |||
|<small>38/21</small> | |||
|<small>40/21</small> | |||
|- | |||
|<small>12/11</small> | |||
|<small>13/11</small> | |||
|<small>27/22</small> | |||
|<small>14/11</small> | |||
|<small>15/11</small> | |||
|<small>16/11</small> | |||
|<small>17/11</small> | |||
|<small>18/11</small> | |||
|<small>19/11</small> | |||
|<small>20/11</small> | |||
|<small>21/11</small> | |||
|- | |||
|<small>13/12</small> | |||
|<small>9/8</small> | |||
|<small>7/6</small> | |||
|<small>5/4</small> | |||
|<small>4/3</small> | |||
|<small>17/12</small> | |||
|<small>3/2</small> | |||
|<small>19/12</small> | |||
|<small>5/3</small> | |||
|<small>7/4</small> | |||
|<small>11/6</small> | |||
|- | |||
|<small>27/26</small> | |||
|<small>14/13</small> | |||
|<small>15/13</small> | |||
|<small>16/13</small> | |||
|<small>17/13</small> | |||
|<small>18/13</small> | |||
|<small>19/13</small> | |||
|<small>20/13</small> | |||
|<small>21/13</small> | |||
|<small>22/13</small> | |||
|<small>24/13</small> | |||
|- | |||
|<small>28/27</small> | |||
|<small>10/9</small> | |||
|<small>32/27</small> | |||
|<small>34/27</small> | |||
|<small>4/3</small> | |||
|<small>38/27</small> | |||
|<small>40/27</small> | |||
|<small>14/9</small> | |||
|<small>44/27</small> | |||
|<small>16/9</small> | |||
|<small>52/27</small> | |||
|- | |||
|<small>15/14</small> | |||
|<small>8/7</small> | |||
|<small>17/14</small> | |||
|<small>9/7</small> | |||
|<small>19/14</small> | |||
|<small>10/7</small> | |||
|<small>3/2</small> | |||
|<small>11/7</small> | |||
|<small>12/7</small> | |||
|<small>13/7</small> | |||
|<small>27/14</small> | |||
|- | |||
|<small>16/15</small> | |||
|<small>17/15</small> | |||
|<small>6/5</small> | |||
|<small>19/15</small> | |||
|<small>4/3</small> | |||
|<small>7/5</small> | |||
|<small>22/15</small> | |||
|<small>8/5</small> | |||
|<small>26/15</small> | |||
|<small>9/5</small> | |||
|<small>28/15</small> | |||
|} | |} | ||
Revision as of 18:46, 13 August 2026
Here's a data dump of scales I use. Some of them with funny names because they are in conlangs. I will provide the scales and all their modes, apart from other properties.
7-form
RH Zarlino [SV3, CS, SP]
Best Zarlino. I rarely use LH Zarlino.
| Scale degrees | ||||||
|---|---|---|---|---|---|---|
| 9/8 | 5/4 | 4/3 | 3/2 | 5/3 | 15/8 | 2 |
| 10/9 | 32/27 | 4/3 | 40/27 | 5/3 | 16/9 | |
| 16/15 | 6/5 | 4/3 | 3/2 | 8/5 | 9/5 | |
| 9/8 | 5/4 | 45/32 | 3/2 | 27/16 | 15/8 | |
| 10/9 | 5/4 | 4/3 | 3/2 | 5/3 | 16/9 | |
| 9/8 | 6/5 | 27/20 | 3/2 | 8/5 | 9/5 | |
| 16/15 | 6/5 | 4/3 | 64/45 | 8/5 | 16/9 | |
Aura's Zarlinoid [MV4, CS, SP]
A scale that Aura really likes to use. It's good in some places, but Zarlino is better generally.
| Scale degrees | ||||||
|---|---|---|---|---|---|---|
| 9/8 | 5/4 | 4/3 | 3/2 | 27/16 | 15/8 | 2 |
| 10/9 | 32/27 | 4/3 | 3/2 | 5/3 | 16/9 | |
| 16/15 | 6/5 | 27/20 | 3/2 | 8/5 | 9/5 | |
| 9/8 | 81/64 | 45/32 | 3/2 | 27/16 | 15/8 | |
| 9/8 | 5/4 | 4/3 | 3/2 | 5/3 | 16/9 | |
| 10/9 | 32/27 | 4/3 | 40/27 | 128/81 | 16/9 | |
| 16/15 | 6/5 | 4/3 | 64/45 | 8/5 | 9/5 | |
LH Úuñmulu - LH Íegmul [MV3, CS, SP]
An 7et detemper that is easy to use and has delectable sonorities, based on the 10::12 trichord.
