Carl Lumma: Difference between revisions
Wikispaces>genewardsmith **Imported revision 245736977 - Original comment: ** |
Wikispaces>clumma **Imported revision 245786205 - Original comment: draft** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:clumma|clumma]] and made on <tt>2011-08-13 15:40:08 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>245786205</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt>draft</tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Carl Lumma is a music | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**Carl Lumma** (b. 1977) is a man with varied interests, including: energy policy & nuclear engineering, macroeconomics, game theory & mechanism design, artificial intelligence & cognitive computing, haptics & UX design, music theory & psychoacoustics, music composition, and the game of chess. Making his home in the San Francisco bay area, he has worked as an editor at [[http://www.keyboardmag.com|Keyboard magazine]] and as a program manager at [[http://www.apple.com|Apple Inc]]. Here's a partial list of his music theory stuff: | ||
28-string Cosmolyra after Ivor Darreg | |||
Isomorphic keyboard mapping for 5-limit just intonation | |||
Marvel temperament: 225/224 is a critical 7-limit comma | |||
Spectral analysis shows accurate 7-limit intonation in barbershop music | |||
Archimedean keyboards | |||
Rothenberg stability in pitch space | |||
Stellated Combination Product Sets: How many tones? | |||
Xenharmonic Moving Windows: Extended JI with conventional keyboards | |||
MIDI-based adaptive tuning by common-tone matching | |||
Generalizing diatonicity | |||
Classification of microtonal notation systems | |||
Triadic beat ratios do not predict listener preference | |||
New well temperaments from first principles | |||
Successive improvements in 17-limit TOP damage for the first 100 ETs | |||
Logflat-best rank 1 temperaments up to 100 notes/octave | |||
Beyond limits: Optimal subgroups for equal temperaments | |||
A quantitative measure for the strength of chord progressions | |||
Maximum dyadic error of triads in equal temperaments | |||
Optimal tunings for adaptive just intonation | |||
The MOS theorem: well-formed scales are tempered Fokker blocks | |||
Stuff of a more tutorial nature: | |||
The alternative tuning FAQ (draft) | |||
Cross-sets Primer | |||
The Too-Condensed Tuning-Math Outline | |||
Elsewhere on the web: | |||
[[http://plus.google.com/115045287509032322837/|Google Plus]] | |||
[[http://www.facebook.com/clumma|Facebook]] | |||
[[http://www.quora.com/Carl-Lumma|Quora]] | |||
[[http://en.wikipedia.org/wiki/Special:Contributions/Beefman|Wikipedia contributions]] | |||
[[http://lumma.org/microwave/|Personal blog]] | |||
</pre></div> | |||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Carl Lumma</title></head><body>Carl Lumma is a music | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Carl Lumma</title></head><body><strong>Carl Lumma</strong> (b. 1977) is a man with varied interests, including: energy policy &amp; nuclear engineering, macroeconomics, game theory &amp; mechanism design, artificial intelligence &amp; cognitive computing, haptics &amp; UX design, music theory &amp; psychoacoustics, music composition, and the game of chess. Making his home in the San Francisco bay area, he has worked as an editor at <a class="wiki_link_ext" href="http://www.keyboardmag.com" rel="nofollow">Keyboard magazine</a> and as a program manager at <a class="wiki_link_ext" href="http://www.apple.com" rel="nofollow">Apple Inc</a>. Here's a partial list of his music theory stuff:<br /> | ||
<br /> | |||
28-string Cosmolyra after Ivor Darreg<br /> | |||
Isomorphic keyboard mapping for 5-limit just intonation<br /> | |||
Marvel temperament: 225/224 is a critical 7-limit comma<br /> | |||
Spectral analysis shows accurate 7-limit intonation in barbershop music<br /> | |||
Archimedean keyboards<br /> | |||
Rothenberg stability in pitch space<br /> | |||
Stellated Combination Product Sets: How many tones?<br /> | |||
Xenharmonic Moving Windows: Extended JI with conventional keyboards<br /> | |||
MIDI-based adaptive tuning by common-tone matching<br /> | |||
Generalizing diatonicity<br /> | |||
Classification of microtonal notation systems<br /> | |||
Triadic beat ratios do not predict listener preference<br /> | |||
New well temperaments from first principles<br /> | |||
Successive improvements in 17-limit TOP damage for the first 100 ETs<br /> | |||
Logflat-best rank 1 temperaments up to 100 notes/octave<br /> | |||
Beyond limits: Optimal subgroups for equal temperaments<br /> | |||
A quantitative measure for the strength of chord progressions<br /> | |||
Maximum dyadic error of triads in equal temperaments<br /> | |||
Optimal tunings for adaptive just intonation<br /> | |||
The MOS theorem: well-formed scales are tempered Fokker blocks<br /> | |||
<br /> | |||
Stuff of a more tutorial nature:<br /> | |||
The alternative tuning FAQ (draft)<br /> | |||
Cross-sets Primer<br /> | |||
The Too-Condensed Tuning-Math Outline<br /> | |||
<br /> | |||
Elsewhere on the web:<br /> | |||
<a class="wiki_link_ext" href="http://plus.google.com/115045287509032322837/" rel="nofollow">Google Plus</a><br /> | |||
<a class="wiki_link_ext" href="http://www.facebook.com/clumma" rel="nofollow">Facebook</a><br /> | |||
<a class="wiki_link_ext" href="http://www.quora.com/Carl-Lumma" rel="nofollow">Quora</a><br /> | |||
<a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Special:Contributions/Beefman" rel="nofollow">Wikipedia contributions</a><br /> | |||
<a class="wiki_link_ext" href="http://lumma.org/microwave/" rel="nofollow">Personal blog</a></body></html></pre></div> |