31edo chord names: Difference between revisions
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== Ups and downs notation == | == Ups and downs notation == | ||
Various [[31edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. | Various [[31edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. | ||
{| class="wikitable" | {| class="wikitable" | ||
| | |- | ||
! rowspan="2" | | ! rowspan="2" | Added | ||
note | note | ||
! colspan="8" | | ! colspan="8" | Third | ||
|- | |- | ||
!vm3 | ! vm3 | ||
!m3 | ! m3 | ||
!~3 | ! ~3 | ||
!M3 | ! M3 | ||
!^M3 | ! ^M3 | ||
!v4 | ! v4 | ||
!P4 | ! P4 | ||
!~4 | ! ~4 | ||
|- | |- | ||
!( | ! (Triad) | ||
|Cvm | | Cvm | ||
|Cm | | Cm | ||
|C~ | | C~ | ||
|C | | C | ||
|C^ | | C^ | ||
|Cv4 | | Cv4 | ||
|C4 | | C4 | ||
|C~4 | | C~4 | ||
|- | |- | ||
!~6 | ! ~6 | ||
|Cvm~6 | | Cvm~6 | ||
|Cm~6 | | Cm~6 | ||
|C~6 | | C~6 | ||
|C,~6 | | C,~6 | ||
|C^,~6 | | C^,~6 | ||
|Cv4~6 | | Cv4~6 | ||
|C4~6 | | C4~6 | ||
|C~4~6 | | C~4~6 | ||
|- | |- | ||
!M6 | ! M6 | ||
|Cvm,6 | | Cvm,6 | ||
|Cm6 | | Cm6 | ||
|C~,6 | | C~,6 | ||
|C6 | | C6 | ||
|C^,6 | | C^,6 | ||
|Cv4,6 | | Cv4,6 | ||
|C4,6 | | C4,6 | ||
|C~4,6 | | C~4,6 | ||
|- | |- | ||
!^M6 | ! ^M6 | ||
|Cvm^6 | | Cvm^6 | ||
|Cm^6 | | Cm^6 | ||
|C~^6 | | C~^6 | ||
|C,^6 | | C,^6 | ||
|C^6 | | C^6 | ||
|Cv4^6 | | Cv4^6 | ||
|C4^6 | | C4^6 | ||
|C~4^6 | | C~4^6 | ||
|- | |- | ||
!vm7 | ! vm7 | ||
|Cvm7 | | Cvm7 | ||
|Cmv7 | | Cmv7 | ||
|C~v7 | | C~v7 | ||
|C,v7 | | C,v7 | ||
|C^v7 | | C^v7 | ||
|Cv4v7 | | Cv4v7 | ||
|C4v7 | | C4v7 | ||
|C~4v7 | | C~4v7 | ||
|- | |- | ||
!m7 | ! m7 | ||
|Cvm,7 | | Cvm,7 | ||
|Cm7 | | Cm7 | ||
|C~,7 | | C~,7 | ||
|C7 | | C7 | ||
|C^,7 | | C^,7 | ||
|Cv4,7 | | Cv4,7 | ||
|C4,7 | | C4,7 | ||
|C~4,7 | | C~4,7 | ||
|- | |- | ||
!~7 | ! ~7 | ||
|Cvm~7 | | Cvm~7 | ||
|Cm~7 | | Cm~7 | ||
|C~7 | | C~7 | ||
|C,~7 | | C,~7 | ||
|C^,~7 | | C^,~7 | ||
|Cv4~7 | | Cv4~7 | ||
|C4~7 | | C4~7 | ||
|C~4~7 | | C~4~7 | ||
|- | |- | ||
!M7 | ! M7 | ||
|CvmM7 | | CvmM7 | ||
|CmM7 | | CmM7 | ||
|C~M7 | | C~M7 | ||
|CM7 | | CM7 | ||
|C^,M7 | | C^,M7 | ||
|Cv4M7 | | Cv4M7 | ||
|C4M7 | | C4M7 | ||
|C~4M7 | | C~4M7 | ||
|- | |- | ||
!^M7 | ! ^M7 | ||
|Cvm^M7 | | Cvm^M7 | ||
|Cm^M7 | | Cm^M7 | ||
|C~^M7 | | C~^M7 | ||
|C,^M7 | | C,^M7 | ||
|C^M7 | | C^M7 | ||
|Cv4^M7 | | Cv4^M7 | ||
|C4^M7 | | C4^M7 | ||
|C~4^M7 | | C~4^M7 | ||
|} | |} | ||
A comma ( | |||
A punctuation comma (",") is spoken as "add", thus C,v7 is "C add-down-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma or an "add" if limiting oneself to 31edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6. | |||
