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My main drive in music is '''expanding tonality''' with higher-limit JI: at the very least in the 5- or 7-limit, and at the very most in the 23- or 29- limit.  
My main drive in music is '''expanding tonality''' with higher-limit JI: at the very least in the 5- or 7-limit, and at the very most in the 23- or 29- limit.  


My fav edos are thusly 12, 19, 22, 31, 53, 72, 94, 159, 217, 311. I'd love to compose in 311edo but I have not yet found a way to do so.
My fav edos are thusly 12, 19, 22, 31, 53, 72, 94, 159, 217, 311. I'd love to compose in 311edo but I have not yet found a way to do so.
 
The biggest EDOs I would compose in are 217 and 311, since they offer a high quality representation of the 31-limit. I will not use EDOs any higher than 311 because it's already a god-tier EDO, any higher and the step size is way too small to be faithfully percieved.
 
The next EDO that achieves a similar level of consistency is 1600EDO, which is ''almost'' consistent to the 45-odd-limit, missing 50/39 and 39/25, but those intervals can be easily fudged into 9/7 and 14/9.


My fav scales are 5L2s (hard or soft), 5L7s (supersoft) and 12L5s (superhard), alongside 5L6s (ultrahard).
My fav scales are 5L2s (hard or soft), 5L7s (supersoft) and 12L5s (superhard), alongside 5L6s (ultrahard).