Farya Faraji: Difference between revisions

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== Inspirations ==
== Inspirations ==
Musical traditions he has based pieces upon include [[Albanian]], [[Altai]], [[Armenian]] (ancient & modern), [[Azerbaijani]], [[Belarusian]], [[Bulgarian]], [[Byzantine]], [[Celtic]] (inc. Breton, Gaulish, Ancient Irish, Ancient Welsh), [[Chinese]] (ancient, medieval & modern), [[Croatian]], [[Greek]] ([[Ancient Greek|ancient]] & modern), [[Persian music|Iranian]] (ancient, medieval & modern), [[Jewish]] (Sephardic), [[Kurdish]], Levantine [[Arabic]], [[Montenegrin]], [[Moroccan]], [[Nogai]], [[Old Norse]], [[Ancient Roman]], [[Romanian]], [[Russian]], [[Serbian]], [[Spanish]] ([[Arabic|Andalusian]], [[flamenco]]), [[Turkic]], [[Turkish]] (inc. Ottoman), [[Ukrainian]], [[Historical temperaments|Renaissance Western European]], [[Medieval]] Western European.
Musical traditions he has based pieces upon include [[Albanian]], [[Altai]], [[Armenian]] (ancient & modern), [[Azerbaijani]], [[Belarusian]], [[Bulgarian]], [[Byzantine]], [[Celtic]] (inc. Breton, Gaulish, Ancient Irish, Ancient Welsh), [[Chinese]] (ancient, medieval & modern), [[Croatian]], [[Greek]] ([[Ancient Greek|ancient]] & modern), [[Arabic, Turkish, Persian|Iranian]] (ancient, medieval & modern), [[Jewish]] (Sephardic), [[Kurdish]], [[Arabic, Turkish, Persian|Levantine Arabic]], [[Montenegrin]], [[Moroccan]], [[Nogai]], [[Old Norse]], [[Ancient Roman]], [[Romanian]], [[Russian]], [[Serbian]], [[Spanish]] ([[Arabic, Turkish, Persian|Andalusian]], flamenco), [[Turkic]], [[Turkish]] (inc. Ottoman), [[Ukrainian]], [[Historical temperaments|Renaissance]] Western European, [[Medieval]] Western European.


He has also written [[Indian]]-inspired music which is much looser and less close in its inspiration than his other music (i.e. unlike his other music, it’s not specifically based on a specific place or time, like “carnatic music” or anything like that).
He has also written [[Indian]]-inspired music which is much looser and less close in its inspiration than his other music (i.e. unlike his other music, it’s not specifically based on a specific place or time, like “carnatic music” or anything like that).