| Scale degrees | ||||||
|---|---|---|---|---|---|---|
| 11/10 | 6/5 | 4/3 | 3/2 | 33/20 | 9/5 | 2 |
| 12/11 | 40/33 | 15/11 | 3/2 | 18/11 | 20/11 | |
| 10/9 | 5/4 | 11/8 | 3/2 | 5/3 | 11/6 | |
| 9/8 | 99/80 | 27/20 | 3/2 | 33/20 | 9/5 | |
| 11/10 | 6/5 | 4/3 | 22/15 | 8/5 | 16/9 | |
| 12/11 | 40/33 | 4/3 | 16/11 | 160/99 | 20/11 | |
| 10/9 | 11/9 | 4/3 | 40/27 | 5/3 | 11/6 | |
RH Úuñmulu - RH Íegmul [MV3, CS, P]
The simplest 7et detemper, based on the 9::12 tetrachord, that is also easy to use, but I prefer LH.
| Scale degrees | ||||||
|---|---|---|---|---|---|---|
| 10/9 | 11/9 | 4/3 | 3/2 | 5/3 | 11/6 | 2 |
| 11/10 | 6/5 | 27/20 | 3/2 | 33/20 | 9/5 | |
| 12/11 | 27/22 | 15/11 | 3/2 | 18/11 | 20/11 | |
| 9/8 | 5/4 | 11/8 | 3/2 | 5/3 | 11/6 | |
| 10/9 | 11/9 | 4/3 | 40/27 | 44/27 | 16/9 | |
| 11/10 | 6/5 | 4/3 | 22/15 | 8/5 | 9/5 | |
| 12/11 | 40/33 | 4/3 | 16/11 | 18/11 | 20/11 | |
10-form
Ngwóoghe - Góqäi [MV5 (MV10), CS, SP]
24:26:28:30:32:34:36:39:42:45:48. 12::18 repeated and cut at the octave, or alternatively, two 12::16 pentachords, with another a fifth up and with the addition of 17/12 to fill out the scale into a proper 10-form. I personally don't use the 17/ intervals as much, instead I change between the modes to pick what I need, but 17 is undoubtedly the most natural rendition of the 5-step of the scale.
One of my favorite scales, and it is notably no-11s. Its subsets also include archylino, a weird Hijaz-like scale and, you know, each other step of the prime mode. Whatever its name is.
| Scale degrees | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| 13/12 | 7/6 | 5/4 | 4/3 | 17/12 | 3/2 | 13/8 | 7/4 | 15/8 | 2 |
| 14/13 | 15/13 | 16/13 | 17/13 | 18/13 | 3/2 | 21/13 | 45/26 | 24/13 | |
| 15/14 | 8/7 | 17/14 | 9/7 | 39/28 | 3/2 | 45/28 | 12/7 | 13/7 | |
| 16/15 | 17/15 | 6/5 | 13/10 | 7/5 | 3/2 | 8/5 | 26/15 | 28/15 | |
| 17/16 | 9/8 | 39/32 | 21/16 | 45/32 | 3/2 | 13/8 | 7/4 | 15/8 | |
| 18/17 | 39/34 | 21/17 | 45/34 | 24/17 | 26/17 | 28/17 | 30/17 | 32/17 | |
| 13/12 | 7/6 | 5/4 | 4/3 | 13/9 | 14/9 | 5/3 | 16/9 | 17/9 | |
| 14/13 | 15/13 | 16/13 | 4/3 | 56/39 | 20/13 | 64/39 | 68/39 | 24/13 | |
| 15/14 | 8/7 | 26/21 | 4/3 | 10/7 | 32/21 | 34/21 | 12/7 | 13/7 | |
| 16/15 | 52/45 | 56/45 | 4/3 | 64/45 | 68/45 | 8/5 | 26/15 | 28/15 | |
12-form
Duodene [MV4, CS, SP]
| Scale degrees | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 16/15 | 9/8 | 6/5 | 5/4 | 4/3 | 45/32 | 3/2 | 8/5 | 5/3 | 9/5 | 15/8 | 2 |
| 135/128 | 9/8 | 75/64 | 5/4 | 675/512 | 45/32 | 3/2 | 25/16 | 27/16 | 225/128 | 15/8 | |
| 16/15 | 10/9 | 32/27 | 5/4 | 4/3 | 64/45 | 40/27 | 8/5 | 5/3 | 16/9 | 256/135 | |
| 25/24 | 10/9 | 75/64 | 5/4 | 4/3 | 25/18 | 3/2 | 25/16 | 5/3 | 16/9 | 15/8 | |
| 16/15 | 9/8 | 6/5 | 32/25 | 4/3 | 36/25 | 3/2 | 8/5 | 128/75 | 9/5 | 48/25 | |