Note that 4:5:6:7 = C E G vBb is named C,v7 not Cv7 because Cv7 is an alternate name for C~v7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from [[color notation]] to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened. | Note that 4:5:6:7 = C E G vBb is named C,v7 not Cv7 because Cv7 is an alternate name for C~v7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from [[color notation]] to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened. | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! Chord | |||
! Notes | |||
! colspan="2" | Ups and downs name | |||
! colspan="2" | Color name | |||
| | |||
| | |||
|- | |- | ||
|7 | | 4:5:6:7 | ||
|C | | C E G vBb | ||
|C | | C add-down-7 | ||
| | | C,v7 | ||
|C | | C har7 | ||
| | | Ch7 | ||
|- | |- | ||
|12/10/8/7 | | 7/6/5/4 | ||
|C Eb G ^A | | C vEb vGb vBb | ||
|C minor up-6 | | C downminor7 downflat-5 | ||
|Cm^6 | | Cvm7(vb5) | ||
|C sub6 | | C sub7 | ||
|Cs6 | | Cs7 | ||
|- | |||
| 12/10/8/7 | |||
| C Eb G ^A | |||
| C minor up-6 | |||
| Cm^6 | |||
| C sub6 | |||
| Cs6 | |||
|} | |} | ||
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[[File:31edo chord symbols.jpg|thumb|400px|No*ie's original proposition (2024-03-02).]] | [[File:31edo chord symbols.jpg|thumb|400px|No*ie's original proposition (2024-03-02).]] | ||
No*ie proposes the following symbols: | No*ie proposes the following symbols: | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |||
! Chord quality | ! Chord quality | ||
! Symbol | ! Symbol | ||
| Line 180: | Line 185: | ||
| Diminished | | Diminished | ||
| ∘ | | ∘ | ||
| | | | ||
|- | |- | ||
| Subdiminished / sin(bv5) | | Subdiminished / sin(bv5) | ||
| ● | | ● | ||
| | | | ||
|- | |- | ||
| Half Diminished / m7(b5) | | Half Diminished / m7(b5) | ||
| ∅ | | ∅ | ||
| | | | ||
|- | |- | ||
| Half Subdiminished / sin7(bv5) | | Half Subdiminished / sin7(bv5) | ||
| ⦰ | | ⦰ | ||
| | | | ||
|- | |- | ||
| Augmented | | Augmented | ||
| + | | + | ||
| | | | ||
|- | |- | ||
| Superaugmented / saj(#+5) | | Superaugmented / saj(#+5) | ||
| Line 206: | Line 211: | ||
== See also == | == See also == | ||
* [[19edo | * [[19edo chord names]] | ||
* [[22edo | * [[22edo chord names]] | ||
* [[24edo | * [[24edo chord names]] | ||
* [[41edo | * [[41edo chord names]] | ||
* [[Kite Guitar | * [[Kite Guitar chord shapes (downmajor tuning)]] | ||
[[Category:31edo]] | [[Category:31edo]] | ||
[[Category:Chords]] | [[Category:Chords]] | ||
[[Category:Ups and | [[Category:Ups and downs notation]] | ||
[[Category:Notation]] | [[Category:Notation]] | ||