| 135/128 | 9/8 | 6/5 | 5/4 | 27/20 | 45/32 | 3/2 | 8/5 | 27/16 | 9/5 | 15/8 | |
| 16/15 | 256/225 | 32/27 | 32/25 | 4/3 | 64/45 | 1024/675 | 8/5 | 128/75 | 16/9 | 256/135 | |
| 16/15 | 10/9 | 6/5 | 5/4 | 4/3 | 64/45 | 3/2 | 8/5 | 5/3 | 16/9 | 15/8 | |
| 25/24 | 9/8 | 75/64 | 5/4 | 4/3 | 45/32 | 3/2 | 25/16 | 5/3 | 225/128 | 15/8 | |
| 27/25 | 9/8 | 6/5 | 32/25 | 27/20 | 36/25 | 3/2 | 8/5 | 27/16 | 9/5 | 48/25 | |
| 25/24 | 10/9 | 32/27 | 5/4 | 4/3 | 25/18 | 40/27 | 25/16 | 5/3 | 16/9 | 50/27 | |
| 16/15 | 256/225 | 6/5 | 32/25 | 4/3 | 64/45 | 3/2 | 8/5 | 128/75 | 16/9 | 48/25 | |
Nelaá - Jälg [MV4, CS, SP]
| Scale degrees | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 16/15 | 9/8 | 6/5 | 5/4 | 4/3 | 45/32 | 3/2 | 8/5 | 27/16 | 9/5 | 15/8 | 2 |
| 135/128 | 9/8 | 75/64 | 5/4 | 675/512 | 45/32 | 3/2 | 405/256 | 27/16 | 225/128 | 15/8 | |
| 16/15 | 10/9 | 32/27 | 5/4 | 4/3 | 64/45 | 3/2 | 8/5 | 5/3 | 16/9 | 256/135 | |
| 25/24 | 10/9 | 75/64 | 5/4 | 4/3 | 45/32 | 3/2 | 25/16 | 5/3 | 16/9 | 15/8 | |
| 16/15 | 9/8 | 6/5 | 32/25 | 27/20 | 36/25 | 3/2 | 8/5 | 128/75 | 9/5 | 48/25 | |
| 135/128 | 9/8 | 6/5 | 81/64 | 27/20 | 45/32 | 3/2 | 8/5 | 27/16 | 9/5 | 15/8 | |
| 16/15 | 256/225 | 6/5 | 32/25 | 4/3 | 64/45 | 1024/675 | 8/5 | 128/75 | 16/9 | 256/135 | |
| 16/15 | 9/8 | 6/5 | 5/4 | 4/3 | 64/45 | 3/2 | 8/5 | 5/3 | 16/9 | 15/8 | |
| 135/128 | 9/8 | 75/64 | 5/4 | 4/3 | 45/32 | 3/2 | 25/16 | 5/3 | 225/128 | 15/8 | |
| 16/15 | 10/9 | 32/27 | 512/405 | 4/3 | 64/45 | 40/27 | 128/81 | 5/3 | 16/9 | 256/135 | |
| 25/24 | 10/9 | 32/27 | 5/4 | 4/3 | 25/18 | 40/27 | 25/16 | 5/3 | 16/9 | 15/8 | |
| 16/15 | 256/225 | 6/5 | 32/25 | 4/3 | 64/45 | 3/2 | 8/5 | 128/75 | 9/5 | 48/25 | |
Carlos Harmonic [MV12, CS]
19-limit realized into an easy 12-note scale, and a very easy way to
| Scale degrees | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 17/16 | 9/8 | 19/16 | 5/4 | 21/16 | 11/8 | 3/2 | 13/8 | 27/16 | 7/4 | 15/8 | 2 |
| 18/17 | 19/17 | 20/17 | 21/17 | 22/17 | 24/17 | 26/17 | 27/17 | 28/17 | 30/17 | 32/17 | |
| 19/18 | 10/9 | 7/6 | 11/9 | 4/3 | 13/9 | 3/2 | 14/9 | 5/3 | 16/9 | 17/9 | |
| 20/19 | 21/19 | 22/19 | 24/19 | 26/19 | 27/19 | 28/19 | 30/19 | 32/19 | 34/19 | 36/19 | |
| 21/20 | 11/10 | 6/5 | 13/10 | 27/20 | 7/5 | 3/2 | 8/5 | 17/10 | 9/5 | 19/10 | |
| 22/21 | 8/7 | 26/21 | 9/7 | 4/3 | 10/7 | 32/21 | 34/21 | 12/7 | 38/21 | 40/21 | |
| 12/11 | 13/11 | 27/22 | 14/11 | 15/11 | 16/11 | 17/11 | 18/11 | 19/11 | 20/11 | 21/11 | |
| 13/12 | 9/8 | 7/6 | 5/4 | 4/3 | 17/12 | 3/2 | 19/12 | 5/3 | 7/4 | 11/6 | |
| 27/26 | 14/13 | 15/13 | 16/13 | 17/13 | 18/13 | 19/13 | 20/13 | 21/13 | 22/13 | 24/13 | |
| 28/27 | 10/9 | 32/27 | 34/27 | 4/3 | 38/27 | 40/27 | 14/9 | 44/27 | 16/9 | 52/27 | |
| 15/14 | 8/7 | 17/14 | 9/7 | 19/14 | 10/7 | 3/2 | 11/7 | 12/7 | 13/7 | 27/14 | |
| 16/15 | 17/15 | 6/5 | 19/15 | 4/3 | 7/5 | 22/15 | 8/5 | 26/15 | 9/5 | 28/15 | |